The Fall Code: Selfish 180g Vinyl LP New Sealed

	£		27
	$		36

The Fall Code: Selfish 180g Vinyl LP 
Side 1 1. "The Birmingham School Of Business School" (6:40) 2. "Free Range" (3:58) 3. "Return" (4:06) 4. "Time Enough At Last" (3:45) 5. "Everything Hurtz" (4:07) 6. "Immortality" (4:38)
Side 2 1. "Two-Face!" (6:08) 2. "Just Waiting" (4:33) 3. "So-Called Dangerous" (3:46) 4. "Gentlemen's Agreement" (4:31) 5. "Married, 2 Kids" (3:44) 6. "Crew Filth" (4:26)
"Code: Selfish," released in 1992, marks the 14th studio album by The Fall, a band renowned for their relentless innovation and the singular vision of frontman Mark E. Smith. This album is notable for its incorporation of electronic elements and a heavier reliance on synthesizers, reflecting the evolving musical landscape of the early 90s. Despite these new influences, "Code: Selfish" retains the abrasive, uncompromising spirit that has always defined The Fall.
Track Highlights "The Birmingham School of Business School"
The album opens with "The Birmingham School of Business School," a track characterized by its driving rhythm and biting social commentary. The song’s repetitive, hypnotic bassline and synth-laden backdrop create a compelling foundation for Smith’s sardonic lyrics, critiquing the commercialization of education. "Free Range"
"Free Range" is one of the album’s standout tracks, known for its urgent beat and infectious melody. The song’s pulsating energy and catchy refrain make it one of The Fall’s more accessible offerings, while Smith’s cryptic, politically charged lyrics add depth and intrigue. "Return"
This track showcases a more experimental side of the band, with its complex, layered instrumentation and abstract lyrical content. The song’s intricate guitar work and electronic textures create a dense, immersive soundscape that demands attentive listening. "Time Enough at Last"
"Time Enough at Last" features a brooding, atmospheric sound that contrasts sharply with the more frenetic tracks on the album. The song’s slow, deliberate pace and melancholic melody highlight Smith’s ability to convey emotion through minimalistic arrangements and introspective lyrics. "Everything Hurtz"
"Everything Hurtz" stands out for its relentless pace and aggressive tone. The track’s driving beat and raw, abrasive guitar riffs are complemented by Smith’s snarling vocal delivery, creating a sense of urgency and intensity that is quintessentially The Fall. "Immortality"
"Immortality" is an ambitious track that blends post-punk edginess with electronic experimentation. The song’s dynamic structure and shifting tempos reflect the band’s willingness to push boundaries and explore new sonic territories, making it one of the album’s most intriguing pieces. "Two-Face!"
This track features a more traditional post-punk sound, with its angular guitar riffs and propulsive rhythm section. The song’s straightforward structure and catchy hooks make it a memorable and engaging listen, while Smith’s distinctive vocal style adds a layer of complexity. "Gentleman's Agreement"
"Gentleman's Agreement" is a slower, more contemplative track that highlights the band’s versatility. The song’s minimalist arrangement and introspective lyrics create a hauntingly beautiful atmosphere, providing a moment of respite amid the album’s more intense offerings. "Crew Filth"
Closing the album, "Crew Filth" returns to a more experimental approach, with its dissonant sounds and unconventional song structure. The track’s chaotic energy and abrasive textures encapsulate the essence of The Fall’s innovative spirit, leaving a lasting impression on the listener. Overall Impressions "Code: Selfish" is a bold and adventurous album that captures The Fall at a time of creative exploration and technological experimentation. The incorporation of electronic elements and synthesizers adds a new dimension to the band’s sound, while the post-punk foundation remains intact, ensuring that long-time fans will find much to appreciate.
Mark E. Smith’s lyrical prowess is on full display, blending sharp social critiques with abstract, often enigmatic storytelling. His distinctive vocal delivery, combined with the band’s intricate instrumentation, creates a dynamic and multifaceted listening experience.
The album’s production is crisp and polished, highlighting the depth and complexity of the arrangements. Each track offers something unique, from the catchy hooks of "Free Range" to the brooding atmospherics of "Time Enough at Last," showcasing The Fall’s versatility and willingness to push boundaries.
Final Thoughts "Code: Selfish" is a standout entry in The Fall’s extensive discography, representing a period of innovation and experimentation. The album successfully blends post-punk intensity with electronic sophistication, resulting in a sound that is both forward-thinking and unmistakably The Fall.
For fans of post-punk and alternative rock, "Code: Selfish" offers a rich and rewarding listening experience that highlights The Fall’s enduring relevance and creativity. It’s an album that not only reflects the band’s past but also points towards their future, solidifying their status as one of the most influential and innovative groups of their time.