THE END-INTROSPECTION-LP ORG. PSYCHE UK DECCA -STEREO-1969-THE ROLLING STONES
  $   500

 


$ 500 Sold For
May 17, 2012 Sold Date
May 10, 2012 Start Date
$   10 Start price
15   Number Of Bids
  Greece Country Of Seller
eBay Auctioned at
 
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Description

S h i p p i n g :

WARNING USA BIDDERS: The shipping cost for USA is the follow: $ 15.00 for the first item plus $ 4.00 each additional item (Registered mail)

Please wait for invoice.

EUROPEAN COMMUNITY COUNTRIES: $ 12.00 for the first item plus $ 3.00 each additional item (Registered mail).

Double vinyl cost $ 14.00

7” single cost $ 7.00

ALL OTHER COUNTRIES: $ 15.00 for the first item plus $ 4.00 each additional item (Registered mail)

Double vinyl cost $ 18.00

7” single cost $ 8.00

DOMESTIC (Greece): $ 7.00 for the first item plus $ 2.00 each additional item (Registered mail)

ONLY PAYPAL ACCEPTED

 

D E S C R I P T I O N :

FORMAT: LP

ARTIST: THE END

TITLE: INTROSPECTION

LABEL:  DECCA RECORDS

NUMBER: SKL-R.5015

MONO/STEREO: ST.

LABEL :-

GRADE & DESCRIPTION (COVER): VG +  GENERAL WEAR, CLEAR TAPE MARKS AND DIRT  ON THE SPINE AND MOSTLY ON THE SEAM THE RECORD STAYS,TEAR ON THE UPPER SEAM ON THE MIDDLE BUT STILL IN  NICE  SHAPE. (please, view scans for details).

 GRADE & DESCRIPTION (RECORD): EX TO MINT - VERY LIGHT BACKROUND NOISE PLAYS EXTREMELY WELL   

 ADDITIONAL NOTES:

 

THE END - INTROSPECTION

THE END INTROSPECTION UK DECCA SKL-R 5015 STEREO YEAR 1969 GREAT ALBUM PSYCH ORIGINAL UK PRODUCED BY BILL WYMAN.

MATRIX#

 (XZAL-8993.P-1L XZAL-8994.P-1L)

TRACKS:                                                                

SIDE 1:

DREAMWORLD

UNDER THE RAINBOW

SHADES OF ORANGE

BROMLEY COMMON

CARDBOARD WATCH

INTROSPECTION (pt 1)

SIDE 2:

WHAT DOES IT FEELLIKE

LINEN DRAPER

DON'T TAKE ME

LOVING, SACRED LOVING

SHE SAID YEAH

JACOB'S BLADDER

INTROSPECTION (pt 2)

Biography

by Jon "Mojo" Mills

Although never achieving the success they deserved, the End are best remembered for their Bill Wyman-produced psychedelic-pop that was a masterful mixture of swirling, dream-like numbers, and flowery, but never twee, pop. Their Introspection album is now viewed as one of the finest examples of British psychedelia. Dave Brown and Colin Giffin formed the End in 1965 following the demise of beat group the Innocents. Nicky Graham and John Horton were drafted in from Dickie Pride's backing group, the Original Topics, and the line-up was completed with former Tuxedos drummer Roger Groom. After recording at the now legendary R.G. Jones' Morden studio, successful friend Bill Wyman arranged a tour with the Rolling Stones. They also appeared with Spencer Davis on ITV television's Thank Your Lucky Stars playing "Hallelujah I Love Her So." At this time their music was very much in the club-soul/blue-eyed soul style that was sweeping England by storm. Following the tour, Roger Groom quit to be replaced by Hugh Atwooll, a former school friend of Nicky Graham. John Horton also quit, but the split was amicable as he continued to help out on their second single, "Shades of Orange." Cut by Bill Wyman, with the addition of Charlie Watts on tabla, the song was recorded during the sessions for the Rolling Stones' psychedelic foray, Their Satanic Majesties Request. "Shades of Orange" epitomizes British Psychedelia and is one of the genre's most sought after items.

Following the single's release, Gordon Smith also left and was replaced by former Mode guitarist Terry Taylor. The band then decamped to Spain, where several singles were released domestically, including "Why," a Top Five hit in April 1967. By Christmas 1968, both Colin Giffin and Hugh Attwooll had left after recording the Introspection album, and although a new drummer, Paul Francis, was enlisted, the writing was on the wall. With the arrival of another Mode refugee, Jim Henderson, the End metamorphosed into the more progressive-sounding Tucky Buzzard. Introspection was delayed for over a year due to a fallout from the Rolling Stones' bust-up with Allen Klein and was musically the type of psychedelia that had gone out of fashion by the time of its December 1969 release. The band had changed name and style, leaving this glorious album to sink without a trace.






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