THE VELVET UNDERGROUND & NICO Same LP VERVE 1967 US 3rd Press+foc+peelable banan
  £   57
  $   75

 


£ 57 Sold For
Jul 2, 2015 Sold Date
Jun 22, 2015 Start Date
£   45 Start price
4   Number Of Bids
  Italy Country Of Seller
eBay Auctioned at
 
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Description

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THE VELVET UNDERGROUND & NICO

JOHN CALE, STERLING MORRISON, LOU REED, MOE TUCKER, NICO

The quintessential bohemian New York band of the '60s that fused art, rock, and poetry 

in a fashion that proved incalculably influential

"THE VELVET UNDERGROUND & NICO"

1967      LP     VERVE RECORDS     V6-5008  STEREO

There are three variations of the cover for this, all with peelable banana on front. 

The first pressing with an image of journalist Emerson superimposed on Lou Reed's face on the backcover. 

This is known as the "torso" version. 

The second pressing has a sticker blotting this out. 

The third pressing has it airbrushed away. 

Also released in mono (# V-5008)

PRINTED IN U.S.A.    THIRD PRESSING  (WEST COAST PRESSING)

Label variation: label refers to sides as "A" and "B", instead of "Side 1" and "Side 2" (East Coast pressing) 

Song credits: L. Reed-J. Cale-S. Morrison-M. Tucker, instead of Reed-Cale-Morrison-Tucker (East Coast pressing) 

Stereo Version.  

No torso - airbrushed back cover version with banana sticker/peel front

GATEFOLD SLEEVE    PEELABLE BANANA     NO TORSO

THICK CARDBOARD COVER (AMERICAN STYLE)

Barcode and Other Identifiers

LABEL:  VERVE - BLUE LABEL - SILVER TEXT & LOGO

Catalog on cover: (spine & rear) V6-5008     (inside) V/V6-5008  

Catalog on labels: V6/5008 A (MGS 558) - V6/5008 B (MGS 559)

Matrix / Runout (Side A, Etched): V6-5008   SIDE-1   MGS-558-REV.

Matrix / Runout (Side B, Etched): V6-5008   SIDE-2   MGS-559

On labels: Produced by Andy Warhol

All Arrangements by The Velvet Underground

All Selections Three Prong Music, Inc. BMI

rim text reads "MGM RECORDS - A DIVISION OF METRO-GOLDWYN-MAYER, INC. - Made in U.S.A."

On front cover: Peel Slowly And See

Andy Warhol

On inside cover: All songs written by Lou Reed except the following two:

The Black Angel'ds Death Song-Lou Reed & John Cale

European Son to Delmore Schwatz-Lou Reed, John Cale, Sterling Morrison & Maureen Tucker

On back cover: THE VELVET UNDERGROUND & NICO

Produced by ANDY WARHOL

®©Metro-Goldwyn-Mayer Inc./Printed in U.S.A.

from my records collection

tracklisting

Side A: SUNDAY MORNING - I'M WAITING FOR THE MAN

FEMME FATALE - VENUS IN FURS - RUN RUN RUN - ALL TOMORROW'S PARTIES

Side B: HEROIN - THERE SHE GOES AGAIN - I'LL BE YOUR MIRROR

THE BLACK ANGEL'S DEATH SONG - EUROPEAN SON

  grading

RECORD  VG(+) but (please, read above description)

SLEEVE VG(-) but (please, see pictures and read above description)

One would be hard-pressed to name a rock album whose influence has been as broad and pervasive 

as The Velvet Underground & Nico. While it reportedly took over a decade for the album's sales to crack 

six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement 

owes an audible debt to this set. While The Velvet Underground had as distinctive a sound as any band, 

what's most surprising about this album is its diversity. Here, the Velvets dipped their toes 

into dreamy pop ("Sunday Morning"), tough garage rock ("Waiting for the Man"), 

stripped-down R&B ("There She Goes Again"), and understated love songs ("I'll Be Your Mirror") 

when they weren't busy creating sounds without pop precedent. 

Lou Reed's lyrical exploration of drugs and kinky sex (then risky stuff in film and literature, let alone "teen music") 

always received the most press attention, but the music Reed, John Cale, Sterling Morrison, 

and Maureen Tucker played was as radical as the words they accompanied.

Few rock albums are as important as The Velvet Underground & Nico, 

and fewer still have lost so little of their power to surprise 

and intrigue more than 40 years after first hitting the racks ...(All Music)



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