TIM BUCKLEY Happy Sad LP ELEKTRA 1969 US red+stereo EKS-74045 LEE UNDERWOOD
  £   25
  $   33

 


£ 25 Sold For
Apr 23, 2017 Sold Date
Apr 13, 2017 Start Date
1 Number Of Bids
  Italy Country Of Seller
eBay Sold at
 
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Description

U.K.  BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS

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 THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).

The shipping cost from Italy to UK and Europe from 1 up to 5 albums

[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier

[NOT for Norway, Russia, Ukraine, Switzerland, please ask for prices with registered letter],

 with a sturdy and well conceived box.

The shipping cost  also depends by the exchange euro/pounds. 

Still, starting from the 1st of December the Italian Post increased 

the price for the international & domestic shipment. 

We have done our best to absorb any handling fees in order

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TIM BUCKLEY

with LEE UNDERWOOD, JOHN MILLER, DAVID FRIEDMAN, CARTER C.C. COLLINS

One of the great rock vocalists of the 1960s, Tim Buckley drew from folk, psychedelic rock, and progressive jazz 

to create a considerable body of adventurous work in his brief lifetime. His multi-octave range was capable of not 

just astonishing power, but great emotional expressiveness, swooping from sorrowful tenderness to anguished wailing. 

His restless quest for new territory worked against him commercially: by the time his fans had hooked into his latest album, 

he was onto something else entirely, both live and in the studio. In this sense he recalled artists such 

as Miles Davis and David Bowie, who were so eager to look forward and change that 

they confused and even angered listeners who wanted more stylistic consistency

"HAPPY SAD"

1969       LP     ELEKTRA RECORDS      EKS-74045  STEREO

PRINTED IN U.S.A.    1969/70 PRESSING ON ELEKTRA 'RED' LABEL

Early copies with tan label, the rest with red label and, later pressings, with butterfly label

[a flat brownish label was used from 1966 until 1969; during 1969-70 the label was red.

Throughout the rest of the decade the label was multicolored with a butterfly in the upper right]

THICK CARDBOARD COVER (AMERICAN STYLE) + COMPANY INNER SLEEVE

Barcode and Other Identifiers

Barcode: none

LABEL: ELEKTRA -  RED LABEL with WHITE "E" LOGO - BLACK TEXT

Catalog on cover: EKS-74045

Catalog on labels: EKS-74045-A / EKS-74045-B

Matrix / Runout (Side A, Etched): EKS-74045-A-(MON)     ?13093

Matrix / Runout (Side B, Etched): EKS-74045-B-(MON)     ?13093-X

Other / Runout (on both sides, Stamped): MR(circled) [Monarch Pressing]

On labels: All songs composed by Tim Buckley, copyright ©

Third Story Music BMI

Produced by Jerry Yester and Zal Yanovsky      

On Back Sleeve: Printed in U.S.A.

from my records collection

tracklisting

Side A: STRANGE FEELIN' - BUZZIN' FLY

LOVE FROM ROOM 109 AT THE ISLANDER (ON PACIFIC COAST HIGHWAY)

Side B: DREAM LETTER - GYPSY WOMAN - SING A SONG FOR YOU

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Easily Tim Buckley's most underrated album, Happy Sad was another departure 

for the eclectic Southern California-based singer/songwriter. After the success 

of the widely acclaimed Goodbye and Hello, Buckley mellowed enough to explore his jazz roots. 

Sounding like Fred Neil's Capitol-era albums, Buckley and his small, acoustic-based 

ensemble weave elegant, minimalist tapestries around the six Buckley originals. 

The effect is completely mesmerizing. On "Buzzin' Fly" and "Strange Feelin'," you are 

slowly drawn into Buckley's intoxicating vision. The extended opus in the middle of the record, 

"Love From Room 109," is an intense, complex composition. Lovingly under-produced 

by Jerry Yester and Zal Yanovsky, this is one of the finest records of the late '60s...(AllMusic)

 


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