THE ROLLING STONES "Englands Hit Makers" 1964 LP Poster
$
172
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Description
The Rolling Stones / England's Newest Hit Makers - London Records LL-3375 (Mono)(US)(1964/5) ...This auction is for an early Issue Mono Record on U.S. vinyl. It is an original issue that features the extremely limited poster.
The British version of the Stones' first album has a nearly identical cover to its American equivalent, issued six weeks later, but a slightly different song lineup. Among these 12 songs, absent is "Not Fade Away," which was a hit single in England (where singles and LPs were usually kept separate), and in its place is the Stones' cover of Bo Diddley's "Mona (I Need You Baby)" (credited here as "I Need You Baby"), which had to wait until Rolling Stones Now!, a year later, for its U.S. release.
Track listings and review below...
Detailed item info:
Track listing(Side One)
1. Not Fade Away
2. Route 66
3. I Just Want to Make Love to You
4. Honest I Do
5. Now I've Got a Witness
6. Little by Little
(Side Two)
1. I'm a King Bee
2. Carol
3. Tell Me
4. Can I Get a Witness
5. You Can Make It If You Try
6. Walking the Dog
Details Contributing artists: Phil Spector, Gene Pitney Producer: Andrew Loog Oldham
Distributor: London Records, Ltd. (USA)
Recording type: Studio Recording mode: Monaural
Album notes The Rolling Stones: Mick Jagger (vocals, harmonica); Brian Jones (guitar, harmonica, background vocals); Keith Richards (guitar, background vocals); Bill Wyman (bass); Charlie Watts (drums).
Additional personnel: Gene Pitney (piano); Ian Stewart (keyboards); Phil Spector (maracas).
Liner Note Author: Andrew Loog Oldham.
Recording information: Regent Sound, London, England.
Arranger: The Rolling Stones.
The first full-length Rolling Stones album is a raw document of their early sound. Their take on Willie Dixon's "I Just Want to Make Love to You" is steeped in Chicago blues filtered through a West London sensibility, while the insistent harp on their hit cover of Buddy Holly's "Not Fade Away" is an early example of the band's technique of using blues riffs as pop hooks. "Tell Me" is a fairly embryonic attempt at Tin Pan Alley songwriting (they're far more at home with the raw R&B of "Little By Little") and it's obvious that at this early stage the band was most comfortable performing R&B covers, such as Rufus Thomas's classic "Walking the Dog," and particularly Chuck Berry's "Carol," which remained a staple of the band's live shows for some years.
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