THE MUSIC MACHINE - TURN ON - ORIGINAL SOUND - ORIGINAL RARE GARAGE VG+ MONO
$
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Description
THE MUSIC MACHINE
TURN ON THE MUSIC MACHINE
ORIGINAL SOUND LPM 5015
MONO
1ST PRESSING
ORIGINAL STAMPER & MASTERS
SUPERB PRESSING
BEST POSSIBLE SOUND FROM ORIGINAL PARTS
VERY RARE GARAGE PSYCH MONSTER
ORIGINAL ANALOGUE BEAUTY!
JUST PLAYED LOUD AND IT SOUNDS VG++ WITH LITTLE SURFACE NOISE! JUST IN SMALL PLACES - VINYL IS VG PLUS - HAS HAIR LINES VISIBLE UNDER LIGHTS – NO DEEP FELT SCRATCHES - SUPER ORIGINAL DEEP GROOVED HEAVY SHINY VINYL THAT PLAYS WITH ALL DYNAMICS WITH SUPERB BASS AND HIGHS –
EVEN THOUGH IT SHOWS HAIR LINES, THE DEEP GROOVED VERY HEAVY VINYL PRODUCES AN EXCELLENT SOUND
WAY BETTER THAN DIGITAL!!
A VERY NICE RECORD!! HIGHLY RECOMMENDED
NOT A CUT OUT - NOT A RE-RELEASE
DEFINITELY RECOMMEND A GOOD CLEANING TO REALLY MAKE THIS RECORD JUMP!
SLEEVE IS VG+ – HEAVY ORIGINAL US CARD - HAS TOP AND BOTTOM SPLITS THAT HAVE BEEN TAPE FIXED - HAS SOME RING WEAR - HAS BUMPING ON EDGES AND CORNERS- NO WRITING - LIGHT WEAR -ORIGINAL STICK ON BACK
VG+ CONDITION OVERALL
SPINE IS VG++ WITH CORNER BUMPING
LABELS ALL PERFECT NO WRITING OR DAMAGE
PLEASE SEE PHOTOS
HIGHLY RECOMMENDED!!
THIS IS 100% GUARANTEED!!
For every story of a Velvet Underground where the triumph of art doesn’t translate commercially, there’s one of the Music Machine—where something is so colossal that it runs through prevailing trends like a bull in a china shop and knocks the door down. Such was the case in 1966 with “Talk Talk,” an explosion of artistry and aggression bolstered by a pounding keyboard lick that stormed to #15 on the charts—and on an independent label (Original Sound), no less. While it’s by no means a bad thing that the Music Machine are categorized as a 1960s garage band, they were anything but unsophisticated teens getting acquainted with their instruments. Rather, they were seasoned veterans with folk (guitarist/lead vocalist Sean Bonniwell, bassist Keith Olsen, drummer Ron Edgar), blues (lead guitarist Mark Landon), and session experience (organist Doug Rhodes). They were intent on creating something completely outside of the norm from the outset, and their recordings amply demonstrate how far they exceeded that goal. And by dressing in black, dying their hair black, and sporting black gloves—they didn’t look like anyone else, either.
1969 O
FRIENDS: PLEASE SCROLL DOWN TO READ THE GRADING CONDITIONS – ALSO, UNLESS A LP RECORD IS SEALED (US COPIES), THERE IS BOUND TO BE SOME DISCREPANCY HEARABLE. ALSO DEPENDING ON HOW GOOD YOUR STYLUS AND CARTRIDGE IS, YOU MAY DISAGREE WITH MY GRADINGS BUT, PLEASE NOTE: THIS RECORD IS GUARANTEED, IF YOU ARE NOT SATISFIED WITH THE CONDITION PLEASE RETURN FOR A FULL REFUND – PLEASE DISCUSS WITH ANY PROBLEMS
PLEASE NOTE:
We are not financially responsible for mishandling of parcels by the postal service.
PRIOR TO OPENING A CASE WITH EBAY- I AM HAPPY TO ALWAYS DISCUSS ANY ERRORS – ALSO PLEASE READ THE SMALL STUFF AT THE END OF THE PAGE!!
ALL LP RECORDS ARE SHIPPED IN PROPER ALBUM BOXES AND DISC IS SEPERATED FROM SLEEVE AND ALL PLACED IN PLASTIC COVER
ALL BUYERS WILL GET POSITIVE FEEDBACK – PLEASE DO THE SAME ALSO PLEASE BE AWARE A STAR RATING OF 4 IS CONSIDERED BY EBAY TO BE BELOW AVERAGE! AND ALWAYS LEADS TO A SELLER BEING PUNISHED BECAUSE NO ONE REALLY UNDERSTANDS THEIR RATING SYSTEM
We ship worldwide!!
ALL RECORDS SHIPPED FROM THE UNITED STATES VIA USPS
USA , LP's & 10"
- $4.00 usps MEDIA MAIL (no insurance , 2 to 9 days , online tracking , $1.50 for each additional record)
WORLDWIDE , LP's & 10"
-$19.00 usps 1ST CLASS AIR (no insurance , tracking # , buyer is responsible for any loss , $6.00 for each additional record)*
*PLEASE NOTE: THE MAXIMUM WEIGHT FOR 1ST CLASS AIR IS 4LB – OR 4 LP’S FOR 5 OR MORE, SHIPPING WILL BE VIA PRIORITY AIR AND SUBJECT TO AN EXTRA $5 PER LP OVER 4 LIMIT
CANADA, LP's & 10"
-$13.00 USPS 1ST CLASS AIR (no insurance, no tracking #, buyer is responsible for any loss, $1.50 for each additional record
7” 45’S
USA: $4.00 1st class
WORLDWIDE: $9.00 1st class
CANADA: $8.00 1st class
How I Grade Condition Of Discs
Mint
This means I have owned it from new or purchased from a distributors warehouse, basically it means absolutely new shape, never been played or out of its dust cover. In the case of LP's, a North American album will have to be factory sealed (anyone can reseal an album!) Take Note: European and Japaneses albums were never shrink wrapped!
Note: Being mint does not guarantee it's free of pops and clicks, many pressings especially from the US were made with very poor vinyl and in a hurry which means often there are imperfections in the pressing. As a former importer, we were often given back brand new albums due to clicks heard in the playback.
Mint Minus - No such thing, it's either mint or not.
Excellent - A disc is super clean, with no visible marks
Excellent Plus, means it's probably mint but can't be proven by me.
Excellent minus, is a disc that is excellent except it may have some markings that do not show up in the playing
VG - A disc that is STILL in good shape, WILL have some scuffs or scratches, not in excellent shape but well worth owning. VG + and ++,a disc that is that much better than VG.
VG minus, just a smidgen below VG
Good - A disc that can be played, has obvious ware but is worth owning, a DJ copy of a rare early Motown for instance or a rare Doo-Wop or Northern Soul which could still be worth a fortune, Good Minus & Good Plus is a step above or below Good. In most cases I will not offer a disc in this condition unless it's rare and hard to find.
LABELS
Labels do not alter the grading of vinyl; many records are Excellent, looked after by the previous owner but still have their initials or markings on the label. A DJ copy will often have markings to show which side to be plugged, or the length of the intro. Many labels and covers in the US have been punched, that was done by the record company to show the disc was deleted and shipped out to mass retailers to sell cheap and could not be returned for a credit, this does not impede the value, many records eg Swan and VJ Beatles were done like that, also many promo lp’s were punched or slit to show they were provided as promotion and not charged to the client and no royalties paid to the artist
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