THE NONESUCH GUIDE TO ELECTRONIC MUSIC 2LPs Paul Beaver & Bernard L. Krause BOOK

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THE NONESUCH GUIDE TO ELECTRONIC MUSIC 2LPs
Paul Beaver & Bernard L. Krause
with BOOKLET & original sleeves

Media Condition:Both discs are at least  VG++ (full gloss, no scuffs or scratches, clean labels)
Box Condition: VG++ (very light surface & edge wear, attached cover, clear readable spine, no split seams or corners)

A1     I. Peace Three     3:08
    II. Signal Generators
    A. Sine Waveform
A2a     1. Slow-Motion Audible Example     0:05
A2b     2. Composition     0:50
A2c     3. Harmonic Synthesis     0:33
A2d     4. Non-Harmonic Synthesis     0:37
    B. Sawtooth Waveform
A3a     1. Slow-Motion (Negative- And Positive-Going)     0:12
A3b     2. Composition     0:34
    C. Rectangular Waveform
A4a     1. Slow-Motion Audible Example (1/8-1/2)     0:28
A4b     2. Composition (Using 1/8, 1/7, 1/3, 1/2)     0:35
    D. Triangular Waveform
A5a     1. Slow-Motion Audible Example     0:05
A5b     2. Composition     0:20
    -
A6     E. White Sound Composition     0:13
    III. Control Generators
A7a     A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion     0:08
A7b     B. Sequential Voltage Sources. Composition     1:55
    IV. Frequency Modulation
    A. Keyboard Control
B1a     1. 12-Tone     0:32
B1b     2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)     0:40
B1c     3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)     0:31
B1d     4. Portamento     0:23
    -
B2     B. Ribbon Control     0:30
    C. Periodic
B3a     1. Vibrato ? (Speed Increases As Pitch rises)     0:28
B3b     2. Sine-Higher Frequency     0:27
B3c     3. Sawtooth-Swept     0:38
B3d     4. Rectangular 1/2-Swept L2     0:32
B3e     5. Triangular-Swept     0:31
    D. Periodics Combined
B4a     1. 3 Square Waves At Different Frequencies     0:28
B4b     2. 3 Triangular Waves At Different Frequencies     0:37
B4c     4 Different Waveforms 2L 2N 2V 2S At Different Frequencies     0:46
    -
B5     E. White Sound     0:12
    F. Transient
B6a     1. Up An Octave, Back To Pitch     0:17
B6b     2. Up A 3rd, Back To Pitch     0:07
B6c     3. Down An Octave, Back To Pitch     0:09
B6d     4. Down A 3rd, Back To Pitch     0:13
    V. Amplitude Modulation
C1     A. Keybaord     0:13
C2     B. Ribbon Controller     0:10
    C. Periodic
C3a     1. Tremolo     0:25
C3b     2. Sine-Higher Frequencies (S Sweeping S)     0:47
C3c     3. Sawtooth (Negative- And Positive-Going Swept)     1:20
C3d     4. Rectangular-L2 Swept     0:28
C3e     5. Triangular-Swept     0:50
    D. Periodics Combined
C4a     1. 4 Square     0:44
C4b     2. 3 Triangular     0:23
C4c     3. 4 Different ?, ?, 2L, ?     0:23
    -
C5     E. White Sound     0:38
    F. Transient
C6a     1. Slow     0:08
C6b     2. With Rising Pitch     0:15
C6c     3. ?????     0:14
    VI. Ring Modulation
    A. Sine Waves
C7a     1. Series Of Sub-Audible Constants     2:00
C7b     2. Tune In Parallel     0:40
C7c     3. Tuned In Opposite Direction     0:30
    -
C8     B. Sawtooth     0:33
C9     C. Rectangular L2     0:39
    VII. Filtering
D1     A. White Sound - With Fixed Filters Selected 3rd Octave     0:25
    B. White-Sound-Tuned Filters
D2a     1. Broad     0:43
D2b     2. Sharp     0:25
    -
D3     C. Low-Frequency Sawtooth-Tuning Through Harmonics     1:05
D4     D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics     0:50
D5     E. Swept With Ribbon Controller     0:40
    F. Periodic
D6a     1. Sine-Timbre Vibrato Effect     0:25
D6b     2. Sine-Variable Rate And Depth     0:36
D6c     3. Sawtooth (Descending And Ascending)     0:50
D6d     4. Rectangular     
    G. Transient (Sawtooth With Transient Controlled Filter)
D7a     1. -----------------     0:12
D7b     2. -----------------     0:10
D7c     3. ------------------     0:09
D7d     4. ------------------     0:08
    VIII. Tape Delay
D8     A. Single Repeat     0:13
D9     B. Multiple Repeat     2:55
    -
D10     IX. Peace Three (Recap)

Shipping includes packing record in stiff cardboard LP mailer.

Combined shipping is welcomed.

GOLDMINE GRADING

SEALED: Never opened...never played.  Still in original shrink.


MINT : It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NM : Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VG+ : The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VG : Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

G : Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

P : Any record or cover that does not qualify for the above Good grading should be seen as Poor. Several cover flaws.

I will ship within 2 business days of receiving payment.