THE JAM "SOUND AFFECTS" 1980 POLYDOR NM/NM W/SUPER RARE PROMO 7"(MINT ) OOP LP

$

25

TWO YEARS AGO I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE MUSIC COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!). THIS ITEM IS FROM HIS COLLECTION.

THE PHOTO'S MAY BE A LITTLE BLURRY, HAVE A LITTLE GLARE, SOME REFLECTIONS OR IN SOME CASES YOU MAY SEE SPECKS OF DUST. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. I DO COMBINE SHIPPING. BUT I DO NOT ACCEPT “BEST OFFERS”, THE MONIES GO TO MY FRIENDS WIDOW.

THESE ARE VISUALLY & PLAY GRADED.

ARTISTS: THE JAM

TITLE: “SOUND AFFECTS” (WITH BONUS WHITE LABEL PROMO 7”)

TRACK LISTING: SEE PHOTO'S & BELOW

A1

Start!

A2

Pretty Green

A3

Monday

A4

But I'm Different Now

A5

Set The House Ablaze

A6

That's Entertainment

B1

Dream Time

B2

Man In The Corner Shop

B3

Music For The Last Couple

B4

Boy About Town

B5

Scrape Away

C1

Going Underground

2:53

C2

The Dreams of Children

2:59

Notes

Promotional copy:
- stamp on rear sleeve ("Loaned for promotion only-Not for sale-Ownership and all rights reserved");
- silver sticker on cover;
- with bonus 7": "Going underground"/"The dreams of children" (housed in Polydor company sleeve, white label, cat. n. PRO 145) 

LABEL: POLYDOR RECORDS

CAT.#: PD-1-6315

YEAR: 1980

RECORD CONDITION: THE RECORD IS IN EX/NM CONDITION. BOTH LABELS ARE IN EXCELLENT CONDITION.. VISUALLY NICE SHINEY LUSTER TO THE VINYL. NO SCUFFS, BLEMS, LINES, VISIBLE SCRATCHES. VISUALLY LOOKS VERY CLEAN. AUDIO WISE THIS IS SUPER CLEAN, IN BETWEEN TRACKS VERY CLEAN. PLAYS SUPER CLEAN.

SLEEVE CONDITION: THE JACKET IS IN EX/NM- CONDITION. NICE STRAIT EDGES, NO WRITING, TEARS, WRINKLES, CREASES. STULL IN ORIGINAL SHRINK WRAP.

MORE INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. RECORD COMES IN ORIGINAL INNER SLEEVE W/LYRICS. (SEE PHOTOS). THE 45 HAS NEVER BEEN PLAYED STILL IN SLEEVE. DISCOGS HAS THIS AS A PROMO ALBUM+ BONUS 7”, BUT THIS IS NOT MARKED AS A PROMO, EXCEPT FOR THE LABELS ON THE 7”.

MORE INFO ON THE ARTISTS/RELEASE:

The Jam were an English mod revival/punk rock band during the 1970s and early 1980s, which formed in 1972 at Sheerwater Secondary School in Woking, in the county of Surrey.

While it shared the "angry young man" outlook and fast tempo of the contemporary mid-1970s' British punk rock movement, in contrast with it the band wore smartly tailored suits reminiscent of English pop-bands in the early 1960s, and incorporated mainstream 1960s rock and R&B influences into its sound, particularly from The Who's work of that period, and also drew influence from the work of the Kinks and the music of American Motown. This placed the act at the forefront of the 1970s/1980s nascent Mod Revival movement.

The band released 18 consecutive Top 40 singles in the United Kingdom, from their debut in 1977 to their break-up in December 1982, including four number one hits. As of 2007, "That's Entertainment" and "Just Who Is the 5 O'Clock Hero?" remained the best-selling import singles of all time in the UK. They released one live album and six studio albums, the last of which, The Gift, hit number one on the UK Albums Chart. When the group disbanded in 1982, their first 15 singles were re-released and all placed within the top 100.

The band drew upon a variety of stylistic influences over the course of their career, including 1960s beat music, soul, rhythm and blues and psychedelic rock, as well as 1970s punk and new wave. The trio were known for their melodic pop songs, their distinctly English flavour and their mod image. The band launched the career of Paul Weller, who went on to form The Style Council and later had a successful solo career. Weller wrote and sang most of the Jam's original compositions, and he played lead guitar, using a Rickenbacker 330. Bruce Foxton provided backing vocals and prominent basslines, which were the foundation of many of the band's songs, including the hits "Down in the Tube Station at Midnight", "The Eton Rifles", "Going Underground" and "Town Called Malice" mainly using a Rickenbacker 4001 or a Fender Precision Bass, as well as, on rare occasions, an Epiphone Rivoli.

Jam biographer Sean Egan said of the Jam that they "took social protest and cultural authenticity to the top of the charts."

History

Formation (1972–1976)

The Jam formed in Woking, Surrey, England, in 1972. The line-up was fluid at this stage, consisting of Paul Weller on bass and lead vocals together with various friends at Sheerwater Secondary School. They played their first gigs at Michael's, a local club. The line-up began to solidify in the mid-1970s with Weller, guitarist/vocalist Steve Brookes and drummer Rick Buckler. In their early years, their sets consisted of covers of early American rock and roll songs by the likes of Chuck Berry and Little Richard. They continued in this vein until Weller discovered the Who's debut album My Generation and became fascinated with Mod music and lifestyle. As he said later, "I saw that through becoming a Mod it would give me a base and an angle to write from, and this we eventually did. We went out and bought suits and started playing Motown, Stax and Atlantic covers. I bought a Rickenbacker guitar, a Lambretta GP 150 and tried to style my hair like Steve Marriott's circa '66." Eventually Brookes left the band, and was not replaced. Up to this point Weller had been playing bass and Foxton had been the band's second guitar player; he persuaded Foxton to take over bass duties and developed a combined lead/rhythm guitar style influenced by the Who's Pete Townshend as well as Dr. Feelgood guitarist Wilko Johnson. The line-up of Weller, Foxton, and Buckler would persist until the end of The Jam's career.

Throughout, the band were managed by Weller's father, John Weller, who then managed Paul's career until John died in 2009.

In the following two years, the Jam gained a small following around London from playing minor gigs, becoming one of the new lights on the nascent punk scene. In many ways, however, they stood out from their punk peers. Though they shared an "angry young men" outlook, short hair, crushing volume and lightning-fast tempos, the Jam wore neatly tailored suits where others wore ripped clothes, played professionally where others were defiantly amateurish, and displayed clear 1960s rock influences where others were disdainful (at least ostensibly) of such music (which had been a major influence on the "stadium rock" and "prog rock" of the 1970s). Indeed, the band were tagged by some journalists as "revivalists". They were signed to Polydor Records by Chris Parry in early 1977.

Sound Affects is the fifth studio album by British rock band the Jam. The cover art is a pastiche of the artwork used on various Sound Effects records produced by the BBC during the 1970s. It is their only album co-produced by the band, and contains the only album track co-written by the entire band, "Music for the Last Couple". The album was released on 28 November 1980.

Paul Weller is known to have opined Sound Affects as the best album the Jam released throughout their career;freely admitting the Beatles' Revolver had been a major influence upon much of the material from the album.

Influences

Musical influences noted include post-punk groups such as Wire, Gang of Four, and Joy Division and, particularly evident in Rick Buckler's drumming, Michael Jackson's Off the Wall album. Frontman Paul Weller said at the time that he considered the album a cross between Off the Wall and Revolver. In BBC Radio 6 Music's documentary The Jam: Made in Britain, Weller cited it as his favourite Jam album.

Singles

The album features the group's second UK number one single, "Start!", built around an almost exact copy of the bassline and a homage to the guitar solo from the Beatles' "Taxman", the first track on Revolver. Polydor pushed for "Pretty Green" to be the first single released, but Weller insisted on "Start!". This involved consulting a few of the band's friends as to what they thought the best release would be. Weller had Polydor A&R man Dennis Munday ask a small peer group of his friends who had been present throughout the recording sessions at the Town House and prior demo recordings at Polydor studios. Given the choice, they chose "Start!" as the best single release and the decision was made to release it. The decision was vindicated when "Start!" topped the British singles charts in its third week after entering at number 3."Pretty Green" includes a funk bassline and rhythm with melodic guitar breaks and psychedelic sound effects. "That's Entertainment" is an acoustic ballad. "Boy About Town" and "Dream Time" include horns. 

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