THE MOTHERS (FRANK ZAPPA). "OVER-NITE SENSATION" DISCREET UK 1973 LP.G/F EX
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£ 35 Sold For
Jan 13, 2021 Sold Date
Jul 31, 2020 Start Date
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The Mothers ?– Over-Nite Sensation Label: DiscReet ?– K41000, DiscReet ?– K 41000 Format: Vinyl, LP, Album, Gatefold Sleeve Country: UK Released: 1973 Genre: Rock Style: Prog Rock Tracklist A1 Camarillo Brillo 4:01 A2 I'm The Slime Vocals [Announcer] – Kin Vassy 3:35 A3 Dirty Love 3:00 A4 Fifty-Fifty Vocals – Ricky Lancelotti 6:08 B1 Zomby Woof Vocals – Ricky Lancelotti 5:11 B2 Dinah-Moe Humm Vocals – Kin Vassy, Sal Marquez 6:05 B3 Montana Vocals – Kin Vassy 6:37 Companies, etc. Distributed By – WEA Records Ltd. Published By – Carlin Music Corp. Printed By – MacNeill Press Ltd. Made By – MacNeill Press Ltd. Recorded At – Bolic Sound Recorded At – Whitney Recording Studios Recorded At – Paramount Recording Studios Pressed By – CBS Pressing Plant, Aston Clinton Credits Alto Saxophone, Flute, Clarinet, Tenor Saxophone – Ian Underwood Bass – Tom Fowler Drums – Ralph Humphrey Engineer – Barry Keene, Fred Borkgren, Steve Desper*, Terry Dunavan Keyboards, Synthesizer – George Duke Marimba, Vibraphone, Percussion – Ruth Underwood Producer, Guitar, Vocals, Arranged By, Conductor, Written-By – Frank Zappa Remix – Kerry McNabb Technician – Jay "Dunt" Sloatman*, Kansas J. Canzus, Paul Hof Trombone – Bruce Fowler (3) Trumpet, Vocals – Sal Marquez Violin, Violin [Baritone] – Jean-Luc Ponty Notes Gatefold sleeve; some copies have a green sticker printed:
'Over-nite Sensation - Frank Zappa and the Mothers - K41000'.
This UK first pressing, along with other European editions with 'K' in the matrix, appears to have a different mix as the stereo channels have been switched R to L in the mastering in comparison to the first US DiscReet 'MS' edition.
This version without additional text around the edge of the label 'A Warner communications company. W' (with Warners logo at the end).
All UK vinyl covers carry a red Discreet logo with the black shadow. All other copies carry the White Discreet Logo with black shadow



AllMusic Review by Steve Huey  [-] Love it or hate it, Over-Nite Sensation was a watershed album for Frank Zappa, the point where his post-'60s aesthetic was truly established; it became his second gold album, and most of these songs became staples of his live shows for years to come. Whereas the Flo and Eddie years were dominated by rambling, off-color comedy routines, Over-Nite Sensation tightened up the song structures and tucked sexual and social humor into melodic, technically accomplished heavy guitar rock with jazzy chord changes and funky rhythms; meanwhile, Zappa's growling new post-accident voice takes over the storytelling. While the music is some of Zappa's most accessible, the apparent callousness and/or stunning sexual explicitness of "Camarillo Brillo," "Dirty Love," and especially "Dinah-Moe Humm" leave him on shaky aesthetic ground. Zappa often protested that the charges of misogyny leveled at such material missed out on the implicit satire of male stupidity, and also confirmed intellectuals' self-conscious reticence about indulging in dumb fun; however, the glee in his voice as he spins his adolescent fantasies can undermine his point. Indeed, that enjoyment, also evident in the silly wordplay, suggests that Zappa is throwing his juvenile crassness in the face of critical expectation, asserting his right to follow his muse even if it leads him into blatant stupidity (ironic or otherwise). One can read this motif into the absurd shaggy-dog story of a dental floss rancher in "Montana," the album's indisputable highlight, which features amazing, uncredited vocal backing from Tina Turner and the Ikettes. As with much of Zappa's best '70s and '80s material, Over-Nite Sensation could be perceived as ideologically problematic (if you haven't got the constitution for FZ's humor), but musically, it's terrific.


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