The Manhattan Transfer ?– Live Label: Mobile Fidelity Sound Lab ?– MFSL 1-022/LP

$

35

1222017

The Manhattan Transfer ?– Live Label: Mobile Fidelity Sound Lab ?– MFSL 1-022/LP

COVER-Near MINT -gold stamp reads-"Demonstration copy-Not For Sale" lower right

VINYL-Near MINT

Tracklist

A1 That Cat Is High
A2 Snootie Little Cutie
A3 Four Brothers
A4 On A Little Street In Singapore
A5 Java Jive
A6 Walk In Love
A7 Chanson D'Amour
A8 The Speak Up Mambo (Cuentame)
A9 15 Minute Intermission
B1 In The Dark
B2 Je Voulais (Te Dire Que Je T'Attends)
B3 Sunday
B4 Candy
B5 Well, Well, Well
B6 Freddy Morris Monologue
B7 Bacon Fat
B8 Turn Me Loose
B9 Operator
B10 Tuxedo Junction

Companies, etc.

• Manufactured By – Mobile Fidelity Sound Lab
• Distributed By – Mobile Fidelity Sound Lab
• Licensed From – Atlantic Recording Corporation
• Phonographic Copyright (p) – Atlantic Recording Corporation
• Copyright (c) – Atlantic Recording Corporation
• Recorded By – Rolling Stones Mobile
• Recorded At – Hammersmith Odeon

Credits

• Backing Band – The Man Tran Band*
• Bass – Michael Schnoebelen
• Contractor – David Katz
• Drums – Peter Johnson (3)
• Guitar – Wayne Johnson (4)
• Keyboards – Dave Wallace (3)
• Management – Brian Avnet, Shep Gordon
• Management [Assistant] – Joanna FitzPatrick
• Mastered By [Half-Speed Mastering] – Stan Ricker
• Reeds, Flute – Don Roberts
• Saxophone – Derek Grossmith, Eddie Mordue, Keith Bird, Stan Sultzman*
• Trombone – Cliff Hardie, David Horler
• Trombone [Bass] – Geoff Perkins
• Trumpet – Bobby Haughey, Derek Watkins, Ronnie Hughes, Tony Fisher (2)

Notes

Recorded by the Rolling Stones Mobile Unit at Manchester on April 23, 1978, Bristol (April 28, 1978) and Hammersmith Odeon London (May 2nd, 1978) 

The Man Tran Band are: Michael Schnoebelen (Bass), Wayne Johnson (Guitars), Don Roberts (Reeds and flute), Peter Johnson (Drums), Dave Wallace (Keyboards) 

Pressed in Japan.
ALL VINYL GRADING IS BASED ON VISUAL INSPECTION
A vinyl sound recording has two aspects: visual and audio. I cannot possibly test play every record I list therefore, all grading is visual.
If you purchase a record and are disappointed with it, let me know and I will make good on the promise to do what is reasonable to make you a satisfied customer. My reputation as a seller allows me to stay in business. As my customer please know that I am dependent on your satisfaction.
 
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Rating System
 
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
Near Mint ( M-): A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
 (VG+++): Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
 All but the most mint-crazy collectors will find a V G+++ record highly acceptable.
Very Good (VG++): Many of the defects found in a VG+++ record are more pronounced in a VG++ disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Still Sealed (SS) : Let the buyer beware, unless it's a U.S. pressing from the last 10-15 years or so. It's too easy to reseal on. Yes, some legitimately never-opened LPs from the 1960s still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them.