THE ELECTRIC LIGHT ORCHESTRA E.L.O. 2 12" VINYL RECORD ALBUM HARVEST 1ST PRESS
  £   25
  $   33

 


£ 25 Sold For
Jan 28, 2021 Sold Date
Dec 29, 2020 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
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Description

THE ELECTRIC LIGHT ORCHESTRA

E.L.O. 2

ORIGINAL FIRST PRESSING UK 1973 STEREO VINYL LP RECORD ALBUM

GATEFOLD COVER

COMPLETE WITH ORIGINAL HARVEST PRINTED INNER BAG

VINYL IN NEAR MINT- CONDITION

NEAR MINT- CONDITION (SEE PHOTOS)

HARVEST (EMI) RECORDS

SHVL 806

1973

  • Matrix / Runout (Runout A Side, Variant 1): SHVL 806 A-2

  • Matrix / Runout (Runout B Side, Variant 1): SHVL 806 B-2

A REALLY BEAUTIFUL COPY OF THIS EXCELLENT FIRST PRESSING ELO ALBUM ON HARVEST RECORDS WITH BEAUTIFUL CONDITION VINYL AND GATEFOLD COVER
FROM MY OWN PERSONAL COLLECTION
THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE

I DO NOT USE MISLEADING STOCK PHOTOS

FREE UK POSTAGE

THANKS FOR LOOKING



ELO 2

Label: Harvest ?– SHVL 806, Harvest ?– OC064 o 05243 Format: Vinyl, LP, Album, Misprint, Gatefold
Country: UK Released: 1973 Genre: Rock Style: Classic Rock, Symphonic Rock

TracklistHide Credits

A1 In Old England Town (Boogie No. 2) A2 Moma A3 Roll Over Beethoven Written-By – Chuck Berry B1 From The Sun To The World (Boogie No. 1) B2 Kuiama

Companies, etc.

  • Made By – Garrod & Lofthouse
  • Printed By – Garrod & Lofthouse – 7303 TPS
  • Recorded At – Air Studios

Credits

  • Artwork, Graphics – Ronchetti & Day
  • Bass, Vocals [Harmonies] – Michael D'Albuquerque
  • Cello – Colin Walker (2), Mike Edwards (6)
  • Design [Cover] – Hipgnosis (2)
  • Engineer – John Middleton
  • Percussion – Bev Bevan
  • Producer – Jeff Lynne
  • Synthesizer [Moog], Harmonium, Piano, Guitar, Vocals [Harmonies], Design [Cover Concept] – Richard Tandy
  • Violin – Wilf Gibson
  • Vocals, Guitar, Synthesizer [Moog], Harmonium, Design [Cover Concept] – Jef Lynne*
  • Written-By – Jeff Lynne (tracks: A1, A2, B1, B2)

Notes

Gatefold packaging.
A2 title spelled inside gatefold as "MOMMA" and as "MAMA" on A side label.
Lyrics reproduced by kind permission of Carlin Music Corp. and *Jewel Music Ltd.

Printed and made by Garrod & Lofthouse Ltd
MADE IN GT. BRITAIN

? 1973

Barcode and Other Identifiers

  • Matrix / Runout (Label A Side): SHVL. 806A
  • Matrix / Runout (Label B Side): SHVL. 806B
  • Matrix / Runout (Runout A Side, Variant 1): SHVL 806 A-2
  • Matrix / Runout (Runout B Side, Variant 1): SHVL 806 B-2
  • Matrix / Runout (Runout A Side, Variant 2): SHVL 806 A-2 PA
  • Matrix / Runout (Runout B Side, Variant 2): SHVL 806 B-2 PA
  • Matrix / Runout (Runout A Side, Variant 3): SHVL 806 A-2 HD
  • Matrix / Runout (Runout B Side, Variant 3): SHVL 806 B-2 PL
  • Matrix / Runout (Runout A Side, Variant 4): SHVL 806 A-2 1 GL
  • Matrix / Runout (Runout B Side, Variant 4): SHVL 806 B-2 2 MD
  • Matrix / Runout (Runout A Side, Variant 5): SHVL 806 A-2 1 AG
  • Matrix / Runout (Runout B Side, Variant 5): SHVL 806 B-2 1 RA
  • Matrix / Runout (Runout A Side, Variant 6): SHVL 806 A-2 1 ML
  • Matrix / Runout (Runout B Side, Variant 6): SHVL 806 B-2 2 MD

Record Collector Magazine's Grading Guide


    "MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

    EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

    VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

    GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

    FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

    POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

    BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."


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