THE WHO My Generation LP VIRGIN 1965re UK reissue MONO V2179 PETE TOWNSHEND-MOD
€
18
$
21
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Description
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THE WHO
PETE TOWNSHEND, ROGER DALTREY, KEITH MOON, JOHN ENTWISTLE
An explosive combo that pioneered progressive and arena rock, each new sound
increasing their influence and legacy.They clashed frequently, but these frictions resulted
in a decade's worth of remarkable music. Though it took a while to find their audience,
by the late '60s the Who rivaled the Rolling Stones as a live act and in album sales
'MY GENERATION'
<reissue, originally published in 1965>
LP VIRGIN RECORDS MONO V2179
MADE IN ENGLAND LATE-70S/EARLY-80S REISSUE
Barcode and Other Identifiers
Barcode: none
LABEL: VIRGIN - BLACK LABEL - WHITE TEXT
Catalog on cover: (spine & rear) V2179
Catalog on labels: V2179 (V2179-A) / V2179 (V2179-B)
Matrix / Runout (Side A, Stamped): V 2179-A2 A PORKY PRIME CUT.
Matrix / Runout (Side B, Stamped): V 2179-B1 A PORKY PRIME CUT
On labels: rim text reads "All Rights.....Prohibited"
Microgroove Record
Made in England Virgin. Ltd. London
? 1965 M/T
Right Society / Publishing: M.C.P.S.; Fabulous Music; Intersong; Lois Music; Jewel Music
On back cover: Cover photograph: David Wedgbury
? 1965 Pancontinental Productions Ltd.
tracklisting
Side A: OUT IN THE STREET - I DON'T MIND - THE GOOD'S GONE
LA-LA-LA-LIES - MUCH TOO MUCH* - MY GENERATION
Side B: THE KIDS ARE ALRIGHT - PLEASE PLEASE PLEASE
IT'S NOT TRUE - I'M A MAN - A LEGAL MATTER - THE OX
*On the cover, is miscredited to Pavey, Doonican, on the label credited to Townshend
grading
RECORD EX but (please, read above description)
SLEEVE EX but (please, see pictures and read above description)
An explosive debut, and the hardest mod pop recorded by anyone.
At the time of its release, it also had the most ferociously powerful guitars
and drums yet captured on a rock record.
Pete Townshend's exhilarating chord crunches and guitar distortions threaten
to leap off the grooves on "My Generation" and "Out in the Street";
Keith Moon attacks the drums with a lightning, ruthless finesse throughout.
Some "Maximum R&B" influence lingered in the two James Brown covers,
but much of Townshend's original material fused Beatlesque hooks
and power chords with anthemic mod lyrics…(AllMusic)
price rating
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