The Who - Tales From The Who 2LP 12-4-73 Soundboard Not TMOQ KBFH
  $   41

 


$ 41 Sold For
Nov 28, 2014 Sold Date
Nov 21, 2014 Start Date
$   10 Start price
6   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

2LP set of The Who live in Phialdelphia in 1973, originally broadcast on King Biscuit Flour Hour, KBFH. Black vinyl version, not sure which edition. Fantastic EC Comics rip off cover From allmusic.com: "One of the most famous bootlegs in recorded history, Tales from the Who came from the King Biscuit Flower Hour broadcast of a Long Beach concert taped following the release of Quadrophenia. The Who, as usual, rely on taped backup for all keyboards and any other instruments except guitar, bass, and drums. Roger Daltrey is in great voice as the band revisits "Can't Explain," "Summertime Blues," "Won't Get Fooled Again," "Pinball Wizard," "See Me, Feel Me," and "My Generation." Likewise, Pete Townsend, John Entwistle, and Keith Moon are in good form and please the crowd with their performances. Over half of this two-record set is devoted to selections from the then-new Quadrophenia, and there's an amusing story about this recording. Normally when the King Biscuit producers put out live concerts for commercial broadcasts, they carefully bleeped out any obscenities, but in this case they overlooked some. The New Orleans radio station that aired this program was unaware, like the show's producers, that "Dr. Jimmy" contained a four-letter word, and it was duly broadcast. However, whichever station provided the broadcast that served as the source material for this bootleg had a station manager or program director familiar with the song, so they duly dubbed the KBFH disc to reel-to-reel tape and spliced out the offending word prior to airing the program (producing the bizarre line "Her fella's gonna kill me/Aww, f-ill he"), but even they missed another one slipped into "My Generation." The bootleg label's claim that this is a quadraphonic release was a bit laughable, because it couldn't been taped off the radio in quadraphonic, and trying to convert it after the fact would have had all the success of the pseudo-stereo records of the 1960s. According to William Stout, who designed the colorful cover that was a knockoff of classic horror comic book covers, only 120 copies of this two-record set were released, as the operators of TMOQ knew that the FBI was on their trail and, in a fit of panic, they destroyed all other copies of the release (as quoted in Bootleg: The Secret History of the Other Recording Industry by Clinton Heylin). Like most King Biscuit broadcasts, the sound isn't quite as good as typical commercial live rock records, but this collectable is far better-sounding than any other bootlegs featuring The Who, and its extreme rarity makes it a very valuable recording to own, superseded only by the original King Biscuit Flower Hour LPs distributed to the network radio stations for the broadcast."

Please follow my ebay page as I continue to list a 25 + year, and still growing, collection of vinyl, books and interesting items of all sorts. Vinyl will be my primary listing and will run the gamut of genres, including the rare and obscure, and difficult to track down classics.

Domestic Shipping U.S.A. (USPS Media Mail) LP Only Shipments: $4 for the 1st LP + $1 for each additional LP. 45 Only Shipments: $3.25 for the 1st 45 + $0.25 for each additional 45. Mixed Shipments: $4 for the 1st LP + $1 for each additional LP / $0.25 for each 45. (USPS Priority) LP Only Shipments: $9 for the 1st LP + $2 for each additional LP. 45 Only Shipments: $5.25 for the 1st 45 + $0.25 for each additional 45. Mixed Shipments: $9 for the 1st LP + $2 for each additional LP / $0.25 for each 45. International shipping will be calculated by country.

Please contact with any inquiries. Payment to be received within 7 days. If there is any difficulty meeting this deadline, please contact me to resolve. All records will be shipped with plastic sleeves and protective cardboard mailers. 

Grading is essentially based on the Goldmine guidelines as follows. Any deviation will be noted. Near Mint [NM]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap. Despite it's inclusion on this list, I do not grade any of my records straight NM, opting to grade on the side of caution, hence... Near Mint Minus [NM-] All but near mint. Tremendously clean. No scuffs on vinyl. Jackets show no splits, markings, etc. Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable. Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it. 



On Nov-22-14 at 15:03:38 PST, seller added the following information:

Cover is VG+ not NM-, sorry for confusion


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