TIM BUCKLEY BLUE AFTERNOON ULTRA-RARE ORIG '69 STRAIGHT WHITE LBL PROMO LP 1A NM

$

50

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       TIM BUCKLEY - BLUE AFTERNOON - ORIGINAL 1969 'STRAIGHT' RECORDS LP STS-1060

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       This album has been out of print and unavailable on Compact Disc for many years, and there are currently no plans to reissue it on CD or DVD that we are aware of.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Blue Afternoon was Tim Buckley's first self-produced record and his debut for Herb Cohen and Frank Zappa's Straight label. Buckley's first two albums were very much of their time and place, with their psychedelically tinged folk-rock compositions; naïve, romantic lyrical content; and moments of earnest protest. The introduction of acoustic bass and vibes into the arrangements on Happy Sad signaled a change in direction, however, and Blue Afternoon displayed similar jazz tendencies, using the same group of musicians plus drummer Jimmy Madison. Several tracks on Blue Afternoon are songs Buckley had intended to record on earlier albums but had not completed. The brooding "Chase the Blues Away" and the lighter, more upbeat "Happy Time," for instance, are numbers he had worked on in the summer of 1968 for possible inclusion on Happy Sad. (Demos can be heard on Rhino's Works in Progress album.) Here, as he did on Happy Sad, Buckley takes the folk song as his starting point and expands it, drawing on jazz influences to create new dynamics and to emphasize atmosphere and mood. This approach can be best appreciated on the mournful "The River," as simple acoustic guitar, cymbals, and vibes build a fluid, ebbing, and flowing arrangement around Buckley's beautiful, melancholy vocals. The period between 1968 and 1970 was an intensely creative one for Tim Buckley. Remarkably, during the same four weeks in which he recorded Blue Afternoon, he also recorded its follow-up, Lorca, and material for Starsailor. It's not surprising, then, that Blue Afternoon hints at Buckley's subsequent musical direction. While not in the experimental, avant-garde vein of the more challenging material on those next two albums, "The Train" foregrounds Lee Underwood's quietly intense, jazzy guitar and Buckley's vocal prowess, prefiguring the feeling of tracks like Lorca's "Nobody Walkin'" and Starsailor's "Monterey."

 (EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Of all moody, minor-key, brooding, loner folk  '60s albums, this one - as the title suggest - has got to be one of the moodiest, minor-key-est and most introvert of them all, certainly in terms of its overall texture, structure and form (contents, too). It also happens to be one of Tim Buckley's most beloved works and one of the true gems of the psychedelic singers/songwriters era. Done in one bold stroke during the summer of 1969 (the recording sessions also produced material for his "Lorca" album, for a different label - Elektra), Buckley recorded this gorgeous work just as he was contemplating the direction his music and his life were taking at this point. He apparently believed that he was needlessly being pushed into commercialism and he decided to take a 180-degree turn. Before he exploded into full-fledged hermeticism of the "Starsailor" (1970), he managed to record an album that everyone could - and would - love, and relate to. This is the music to drift away by. Music to meditate on the meaning of Cosmos, or - simply - music to watch people go by. A timeless piece of meditative, transcendent, luminous poetry, backed by an incredibly talented and competent, but also unobtrusive and subtle bunch of musicians. The original album, recorded for Frank Zappa's "Bizzare" label, sold a meager few thousand copies and promptly disappeared from the stores, never to be seen again until the equally rare Rhino/Bizzare 1989 CD reissue, which - unfortunately - shared the exact, same fate of its predecessor and has been out of print for almost twenty years. Grab this great, legendary psych album before someone else does!!  Finding a WHITE LABEL PROMO ?!?! Forget it – not even a HOPE!!! This may be the last one you will ever see.

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

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·       CONDITION:

·       THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 50:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some ring wear.  On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3  (front side) and 5 (back side) . Please note:  all copies of this album have extraordinarily sensitive back side extremely  susceptible to ring wear; in 46 years of collecting and couple of hundreds of copies of this album that went through our hands,  we MIGHT have seen two (2) copies without any, or with negligible, ring wear; even the still sealed copies had a moderate ring wear on the back panel.   Inside gatefold has some light ring wear as well.

-        Cover shows JUST A HINT of yellowing on the front side, apparently from aging.

-        Cover has a minor  wrinkle (crease) in the cardboard base on the front panel, running parallel to the spine (about 1/2" from the spine)

-        Cover has a few tiny wrinkles along the spine  (nothing significant)

-        Visible shelf wear noted on the top seams.

-        Minor shelf wear noted on the bottom seam and spine (nothing significant)

-        The cover has a few tiny scratch marks on the back panel (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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