THE ROLLING STONES LET IT BLEED UK IMPORT DECCA LP POSTER EX PLUS 1969
$
48
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Description
Here is an EXCELLENT PLUS! LP by THE ROLLING STONES titled LET IT BLEED. It is an UK (EU EXPORT) pressing on the DECCA label, catalog #SKL 5025 in “FFSS” STEREO sound and released in 1969. The vinyl is in EXCELLENT PLUS! condition, shiny and black, with a few wispy non-sounding hairlines and should have excellent playback. It has ITS’ UNIQUE POSTER! The cover is in EXCELLENT PLUS! condition with bottom right corner bend, very light wear to corners and edges. It is your opportunity to purchase this LP by THE ROLLING STONES in this condition. It’s a true gem for the ALBUM ROCK / BLUES ROCK / HARD ROCK / ROCK collector!! Email me with any questions and be sure to look at the pics. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING SO US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Richie Unterberger
Mostly recorded without Brian Jones -- who died several months before its release (although he does play on two tracks) and was replaced by Mick Taylor (who also plays on just two songs) -- this extends the rock and blues feel of Beggars Banquet into slightly harder-rocking, more demonically sexual territory. The Stones were never as consistent on album as their main rivals, the Beatles, and Let It Bleed suffers from some rather perfunctory tracks, like "Monkey Man" and a countrified remake of the classic "Honky Tonk Woman" (here titled "Country Honk"). Yet some of the songs are among their very best, especially "Gimme Shelter," with its shimmering guitar lines and apocalyptic lyrics; the harmonica-driven "Midnight Rambler"; the druggy party ambience of the title track; and the stunning "You Can't Always Get What You Want," which was the Stones' "Hey Jude" of sorts, with its epic structure, horns, philosophical lyrics, and swelling choral vocals. "You Got the Silver" (Keith Richards' first lead vocal) and Robert Johnson's "Love in Vain," by contrast, were as close to the roots of acoustic down-home blues as the Stones ever got.
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