The Blues In St. Louis 1929-1937 LP Shrink NM/NM OJL Henry Townsend Walter Davis
$
24
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
The Blues In St. Louis, 1929-1937
Label: Origin Jazz Library ?– OJL-20 Format: Vinyl, LP, CompilationCountry: US Released: 1969 Genre: Blues Style:
TracklistHide Credits
A1 –Henry Townsend Henry's Worry Blues Vocals, Guitar – Henry Townsend A2 –Kokomo Arnold Set Down Gal Piano – Peetie WheatstrawVocals, Guitar – Kokomo Arnold A3 –Barrel House Buck* I Got To Go Blues Guitar – Peetie WheatstrawVocals, Piano – Thomas (Barrel House Buck) McFarland* A4 –Peetie Wheatstraw C & A Blues Guitar – Charley JordanVocals, Piano – Peetie Wheatstraw A5 –Henry Spaulding Biddle Street Blues Vocals, Guitar – Henry Spaulding A6 –Bessie Mae Smith St. Louis Daddy Piano – Wesley WallaceVocals – St. Louis Bessie A7 –Henry Townsend She's Got A Mean Disposition Vocals, Guitar – Henry Townsend B1 –Walter Davis Sloppy Drunk Again Vocals, Piano – Walter Davis B2 –Charley Jordan Tight Haired Mama Blues Vocals, Guitar – Charley Jordan B3 –Peetie Wheatstraw Sleepless Night Blues Vocals, Guitar – Peetie Wheatstraw B4 –Teddy Darby Deceiving Blues Vocals, Guitar – Teddy Darby B5 –Alice Moore Black Evil Blues Piano – Henry BrownTrombone – Ike RodgersVocals – Alice Moore B6 –Speckled Red House Dance Blues Vocals, Piano – Speckled Red B7 –Peetie Wheatstraw And His Blues-Blowers Throw Me In The Alley Accompanied By – Unknown ArtistTrombone – Ike RodgersVocals, Piano – Peetie WheatstrawCredits
- Sleeve Notes – Pete Welding
Notes
All the great guitar and piano styles of the city where the blues changed strideThe Origin Jazz Library
P.O.Box 863
Berkely, Calif. 94701
Barcode and Other Identifiers
- Matrix / Runout (Side A runout etched): OJL-20-A-RE
- Matrix / Runout (Side B runout etched): OJL-20-b-RE
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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