The Clash - Black Market Clash 10" EP Punk Dub 1980 US Press
  £   18
  $   24

 


£ 18 Sold For
Feb 7, 2017 Sold Date
Jan 31, 2017 Start Date
£   12 Start price
2   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

The Clash ?– Black Market Clash

Label: Epic ?– 4E 36846, Nu Disk ?– 4E 36846 Format: Vinyl, LP, 10", Compilation 
Country: US Released: 1980 Genre: Rock, Reggae Style: Dub, Punk

TracklistHide Credits

A1 Capital Radio One Producer – Mickey FooteWritten-By – Strummer*, Jones* 2:09 A2 The Prisoner Producer – The ClashWritten-By – Strummer*, Jones* 3:00 A3 Pressure Drop Producer – The ClashRemix – Bill PriceWritten-By – F. Hibbert* 3:30 A4 Cheat Producer – Mickey FooteWritten-By – Strummer*, Jones* 2:06 A5 City Of The Dead Producer – The ClashWritten-By – Strummer*, Jones* 2:26 A6 Time Is Tight Producer – The ClashRemix – Bill PriceSaxophone [Uncredited] – Gary BarnacleWritten-By – B. T. Jones* 4:05 B1 Bankrobber / Robber Dub Producer – Mikey DreadWritten-By – Strummer*, Campbell*, Jones* 6:16 B2 Armagideon Time Producer – The ClashWritten-By – W. Williams* 3:50 B3 Justice Tonight / Kick It Over Producer – Bill Price, The ClashWritten-By – W. Williams* 7:00

Companies, etc.

  • Manufactured By – Epic Records
  • Phonographic Copyright (p) – CBS Records
  • Copyright (c) – CBS Records
  • Pressed By – Columbia Records Pressing Plant, Terre Haute

Credits

  • Bass – Paul Simonon
  • Design – Jules*, Paul*
  • Drums – Topper Headon
  • Guitar – Mick Jones
  • Guitar, Vocals – Joe Strummer
  • Photography By – Rocco Redondo

Notes

Center label variant, reads: "Epic" is a trademark of CBS Inc. / Marca Reg.

Very similar to this release except for the text on the runouts.

A1, A4, A5 recorded 1977
A2 recorded 1978
A3 recorded 1979
A6 to B3 recorded 1980

[Barnacle credit on "Time Is Tight" according to the book "Redemption Song" by Chris Salewicz, page 203]

Barcode and Other Identifiers

  • Matrix / Runout (Label Side A): TAL 36846
  • Matrix / Runout (Label Side B): TBL 36846
  • Matrix / Runout (Runout Side A, Variant 1): TAL 36846-1A T
  • Matrix / Runout (Runout Side B, Variant 1): TBL 36846-1C T
  • Matrix / Runout (Runout Side A, Variant 2): TAL 36846-1B 1 T
  • Matrix / Runout (Runout Side B, Variant 2): TBL 36846-1B 1 T

Records graded to Record Collector guidelines, visually unless mentioned.





Mint (M)

The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.

Excellent (EX)

The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good (VG)

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable

Good (G)

Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc

Fair (F)

The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor (P)

The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing

Bad (B)

The record is unplayable or might even be broken, and is only of use as a collection-filler

CD’s and CASSETTES

As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.



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