This Is A Long Drive For Som - Modest Mouse 2 LP SHRINK
  $   93

 


$ 93 Sold For
Feb 3, 2010 Sold Date
Jan 27, 2010 Start Date
$   10 Start price
7   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

LP  VG+

 

Jacket NM

Modest Mouse - This Is A Long Drive For Someone With Nothing To Think About

Label: Up Records (5) Catalog#: UP 027 Format: 2 x Vinyl, LP
Country: US Released: 1996 Genre: Rock Style: Alternative Rock

Tracklist

A1   Dramamine X A2   Breakthrough X A3   Custom Concern X     Vocals - Nicole Johnson (2) A4   Might X A5   Lounge X B1   Beach Side Property X B2   She Ionizes & Atomizes     Vocals - Nicole Johnson (2) B3   Head South X     Vocals - Calvin Johnson , Nicole Johnson (2) B4   Dog Paddle X     Bass - Jeremiah Green
  Drums - Isaac Brock
  Guitar - Eric Judy B5   Novocain Stain X C1   Tundra/Desert X C2   Ohio X C3   Exit Does Not Exist X C4   Talking Shit About A Pretty Sunset D1   Make Everyone Happy/Mechanical Birds X D2   Space Travel Is Boring X D3   Edit The Sad Parts D4   A Manic Depressive Named Laughing Boy

Credits

Bass - Eric Judy
Cello - Brent Arnold
Drums - Jeremiah Green
Engineer - Scott Swayze , Steve Wold
Guitar - Isaac Brock , Steve Wold
Producer, Guitar [Slide], Mandolin, Backing Vocals - Steve Wold
Vocals - Isaac Brock

Notes

Features two vinyl bonus tracks.

 

Biography by Jason Ankeny

Issaquah, WA, indie rock trio Modest Mouse was formed in 1993 by vocalist/guitarist Isaac Brock, bassist Eric Judy, and drummer Jeremiah Green. After honing their muscular sound in "The Shed" — a makeshift practice space built by Brock on the land next to his mother's trailer — Modest Mouse entered Calvin Johnson's Dub Narcotic Studios to cut their 1994 self-titled debut single, released on Johnson's K Records label. Following a move to the Up label, the trio issued two 1996 LPs, This Is a Long Drive for Someone With Nothing to Think About and Interstate 8. After returning to K, Modest Mouse released The Fruit That Ate Itself in 1997; its follow-up from later that year, The Lonesome Crowded West, was the band's breakthrough, and in the wake of a major-label bidding war, they signed to Sony. The rarities collection Building Nothing out of Something appeared on Up in early 2000, followed later that year by their long-awaited Epic debut, The Moon & Antarctica. In 2001, the band issued the Everywhere and His Nasty Parlor Tricks EP and K released Sad Sappy Sucker, a "lost album" that was intended to be the group's full-length debut back in 1994. Brock kept busy with his Ugly Casanova side project, which delivered Sharpen Your Teeth in 2002. Modest Mouse finally returned in 2004 with Good News for People Who Love Bad News, their best-received record and a Top 40 hit as well. For their next record, Brock enlisted the help of former Smiths guitarist Johnny Marr, who not only added his songwriting and playing skills to We Were Dead Before the Ship Even Sank — which was released in early 2007 — but also toured with the band as a member. No One's First and You're Next, an odds and sods collection of songs that included material dating back to the Good News for People Who Love Bad News era, arrived in summer 2009.

      RECORD GRADING Based On Goldmine Grading Standards:

 

Near Mint (NM): A nearly perfect record. There may be one or two small inaudible defects. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other sights of slight handling. An LP jacket should have no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either.

Near Mint Minus (NM-): A record that should play mint but has a few slight visible marks. The album will have as much luster as an NM, there just may be some superficial scuffs from the sleeve or very light hairlines that shouldn't be audible. An NM- album cover subjectively fits somewhere in between VG+ and NM.

Very Good Plus (VG+): A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don t significantly affect play. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.

Very Good (VG): Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, just two or three of them.

Good (G), Good Plus (G+): Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play though without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the subject.

Poor (P), Fair (F): Below good. imperfections will be described.



 

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