THE VELVET UNDERGROUND WITH LOU REED "1969 LIVE" 1974 MERCURY 2LPs-EXC.COND.OOP

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LAST YEAR I LOST ONE OF MY BEST FRIENDS TO CANCER, HE WAS A COOL MUSICIAN A DRUMMER BY TRADE, ORIGINALLY FROM SEATTLE, BUT RELOCATED TO L.A. IN 1985, HE AMASSED A VERY LARGE RECORD COLLECTION, AND HAD KILLER TASTE FOR ROCK & ROLL, SADLY I AM SELLING OFF A LOT OF HIS COLLECTION ON BEHALF OF HIS WIDOW TO HELP PAY OFF DEBTS INCLUDING HOSPITAL BILLS, TAXES AND STORAGE UNIT FEES. I AM NOT TAKING ANYTHING FOR THIS SERVICE, DOING IT FOR MY FRIEND (MISS YOU DAVE!)

THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), OR IF THERE'S SOME REFLECTIONS. BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON. THANKS FOR LOOKING. ALL RECORDS WILL MAIL OUT INSIDE A PROTECTIVE PLASTIC OUTER SLEEVE,

THIS HAS BEEN VISUALLY & PLAY GRADED

ARTIST- THE VELVET UNDERGROUND

TITLE- “1969 VELVET UNDERGROUND WITH LOU REED”

TRACK LISTING- SEE PHOTOS & BELOW

YEAR OF RELEASE- 1974

LABEL- MERCURY RECORDS

CAT.#- SRM-2-7504

RECORD CONDITION- VG+/EXCELLENT CONDITION. NICE SHINY BLACK LUSTER, NO MARKS, DINGS, ETC.ETC. VERY CLEAN! NO AUDIBLE SURFACE NOISE AT ALL. THIS IS SUPER CLEAN!

JACKET CONDITION- THE JACKET IS IN EXCELLENT CONDITION. SMALL EDGE WEAR LOWER RGHT CORNER,

ADDITIONAL INFO: THIS RECORD IS CURRENTLY OUT OF PRINT. DOUBLE LIVE LP SET

MORE INFO ON THE ARTIST & RELEASE-

The Velvet Underground was a rock band formed in 1964 in New York City by singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise (replaced by Moe Tucker in 1965). The group's integration of rock and the avant-garde achieved little commercial success during their existence, but they are now recognized as one of the bands most influential to rock, underground, experimental, and alternative music. The provocative subject matter, musical experimentation, and often nihilistic attitudes explored in the band's work would prove influential in the development of punk rock and new wave music.

The band was initially active between 1965 and 1973, and was briefly managed by the pop artist Andy Warhol, serving as the house band at the Factory and Warhol's Exploding Plastic Inevitable events from 1966 to 1967. Their debut album, The Velvet Underground & Nico (with German born singer and model Nico), was released in 1967 to critical indifference and poor sales, but over time has been critically acclaimed; it was called the "most prophetic rock album ever made" by Rolling Stone in 2003. In 2004, Rolling Stone ranked the band No. 19 on its list of the "100 Greatest Artists of All Time". The band was inducted into the Rock and Roll Hall of Fame in 1996 by Patti Smith. 

1969: The Velvet Underground Live is a live album by the Velvet Underground. It was originally released as a double album in September 1974 by Mercury Records. The September 1988 CD re-release was issued as two separate single CD volumes, with one extra track per disc. Since many of the band's studio albums were out of print in the USA from the early 1970s through the mid-1980s, 1969 was one of the more popular albums by the band, and is a fan favorite. Spin magazine's Alternative Record Guide included it in the top 100 alternative albums of all time in 1995.

Recording and production

During 1969, the Velvet Underground toured the United States and Canada, playing well over 70 dates. By this time, the band had picked up a sizeable fan base and every now and then a fan would bring along, with consent of the band, recording equipment to record a set.

Most of the time, this would mean relatively simple hand-held recorders resulting in lo-fi audience recordings. On two occasions, however, professional equipment was used. On October 19, 1969, in the End of Cole Ave. club, Dallas, a fan who happened to be a recording engineer brought along his professional gear; and in November at The Matrix in San Francisco, the band was given permission to use the in-house four-track recording desk.

The band were given two-track mixdown tapes from the recordings for reference, but nothing was done with them until 1974, after the band had dissolved and Lou Reed had become well known as a solo artist. According to bassist Doug Yule, "The release of 1969 Live... was started by Steve Sesnick [former band manager], who had the tapes and was trying to sell them to get money for himself claiming that he owned the [band] name and the rights to the album... Somehow somebody else got involved and contacted other people in the group and basically Sesnick got done. [Lou Reed's management] took the tapes and said 'It's not yours' and released it".

The mixdown tapes were submitted to Mercury Records, who agreed to release a compilation of the best performances as a double album. The compiling was done by music critic Paul Nelson, who at the time was working in A&R (artists and repertoire) at Mercury. When 1969 was released, it immediately became subject of a lawsuit as The Matrix's management had never given permission for their material to be used on a commercial release. The matter was settled out of court.

The tracks on 1969 are for the most part of good sound quality, resulting from four-track recording equipment being used. Some of the tracks feature light crackling, however, as they were sourced from acetates, the original tapes having been lost. The CD release is worse in this regard, as it appears that some tracks were sourced from a vinyl copy of the album. There is little ambiance or audience sound, however, because no audience mic was used and so the only ambience the listener gets is whatever little the vocal and drums mics picked up. This makes the record sound relatively flat and small and makes it seem that only a handful of people were present.

At the time of the album's release, three of its songs ("We're Gonna Have a Real Good Time Together", "Over You" and "Sweet Bonnie Brown"/"It's Just Too Much") had never been released in any form, two ("Lisa Says" and "Ocean") were previously only known from the versions on Reed's debut solo album, and "New Age" and "Sweet Jane" were radically different from the eventual Loaded studio versions. In addition, much of the rest of the album lends credence to a popular saying about the band—that they would not (or could not) play a song the same way twice. In particular, "I'm Waiting For The Man" (here called "Waiting For My Man") is performed in a country-rock manner; "Femme Fatale" is louder and more aggressive, and "White Light/White Heat" is extended from two-and-a-half minutes to over eight minutes of avant-garde guitar improvisation. The album is also notable for featuring songs sung by different singers from the album versions: Reed sings "New Age" (later sung by Yule on Loaded) and "Femme Fatale" (originally sung by Nico) and Yule sings "I'll Be Your Mirror" (also originally by Nico). 

Track listing

Original LP

All tracks written by Lou Reed

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