The Beatles , Anthology 3 ( 3 LP )

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The Beatles, Anthology 3

Label:Apple Records – 7 24383 44511 0 Format:3 × Vinyl, LP, Compilation Country:UK Released:1996 Genre:Rock Style:Rock & Roll, Pop Rock  

( P ) 1996 The Copyright in this compilations is owned by Apple Corps Ltd / EMI Records Ltd. ( C ) 1996 Apple Corps Ltd. Under exclusive licence to EMI Records Ltd.  " Beatles " , " Apple "  and the Apple logos are trademarks of Apple Corps Ltd. Numero Catalogo Codice / Barre ; 7 24383 44511 0 . UK : PCSP 729 . Printed in UK.  Copertina apribile a libro a tre ante contenente Tre Supporti in Vinile , è il terzo ed ultimo della serie Anthology che contiene i brani del periodo dal 1968 al 1970 , L'album comprende rarità e tracce alternative dagli ultimi due anni della carriera della band, che vanno dalle sessioni iniziali di The Beatles (noto anche come The White Album) per le ultime sedute di Let It Be e Abbey Road , una raccolta antologica di 50  canzoni . A differenza dei due precedenti volumi, questo non include un demo di John Lennon completato dagli altri tre Beatles (come Free As A Bird e Real Love). Prodotto stampato in England ( UK ).

I Beatles sono stati un gruppo musicale britannico, originario di Liverpool e in attività dal 1962 al 1970. Hanno segnato un'epoca non solo nella musica ma anche nel costume, nella moda e nella moderna pop art . Anthology 3 è l'ultimo doppio CD della serie Anthology, che copre il periodo 1968-1970 (White Album, Hey Jude, Get Back/ Let It Be, Abbey Road).

APPROFONDIMENTI sull'artista , visita :

it.wikipedia.org/wiki/The_Beatles

 

Tracce presenti :

Side 1 

  01.  A BEGINNING -- A short orchestral piece composed by George Martin as the original intro to Don't Pass Me By.   02. HAPPINESS IS A WARM GUN -- John's blues, the first of seven tracks from demo sessions for The White Album recorded at George Harrison's home.   03. HELTER SKELTER -- R & B version of Paul's legendary heavy metal rocker.   04. MEAN MR. MUSTARD -- First soundings of John's Abbey Road classic taped at George's home.   05. POLYTHENE PAM -- Acoustic demo, from the "home tapes", of John's witty Abbey Road number.   06. GLASS ONION -- An acoustic "home taping" of John's White Album belter.   07. JUNK -- Paul's early working of the ballad demoed at George's but issued on McCartney.   08. PIGGIES -- George's "home taped" demo of his incisive comment for The White Album.   09. HONEY PIE -- The final track from the "home tapes", Paul's acoustic demo of The White Album song.   10. DON'T PASS ME BY -- An out-take of Ringo's first solo song composition.   11. OB-LA-DI, OB-LA-DA -- A fully completed alternative version of Paul's calypso swinger.   12. GOOD NIGHT -- An eavesdrop into a Beatles session, with ideas pitched from all as Ringo sings.

Side 2

  01. CRY BABY CRY -- Take One of John's White Album song.   02. BLACKBIRD -- A pure acoustic/vocal performance of Paul's ballad.   03. SEXY SADIE -- John's slower version of the master.   04. WHILE MY GUITAR GENTLY WEEPS -- A laid-back, acoustic demo of George's classic.   05. HEY JUDE -- An alternative version, with ad-libs, of Paul's all-time great.   06. NOT GUILTY -- A completely unreleased track written by George for The White Album.   07. MOTHER NATURE'S SON -- A strictly solo rendition by Paul.

Side 3 

  01. GLASS ONION -- A then-unreleased experiment in music and sound-effects by John.   02. ROCKY RACCOON -- A fun out-take of Paul's White Album comedy.   03. WHAT'S THE NEW MARY JANE -- Another completely unreleased track, conceived by John in best experimental style.   04. STEP INSIDE LOVE/LOS PARANOIAS -- Light-hearted jams from the White Album sessions. Paul wrote Step Inside Love as the theme for Cilla Black's TV series. Los Paranoias was made up on the spot.   05. I'M SO TIRED -- A fine alternative of John's masterpiece.   06. I WILL -- The master was take 67. This is Paul's take one.   07. WHY DON'T WE DO IT IN THE ROAD -- Paul's acoustic guitar early take.   08. JULIA -- A gentle studio work-out of John's ballad.

Side 4
   01. I'VE GOT A FEELING -- The first of 12 selections from the Let It Be sessions at the Apple studio in January 1969, with Billy Preston on keyboards for Paul and John's doubleheader.    02. SHE CAME IN THROUGH THE BATHROOM WINDOW -- A Let It Be rehearsal for Paul's song from Abbey Road.    03. DIG A PONY -- Fine vocal performances highlight John's Let It Be out-take.    04. TWO OF US -- Paul and John emulate The Everly Brothers in this duet.    05. FOR YOU BLUE -- A good unreleased version of George's 12-bar blues.    06. TEDDY BOY -- An unreleased Beatles track, written by Paul and issued on his 1970 solo debut album.    07. MEDLEY: RIP IT UP/ SHAKE, RATTLE AND ROLL/BLUE SUEDE SHOES -- A jam from the Let It Be sessions.

Side 5  

   01. THE LONG AND WINDING ROAD -- The Let It Be version of this was dressed up with orchestra and choir -- this is the undressed version as Paul intended it to sound.    02. OH! DARLING -- Another Let It Be rehearsal for Paul's song that would be taped anew for Abbey Road, the Beatles' final recorded album.    03. ALL THINGS MUST PASS -- The first of three demos by George recorded solo at Abbey Road in February 1969, never released by The Beatles, but the title track of his first post-Beatles album.    04. MAILMAN, BRING ME NO MORE BLUES -- The Beatles sing Buddy Holly.    05. GET BACK -- Paul's rocker recorded live during The Beatles last live performance, on the roof at Apple.    06. OLD BROWN SHOE -- The second of George's solo demos.    07. OCTOPUS' GARDEN -- An early out-take of Ringo's song for Abbey Road.    08. MAXWELL'S SILVER HAMMER -- Written by Paul during the White Album sessions, rehearsed during Let It Be, and recorded during Abbey Road 

Side 6 

   01. SOMETHING -- The last of George's solo demos from February 1969, an early beginning of a classic.    02. COME TOGETHER -- First take of John's Abbey Road opener.    03. COME AND GET IT -- Paul's demo, completed in under an hour, of the hit he gave to Badfinger.    04. AIN'T SHE SWEET -- 1969 recording of the standard that The Beatles first taped in Hamburg in 1961.    05. BECAUSE -- A stunning new remix of John's Abbey Road track.    06. LET IT BE -- A live-in-the-studio out-take of Paul's anthem    07. I ME MINE -- The last new song recorded by The Beatles for 24 years, taped in January 1970. This is the original version of George's Let It Be number.    08. THE END -- A guitar-based version of Paul's aptly-titled last track on The Beatles' last recorded album. And still saying it all.

The Beatles: John Lennon (voce, chitarre acustiche e elettriche, pianoforte, contrabbasso, percussioni), Paul McCartney (voce, chitarre acustiche e elettriche, pianoforte, organo, basso, batteria, percussioni), George Harrison (voce, chitarre acustiche e elettriche , percussioni), Ringo Starr (voce, batteria, percussioni). 

The Beatles: John Lennon (vocals, acoustic & electric guitars, piano, bass, percussion); Paul McCartney (vocals, acoustic & electric guitars, piano, organ, bass, drums, percussion); George Harrison (vocals, acoustic & electric guitars, percussion); Ringo Starr (vocals, drums, percussion). 

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Per qualsiasi domanda e/o chiarimento potete utilizzare l' email ; info@cavernamagica.com  o telefonare al numero di rete fissa ; 0331 882299  
For any questions and / or clarification you can use the email ; info@cavernamagica.com or call landline number ; 0331 882299