UK ORIGINAL DELUXE EDITIONMINT, NEVER PLAYED, JUST OPENED TO CHECK THE COLOUR: WHITEHeavyweight 180g white vinyl completed with undersize 75mm centre labels, housed within heavy white board inner and outer sleeves.These are printed with a metallic silver laminate then multi-tone black and a striking neon green; the whole is enclosed in a bespoke anti-static shield bag - a metallised laminated material usually used by the electronics industry for protecting components from electrostatic interference. The bag is printed with neon green on both sides, and has a resealable grip closure.

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THOM YORKE

As the frontman for Radiohead, Thom Yorke provides the band with a humanistic focus: his keening, emphatic vocals balance even the group's chilliest moments. However, other than duets with similarly inclined artists (PJ Harvey, Björk), Yorke resisted venturing into solo recordings until 2006's The Eraser, which further plumbed the depths of Radiohead's most experimental electronic efforts. He has continued to maintain that focus in his work outside the band, whether it's through subsequent solo albums, soundtrack contributions, original scores such as 2018's Suspiria, or his Atoms for Peace project co-starring Flea and Nigel Godrich.

tracklisting

Side A: A BRAIN IN A BOTTLE - GUESS AGAIN! - INTERFERENCE - THE MOTHER LODE

Side B: TRUTH RAY - THERE IS NO ICE 8FOR MY DRINK) - PINK SECTION - NOSE GROWS SOME

2014       LP     LANDGRAB RECORDS      GRAB001

MADE IN ENGLAND    ORIGINAL DELUXE PRESSING

WHITE COLOUR VINYL

OUTER SLEEVE + COVER + INNER SLEEVE

NOTES: Heavyweight 180g white vinyl completed with undersize 75mm centre labels, housed within heavy white board inner and outer sleeves.

These are printed with a metallic silver laminate then multi-tone black and a striking neon green; the whole is enclosed in a bespoke anti-static shield bag - a metallised laminated material usually used by the electronics industry for protecting components from electrostatic interference. The bag is printed with neon green on both sides, and has a resealable grip closure.

Barcode: (sticker on outer sleeve) 8 27565 06059 7

LABEL: LANDGRAB - WHITE LABEL w/BLACK DESIGN

Catalog on cover: (inner sleeve) GRAB001    

Catalog on labels: none

Matrix / Runout (Side A, Stamped/Etched): 10060 1A GRAB 001 VILLAIN AM I NONE, THEREFORE FAREWELL, I SEE THEE KNOW ME NOT GW + BAZZA ALCHEMY

Matrix / Runout (Side B, Stamped): 10060 1B GRAB 001

On labels: none 

On Inner Sleeve: Tracklist + Credits

grading

RECORD Like New Never played but (please, read above description)

SLEEVE Like New but (please, see pictures and read above description)

Like Radiohead's In Rainbows before it, Thom Yorke's Tomorrow's Modern Boxes initially made waves not for its music but for its distribution. Announced without warning and available as a paid "bundle" via BitTorrent -- it was not the first record distributed that way but it certainly was the most prominent -- Tomorrow's Modern Boxes shared the same shock of the new as In Rainbows, and although it's certainly written on a smaller scale than that 2007 record, it occupies a similar space within Yorke's extracurricular discography. In Rainbows represented an emotional thaw after the chilly, amorphous Hail to the Thief, whereas Tomorrow's Modern Boxes warms up the icy exteriors of Eraser. Yorke never attempts to abandon his fixation on pre-EDM electronica -- at this point, his affection for turn-of-the-millennium intelligent dance music could almost qualify as classicist -- but there's a scuffed warmth to much of this album, with the warped waves of keyboards gently gliding into a rhythm later articulated by a loop. Such aural sleights of hand never call attention to themselves but neither does the album as a whole. Tomorrow's Modern Boxes is deliberately underwhelming, an old-fashioned grower that doesn't startle upon first listen but rather slowly unfolds. Even then, the album is stubbornly subtle, with Yorke exploring the space between gaps, not the chasm itself. Less charitable listeners could call it mood music and they wouldn't be wrong, because Yorke and producer Nigel Godrich are so controlled, they offer variations of a theme instead of a wide palette. This is not dissimilar to Eraser, but instead of wallowing in alienation, Yorke has found comfort within it on Tomorrow's Modern Boxes and the difference is palpable...(AllMusic)