THE DOORS The Doors LP VEDETTE 1967 ITALY orig 1st press+stereo VRMS 355 RARE
£
140
$
186
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Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 1 KG (1 or 2 LPs).
The shipping cost from Italy to UK and Europe for 1 or 2 albums
[it is a question of weight, we have to stay under 1kg]
is £10 via priority letter and £13 with registered letter, with a sturdy and well conceived box.
For 3-5 albums [from 1kg to 2kg] of course with registered letter, the shipping cost is £21.
Usually, if the price of the item, or the total amount of the records is from & over £22, we ship only with registered letter.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased the price for the international shipment.
We have done our best to absorb any handling fees in order to keep all international shipping rates as low as we can
WE ARE POSTING EVERYWHERE IN THE WORLD.
SO IN ORDER TO AVOID MISUNDERSTANDING WE ADVISE YOU TO ENQUIRE
ABOUT POSTAGE COST BEFORE YOU ACTUALLY BID/PURCHASE THE ITEM
FOR ITEMS FROM & OVER £ 22.00 WE’LL SHIP
ONLY WITH REGISTERED MAIL
NO EXCEPTIONS PLEASEPLEASE ASK FOR ANY INFORMATION
THE DOORS
RAY MANZAREK, ROBBY KRIEGER, JIM MORRISON, JOHN DENSMORE
The Doors, one of the most influential and controversial rock bands of the 1960s,
were formed in Los Angeles in 1965 by UCLA film students Ray Manzarek, keyboards,
and Jim Morrison, vocals; with drummer John Densmore and guitarist Robby Krieger.
The group never added a bass player, and their sound was dominated by Manzarek's electric organ work
and Morrison's deep, sonorous voice, with which he sang and intoned his highly poetic lyrics
"THE DOORS"
Produced by Paul A. Rothchild Production Supervisor Jack Holzman
Engineering Bruce Botnick, Sunset Sound Recorders, Hollywood
1967 LP VEDETTE RECORDS VRMS 355 STEREO
MADE IN ITALY ORIGINAL FIRST PRESSING
FULLY LAMINATED SINGLE COVER
WITH COMPANY INNER SLEEVE
This version: on the runout, the release date is: 30-8-67 (August 30, 1967)
Barcode and Other Identifiers
LABEL: VEDETTE - BLACK LABEL & SILVER LOGO - SILVER TEXT
Catalog on cover: (front, rear & spine) VRMS 355
Catalog on labels: VRMS 355-A / VRMS 355-B
Matrix / Runout (Side A, Stamped): VRMS 355 A (Etched): 30-8-67
Matrix / Runout (Side B, Stamped): VRMS 355 B (Etched): 30-8-67
On labels: Made in Italy - Tutti i diritti riservati
? STEREO 33 giri
An Elektra U.S.A. Recording
SEDRIM
Parole e musica dei Doors
Rights Society: SEDRIM
On Front & Back Cover (bottom right corner): il suono vive su Vedette records
On Company Inner: Sacchettificio Italiano Rho
On back cover: Words & music to all songs by The Doors (unless otherwise indicated
© Copyright Nipper Music ASCAP
Vedette Records C.so Europa, 5 - Milano
from my records collection
tracklisting
Side A: BREAK ON THROUGH (To The Other Side) - SOUL KITCHEN
THE CRYSTAL SHIP - TWENTIETH CENTURY FOX
ALABAMA SONG (Whisky Bar) - LIGHT MY FIRE
Side B: BACK DOOR MAN - I LOOKED AT YOU - END OF THE NIGHT
TAKE IT AS IT COMES - THE END
grading
RECORD NEAR EX but (please, read above description)
SLEEVE NEAR EX but (please, see pictures and read above description)
A tremendous debut album, and indeed one of the best first-time outings in rock history,
introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knock-out punch.
The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop
for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts
and established the group as stars, but most of the rest of the album is just as impressive,
including some of their best songs: the propulsive "Break on Through" (their first single),
the beguiling Oriental mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes",
and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox."
The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious.
It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension
would never be equaled by the group again, let alone bettered...(AllMusic)