The Who - Substitute/Circles - UK Reaction 591001 - VG
$
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Description
The Who - Substitute/Circles - UK Reaction 591001 - VG. Generic paper sleeve. I cannot test the sound quality as I no longer have a turntable.
Of the three versions of Circles issued on the Reaction label this was by far the hardest to find, hence the VG condition, as I had to take what I could get.
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From Wikipedia:
"Circles", backed with "Instant Party Mixture", was originally planned for release as the follow-up single to the band's smash hit "My Generation", on the Brunswick label, in February 1966.[2] However, the band secretly broke their contract with producer Shel Talmy soon after the January recordings, and re-recorded the song as the B-side to their new UK single "Substitute". To get Talmy in court as soon as possible, and to ensure the new record could be sold, "Circles" was chosen as the B-side so that Talmy could claim breach of copyright. However, management released the single with the name "Instant Party" as the B-side, in the hope that only copies with "Circles" listed would be withdrawn.
Talmy quickly took legal action against the band for breaking their contract with him, as well as breach of contract over the use of a song he had originally produced for them.[3] This led to the court not only stopping all sales of the single, regardless of the B-side label, but also placing a recording ban on the Who until the end of the proceedings, meaning the single could not be sold. This prompted Kit Lambert or Robert Stigwood to ask Ginger Baker if his band had any instrumentals recorded that they could use, to get around the ban. They had, and he sold the untitled track for £500. The following week, Substitute was back on sale with the now named "Waltz for a Pig", the instrumental by the Graham Bond Organisation on the B-side, credited to the Who Orchestra.[4] The court action was settled on 25 March. Townshend later said of the legal action Talmy took against the group:
We did two versions of "Circles", which were both identical because they were both copies of my demo. Shel [Talmy] put in a High Court injunction, saying there was copyright in the recording. In other words, if you're a record producer and you produce a song with a group, and you make a creative contribution, then you own that sound... He took it to the high-court judge and he said things like 'And then on bar thirty-six I suggested to the lead guitarist that he play a diminuendo, forget the adagio, and play thirty-six bars modulating to the key of E flat,' which was all total bullshit – he used to fall asleep at the desk...[4]
After the ban was lifted, all three versions of the single – with "Circles" / "Instant Party" on the B-side as well as the new "Waltz for a Pig" – could be found in stores. It would appear that "Waltz" was the most common found copy. The first version of the song was included as the closing track on their first US album The Who Sings My Generation, substituting "I'm a Man".[5] The second version of "Circles" was also released on the band's EP, Ready Steady Who in November 1966, as well as on some European releases as the B-side to "Dogs". This version of the song did not see an official US release until the 1987 rarities album Two's Missing.[4] When Substitute was released as a single in the US, the only B-side was "Waltz for a Pig".
A home demo version recorded by Townshend appeared on his 1983 solo compilation release Scoop.
The song "Instant Party Mixture", which was originally meant to be the B-side to "Circles", was finally released as a bonus track on the 2002 reissue of the My Generation album.
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I became a huge fan of The Who after seeing them with Blues Magoos and Hermans Hermits at the War Memorial Auditorium in Rochester, New York on August 29, 1967. I started collecting their records in the mid-1970s. My goal was to acquire all of their U.S., U.K. and Japanese singles, and I met that goal. I picked up some really rare pieces, including an original High Numbers single, the "Who Did It" LP, the U.S. "Young Man Blues" single (promo picture sleeve single and the hideously rare stock copy).Most of my collection was amassed in the early 1980s after many trips to New York City, subscribing to Goldmine magazine and corresponding with collectors around the world. They have sat in boxes in storage for the past 40+ years.
I am now breaking up my collection, starting with the U.K. singles.
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