Thomas Dolby GOTHIC Horror Film Soundtrack LP Ken Russell Gabriel Byrne Spall 87

	£		25
	$		33

British 1st release original soundtrack LP to the British horror film "Gothic" (1987, dir. Ken Russell), with music composed and conducted by Thomas Dolby.
The movie starred Gabriel Byrne as Lord Byron, Julian Sands as Percy Bysshe Shelley, Natasha Richardson as Mary Shelley, Myriam Cyr as Claire Clairmont (Mary Shelley's stepsister) and Timothy Spall as Dr. John William Polidori. It marks Richardson's film debut.

Thomas Dolby ‎– Gothic (Original Motion Picture Soundtrack) (1987)

Condition (refer also to notes at bottom):
Vinyl: G-VG. Clean on visual inspection. No signs of any scuffs, marks or hairlines except for some fogging/mottling on side 1. Played just pre-listing and sound clarity is good throughout. Some mild surface noise and static at run-ins and during quieter sequences. Plays with no skipping, jumping or sticking.
Outer sleeve (Cover): VG-EX. Colours are unfaded. Superb gloss finish on both sides. Some creasing in from all sides and disc outline visible. A few light dents. Very mild scuffing to edges but spine has a few splits and dents. Corners lightly scuffed and aperture has some nicks and peeling. Back sleeve has similar creasing in from sides and diagonal crease in bottom left. Otherwise no other defects. A decent example.
Inner sleeve: EX. White paper with rounded corners. Minor creases, folds and crimping but intact.

Label: Virgin ‎– V 2417
Format: Vinyl, LP, Album
Country: UK
Released: 1987
Genre: Electronic, Stage & Screen
Style: Soundtrack, Synth-pop

Tracklist
A1. Fantasmagoria.
A2. Byronic Love.
A3. Shelleymania.
A4. Mary's Theme (Orchestrated by John Fiddy).
A5. Party Games.
A6. Gipsy Girl.
A7. The Crucifix.
A8. The Fundamental Source (Orchestrated by John Fiddy).   
A9. Sin And Buggery.
A10. Impalement.
A11. Skullpulse.
A12. Leech Juice.
A13. Restless Sleep 1, 2 & 3.
A14. It's His!.

B1. A Trickle Of Blood.
B2. Coitus Per Stigmata.
B3. Once We Vowed Eternal Love (Orchestrated by John Fiddy).
B4. Riddled With Guilt.
B5. Metamorphosis.
B6. The Hangman.
B7. The Beast In The Crypt.
B8. The Final Seance.
B9. Funeral By The Lake (Orchestrated by John Fiddy).
B10. No Ghosts In Daylight.
B11. To The Grave.
B12. The Devil Is An Englishman (Featuring – Screamin' Lord Byron; Lyrics By – Stephen Volk, Thomas Dolby; Vocals – Timothy Spall)
   
Companies, etc.
Phonographic Copyright (p) – Virgin Records Ltd.
Copyright (c) – Virgin Records Ltd.
Published By – Virgin Music (Publishers) Ltd.
Published By – S.M.A.S.H. Ltd.

Credits
Composed By, Arranged By, Programmed By [Fairlight Series I I I], Performer – Thomas Dolby
Producer – Clif Brigden, Thomas Dolby
Voice – Gabriel Byrne, Julian Sands, Myriam Cyr, Natasha Richardson, Timothy Spall

Notes
On the sleeve:
Music from the film
Gothic
Catalog# V2417
Recorded and mixed August-November 1986 at the Think Tank, London.
Except tracks, A2, A4, A8, B3, and B9 recorded at the Angel, London.
Published by Virgin Music (Publishers) Ltd./S.M.A.S.H. Ltd.
℗ © 1987 Virgin Records Ltd.
Bar code# 5 012981 241711

On the labels:
Gothic
Catalog# V 2417
Virgin Music (Publishers) Ltd./SMASH Ltd.
℗ © 1987 Virgin Records Ltd.
Made in England

Barcode and Other Identifiers
Barcode: 5 012981 241711


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ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.