THE DOORS Waiting For The Sun LP ELEKTRA 1968 US 1st press+gold+unipak+stereo
  £   25
  $   33

 


£ 25 Sold For
Jan 5, 2018 Sold Date
Dec 26, 2017 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

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THE DOORS

RAY MANZAREK, ROBBY KRIEGER, JIM MORRISON, JOHN DENSMORE

The Doors, one of the most influential and controversial rock bands of the 1960s, 

were formed in Los Angeles in 1965 by UCLA film students Ray Manzarek, keyboards, 

and Jim Morrison, vocals; with drummer John Densmore and guitarist Robby Krieger. 

The group never added a bass player, and their sound was dominated by Manzarek's electric organ work 

and Morrison's deep, sonorous voice, with which he sang and intoned his highly poetic lyrics

"WAITING FOR THE SUN"

Produced by Paul A. Rothchild

1968    LP     ELEKTRA RECORDS       EKS-7248    STEREO

PRINTED IN U.S.A.    ORIGINAL PRESSING on ELEKTRA GOLD LABEL with LARGE WHITE "E"

<First pressings were issued on either tan or gold labels, depending on paper stock used. 

"Stereo" on both sides of the label.>

 GATEFOLD SLEEVE

HEAVY CARDBOARD COVER (UNIPAK STYLE)

Barcode and Other Identifiers

Barcode: none

LABEL: ELEKTRA - GOLD LABEL w/LARGE WHITE LOGO on TOP -  BLACK TEXT

Catalog on cover: EKS-74024 

Catalog on labels: EKS-74024-A / EKS-74024-B

Matrix / Runout (Side A, Etched): EKS 74024A-SON

Matrix / Runout (Side B, Etched): EKS 74024B-AL

On labels:STEREO elektra STEREO

Words & music to all songs bt The Doors

Copyright © by Nipper Music ASCAP

Produced by Paul A. Rothchild

On Inside Left Panel: Lyrics to a Theatre Composition by The Doors

Copyright © 1968 by Nipper Music Co., Inc. All rights...........ASCAP.

UNIPAK-PAT. PENDING

On Back Sleeve: All selections written, arranged and performed by The Doors.

Douglas Lubahn occasional bass.

On The Unknown Soldier, Kerry Magness plays bass.

On Spanish Caravan, Leroy Vinegar plays acoustic bass and Douglas Lubahn plays electric bass

Produced by Paul A. Rotchild

Engineer Bruce Botnick

Elektra Records 1855 Broadway New York City 10023

Printed in U.S.A.

tracklisting

Side A: HELLO, I LOVE YOU - LOVE STREET - NOT TO TOUCH THE EARTH

SUMMER'S ALMOST GONE - WINTERTIME LOVE - THE UNKNOWN SOLDIER

Side B: SPANISH CARAVAN - MY WILD LOVE

WE COULD BE SO GOOD TOGETHER - YES, THE RIVER KNOWS - FIVE TO ONE

  grading

RECORD EX but (please, read above description) 

SLEEVE EX but (please, see pictures and read above description)

The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major 

disappointment. With a few exceptions, the material was much mellower, and while this yielded some 

fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," 

there was no denying that the songwriting was not as impressive as it had been on the first two records. 

On the other hand, there were first-rate tunes such as the spooky "The Unknown Soldier," with antiwar 

lyrics as uncompromisingly forceful as anything the band did, and the compulsively riff-driven 

"Hello, I Love You," which nonetheless bore an uncomfortably close resemblance to the Kinks' 

"All Day and All of the Night." The flamenco guitar of "Spanish Caravan," the all-out weirdness of 

"Not to Touch the Earth" (which was a snippet of a legendary abandoned opus, "The Celebration of the Lizard"), 

and the menacing closer "Five to One" were also interesting. In fact, time's been 

fairly kind to the record, which is quite enjoyable and diverse, just not as powerful 

a full-length statement as the group's best albums...(AllMusic)


 


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