THE MANDRAKE MEMORIAL Medium LP RCA Victor 1969 UK original+stereo SF 8028
£
22
$
29
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Description
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THE MANDRAKE MEMORIAL
CRAIG ANDERTON, J. KEVIN LALLY, RANDY MONACO, MICHAEL KAC
plus LOUIS DELGATO*
Anyone who lived in Philadelphia in the late '60s would remember the Mandrake Memorial well.
They opened for many of the star rock bands who passed through the city, and in terms
of local popularity, they were probably only second to the Nazz. Outside of Philadelphia,
they were scarcely known whatsoever, though they did manage to produce some
fine second-division psychedelia. As vocalists they were adequate, but they were
accomplished players and interesting writers, dressing their solid melodies
with liberal jazz and Middle Eastern influences. Guitarist Craig Anderton became
a noted music technology writer, contributing to magazines such as Electronic Musician
"MEDIUM"
Produced by Tony Camillo and Anthony Bongiovi
1969 LP RCA VICTOR RECORDS STEREO SF 8028
MADE IN ENGLAND ORIGINAL COPY 1ST PRESSING
This version: Released in a laminated (on front) single sleeve
Barcode and Other Identifiers
LABEL: RCA Victor - ORANGE LABEL - BLACK TEXT
Catalog on cover: (spine & rear) SF 8028
Catalog on labels: SF 8028 (X4RS 0578 / X4RS 0579)
Matrix / Runout (Side A, Stamped): X4RS 0578 1
Matrix / Runout (Side A, Stamped): X4RS 0579 1
On labels: ?1969 on both labels (on the labels the release year appears at 7 o'clock circa)
(All composed by The Mandrake Memorial)
Produced by Tony Camillo and Anthony Bongiovi
A Poppy Records Production
Carlin (1-4)
rim text reads "Manufactured by RCA Ltd, England from master recordings..."
On Back Cover: RCA Limited Record Division RCA House Curzon Street London W1
© 1969 RCA Limited
Printed in England by Robert Stace
from my records collection
tracklisting
Side A: SNAKE CHARMER - WITNESS END / CELEBRATION
OTHER SIDE - LAST NUMBER
Side B: AFTER PASCAL* - SMOKESCREEN
BARNABY PLUM - CASSANDRA
grading
RECORD from VG to VG(+) but (please, read below description)
SLEEVE VG(+) but (please, see pictures and read above description)
The comparison might seem strange, but at times it sounded like the Youngbloods
might have if they'd taken their jazzier and more experimental tendencies to more
self-consciously progressive ends. There was less emphasis on harmony vocals
this time around, too, and Randy Monaco's vocals had a sorrowful quality
that sometimes recalled those of Lawrence Hammond from the
barely-better-known-than-Mandrake Memorial band Mad River:
there's some interesting psychedelic interplay
between guitar, keyboard, and vocals...(AllMusic)
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