THE SPECIAL AKA In The Studio LP NEW VINYL Chrysalis reissue The Specials 2-Tone
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Oct 21, 2023 Sold Date
Jan 6, 2018 Start Date
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Store Categories

  • HIP HOP
  • FUNK / SOUL
  • DUB/REGGAE/DANCEHALL
  • EXPERIMENTAL/IDM
  • DOWNTEMPO
  • DUBSTEP/GRIME
  • SERATO CONTROL VINYL
  • HOUSE
  • TECHNO
  • INDYTRONIC
  • SYNTHWAVE/80'S/INDUSTRIAL
  • UK BASS/FUTURE GARAGE/UKF
  • GLITCH HOP
  • AMBIENT/DRONE
  • BATTLE BREAKS/ACAPELLAS
  • DISCO
  • ELECTRO/BREAKS
  • GHETTO TECH/JUKE/FOOTWORK
  • PROGRESSIVE/TRANCE
  • DRUM N' BASS
  • BREAKCORE
  • ROCK
  • POP
  • PUNK
  • METAL
  • JAZZ
  • SOUNDTRACKS

THE SPECIAL AKA In The Studio / LP NEW VINYL / Chrysalis 2017

2017 reissue - At a time when Wham!, Frankie Goes to Hollywood, and Duran Duran reigned supreme, In the Studio was offering something distinctly different, which explains its popularity. This was Jerry Dammers' baby, and the birthing had been decidedly difficult. And it's no wonder considering just how far Dammers had taken his music, light years from the Specials' roots and miles even from the group's more diverse More Specials finale. "Housebound," for example, is absolutely claustrophobic, the rhythm disconcerting and the melody moving into no wave territory. "The Lonely Crowd" is even more dislocating, with the club-meets-funk rhythm crashing into the no wave jazz atmosphere, while the purer club strains of "Nite on the Tiles" are equally disturbing, with its odd blend of genres. Even the more accessible numbers have bite and exceedingly sharp edges, from the frustration that fills the soul-styled "Break Down" to the derision that floods the lyrics of "Bright Lights" and on to the cutting theme of the dreamy, roots-flavored "Girlfriend." Dammers' world view was growing ever darker, and his lyrics reflect this polarization. Where once there was thoughtful reasoning laced with sarcasm, here the coddling is gone, and even the irony is heavy-handed. Proof is found in the uncompromising "Racist Friend," where Dammers insists one should sever such relationships rather than attempt to alter such opinions. The evocative, Arab-esque "War Crimes" is even more militant. Israel's invasion of Lebanon, in much of the world's opinion, certainly qualified as a war crime, but many felt that Dammers overstepped the mark by comparing it to Nazi death camps. Only the warm melody and gentle delivery prevent the song from being dismissed as an outright polemic. But the 2-Toner now saw the world only in black and white, searingly condemning everything around him. Which is why "Mandela" comes as such a shock smack-dab in the middle of the set. Its glorious melody, jubilant atmosphere, and exuberant optimism are the only bright moments on the entire album, a single song of hope which crumbles to dust by sequencing it just before the horrors of "War Crimes." That, like everything else on this album, was deliberate, and underscored the total desolation that Dammers saw all around him. It's an ugly vision, but the world is very much like that.

A1 Bright Lights
A2 The Lonely Crowd
A3 Housebound
A4 Girlfriend
A5 Night On The Tiles
B1 Free Nelson Mandela
B2 War Crimes
B3 Racist Friend
B4 Alcohol
B5 Break Down The Door

Track List

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