The CHARLATANS (S/T) LP White Label Promo LP PSYCH, COUNTRY 1969 Philips NM/VG+
$
100
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Description
AllMusic Review by Bruce Eder The self-titled Charlatans album, later released as San Francisco 1969, is a rather gorgeous and gently challenging piece of San Francisco rock, incorporating elements of blues and big-band swing, as well as '50s rock & roll and elegant '60s pop. It might not be as quite as overpowering creatively as the best records by the Jefferson Airplane, Quicksilver, or Grateful Dead, but it is one of the prettiest and most subtly beguiling albums to come out of the '60s San Francisco scene, and is also essential listening, as well as being just plain delightful.
The Charlatans (2) ?– The Charlatans Label: Philips ?– PHS 600-309 Format: Vinyl, LP, Album, Stereo Country: US Released: 1969 Genre: Rock, Folk, World, & Country Style: Psychedelic Rock, Country Rock TracklistHide Credits A1 High Coin Written-By – Van Dyke Parks 3:07 A2 Easy When I'm Dead Written-By – D. De Vore* 2:38 A3 Ain't Got The Time Written-By – M. Wilhelm* 2:47 A4 Folsom Prison Blues Written-By – J. Cash* 2:47 A5 The Blues Ain't Nothin' Written-By – M. Wilhelm* 4:44 A6 Time To Get Straight Written-By – D. De Vore* 3:53 B1 When I Go Sailin' By Written-By – R. Olsen* 2:46 B2 Doubtful Waltz Written-By – D. De Vore* 3:24 B3 Wabash Cannonball Written-By – A. P. Carter 4:04 B4 Alabama Bound Arranged By – The Charlatans (2) Written-By – Traditional 6:53 B5 When The Movies Are Over Written-By – D. De Vore* 3:04 Companies, etc. Record Company – Mercury Record Corporation Recorded At – Pacific High Recording Credits Arranged By – The Charlatans (2) Artwork – Globe Propaganda Drums – Sam Linde Drums, Percussion – Terry Wilson (4) Engineer – Dan Healy Guest, Vocals – Lynne Hughes Guitar [Fretted Instruments], Vocals, Percussion – Mike Wilhelm Guitar, Vocals – Dan Hicks Keyboards, Bass, Vocals, Percussion – Darrel De Vore Piano – Mike Ferguson*, Patrick Gogerty Producer – Dan Healy, The Charlatans (2) Vocals, Harp – George Hunter (5) Woodwind, Bass, Vocals, Percussion – Richard Olsen
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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