THE VELVET UNDERGROUND & NICO Same LP VERVE 1967 US 3rd Press+foc+peelable banan
£
57
$
75
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Description
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THE VELVET UNDERGROUND & NICO
JOHN CALE, STERLING MORRISON, LOU REED, MOE TUCKER, NICO
The quintessential bohemian New York band of the '60s that fused art, rock, and poetry
in a fashion that proved incalculably influential
"THE VELVET UNDERGROUND & NICO"
1967 LP VERVE RECORDS V6-5008 STEREO
There are three variations of the cover for this, all with peelable banana on front.
The first pressing with an image of journalist Emerson superimposed on Lou Reed's face on the backcover.
This is known as the "torso" version.
The second pressing has a sticker blotting this out.
The third pressing has it airbrushed away.
Also released in mono (# V-5008)
PRINTED IN U.S.A. THIRD PRESSING (WEST COAST PRESSING)
Label variation: label refers to sides as "A" and "B", instead of "Side 1" and "Side 2" (East Coast pressing)
Song credits: L. Reed-J. Cale-S. Morrison-M. Tucker, instead of Reed-Cale-Morrison-Tucker (East Coast pressing)
Stereo Version.
No torso - airbrushed back cover version with banana sticker/peel front
GATEFOLD SLEEVE PEELABLE BANANA NO TORSO
THICK CARDBOARD COVER (AMERICAN STYLE)
Barcode and Other Identifiers
LABEL: VERVE - BLUE LABEL - SILVER TEXT & LOGO
Catalog on cover: (spine & rear) V6-5008 (inside) V/V6-5008
Catalog on labels: V6/5008 A (MGS 558) - V6/5008 B (MGS 559)
Matrix / Runout (Side A, Etched): V6-5008 SIDE-1 MGS-558-REV.
Matrix / Runout (Side B, Etched): V6-5008 SIDE-2 MGS-559
On labels: Produced by Andy Warhol
All Arrangements by The Velvet Underground
All Selections Three Prong Music, Inc. BMI
rim text reads "MGM RECORDS - A DIVISION OF METRO-GOLDWYN-MAYER, INC. - Made in U.S.A."
On front cover: Peel Slowly And See
Andy Warhol
On inside cover: All songs written by Lou Reed except the following two:
The Black Angel'ds Death Song-Lou Reed & John Cale
European Son to Delmore Schwatz-Lou Reed, John Cale, Sterling Morrison & Maureen Tucker
On back cover: THE VELVET UNDERGROUND & NICO
Produced by ANDY WARHOL
®©Metro-Goldwyn-Mayer Inc./Printed in U.S.A.
from my records collection
tracklisting
Side A: SUNDAY MORNING - I'M WAITING FOR THE MAN
FEMME FATALE - VENUS IN FURS - RUN RUN RUN - ALL TOMORROW'S PARTIES
Side B: HEROIN - THERE SHE GOES AGAIN - I'LL BE YOUR MIRROR
THE BLACK ANGEL'S DEATH SONG - EUROPEAN SON
grading
RECORD VG(+) but (please, read above description)
SLEEVE VG(-) but (please, see pictures and read above description)
One would be hard-pressed to name a rock album whose influence has been as broad and pervasive
as The Velvet Underground & Nico. While it reportedly took over a decade for the album's sales to crack
six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement
owes an audible debt to this set. While The Velvet Underground had as distinctive a sound as any band,
what's most surprising about this album is its diversity. Here, the Velvets dipped their toes
into dreamy pop ("Sunday Morning"), tough garage rock ("Waiting for the Man"),
stripped-down R&B ("There She Goes Again"), and understated love songs ("I'll Be Your Mirror")
when they weren't busy creating sounds without pop precedent.
Lou Reed's lyrical exploration of drugs and kinky sex (then risky stuff in film and literature, let alone "teen music")
always received the most press attention, but the music Reed, John Cale, Sterling Morrison,
and Maureen Tucker played was as radical as the words they accompanied.
Few rock albums are as important as The Velvet Underground & Nico,
and fewer still have lost so little of their power to surprise
and intrigue more than 40 years after first hitting the racks ...(All Music)
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