THE SHADOWS OF KNIGHT Back Door Men LP DUNWICH RECORDS US orig+stereo S 667
  €   53
  $   62

 


€ 53 Sold For
Aug 20, 2018 Sold Date
Aug 10, 2018 Start Date
€   48 Start price
2   Number Of Bids
  Italy Country Of Seller
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Description

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THE SHADOWS OF KNIGHT

Chicago, Illinois had one of the liveliest garage rock scenes around in the early to mid-'60s, 

and the Shadows of Knight were at once one of the most popular and among the toughest acts 

on the Windy City's teen scene; they were also one of the few who achieved genuine stardom nationwide. 

One of the members of the group was once quoted as saying, "the Stones, Animals and Yardbirds took 

the Chicago blues and gave it an English interpretation. We've taken the English version of the blues 

and re-added a Chicago touch." Indeed, while plenty of American bands learned about the blues from 

the Rolling Stones and other U.K. acts, the Shadows of Knight were one of the first, 

and their best music was a swaggering fusion of urban blues and the raw, 

muscular sound of the harder British Invasion acts

 "BACK DOOR MEN"

1966     LP      DUNWICH RECORDS     STEREO  S 667 

PRINTED IN USA    ORIGINAL COPY

SINGLE SLEEVE

THICK CARDBOARD COVER (AMERICAN STYLE)

This version: red label  with 'Dunwich' into a yellow oval

Barcode and Other Identifiers

Barcode: none

LABEL: DUNWICH - RED LABEL w/YELLOW OVAL - BLACK TEXT

Catalog on cover: (front) S 667; (rear) S667; (spine) 667 

Catalog on labels: S 667 (ST-DN-66897) / S 667 (ST-DN-66898)

Matrix / Runout (Side A, Etched): ST-DN-66897-A   URJ  LW   —l

Matrix / Runout (Side B, Etched): ST-DN-66898  LW   —lllll

On labels: IT'S DUNWICH MAN 

Distributed by Atco Record Sales 1841 Broadway, N.Y., N.Y.

On back cover: A Dunwich Production

Recorded at Universal Recording Corp., Chicago, Illinois 

Recorded at Universal Recording Corp., Chicago, III

Recording Engineer: Bob Kidder

Dunwich Records Distributed By ATCO Record Sales

1841 Broadway, New York, New York 10023

©1966 Atlantic Recording Corporation       Printed in U.S.A.

tracklisting

Side A: BAD LITTLE WOMAN - GOSPEL ZONE

THE BEHEMOTH - THREE FOR LOVE - HEY JOE

Side B: I'LL MAKE YOU SORRY - PEEPIN' AND HIDIN'

TOMORROW'S GOING TO BE ANOTHER DAY - NEW YORK BULLSEYE

HIGH BLOOD PRESSURE - SPOONFUL

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The original LP version of this album, the second by the legendary white Chicago garage punk/blues outfit, was one of the most sought-after artifacts of mid-'60s punk rock. Back Door Men was a loud, feedback-laden, sneering piece of rock & roll defiance, mixing raunchy anthems to teenage lust ("Gospel Zone," "Bad Little Woman"), covers of Chicago blues classics (Willie Dixon's "Spoonful," Jimmy Reed's "Peepin' and Hidin'"), raga rock ("The Behemoth"), folk-rock ("Hey Joe," "Three for Love," "I'll Make You Sorry"), and a blues-punk grab off of commercial Top 40 ("Tomorrow's Gonna Be Another Day") all on one 12" platter. What makes the record even more startling is that every one of these tracks, however far afield they go from one another, works. The band strides across the music spectrum with a reach and boldness that most listeners usually only associate with the likes of the Beatles or the Rolling Stones, and a grasp that, for a moment here, may have exceeded either of those groups, as they slide from electric guitar into extended Chess-style blues instrumentals ("New York Bullseye")...(AllMusic)



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