Traffic ? John Barleycorn Must Die ? UA Records 1st Reissue Vinyl LP NEAR MINT????

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John Barleycorn Must Die Studio album by Traffic Released July 1, 1970 Recorded February–April 1970 Studio Island Studios and Olympic Studios, London Genre

• Progressive rock
• folk rock
• jazz fusion

1. "Empty Pages"
   Released: July 1, 1970 (US only)

John Barleycorn Must Die is the fourth studio album by English rock band Traffic, released in 1970 on Island Records in the United Kingdom, and United Artists in the United States, catalogue UAS 5504. It peaked at number 5 on the Billboard 200, making it their highest charting album in the US, and has been certified a gold record by the RIAA. In addition, the single "Empty Pages" spent eight weeks on the Billboard Hot 100, peaking at number 74.[2] The album was marginally less successful in the UK, reaching number 11 on the UK Albums Chart.

Background and content

In late 1968, Traffic disbanded, guitarist Dave Mason having left the group for the second time prior to the completion of the Traffic album. In 1969, Steve Winwood joined the supergroup Blind Faith, while drummer/lyricist Jim Capaldi and woodwinds player Chris Wood turned to session work. Wood and Winwood also joined Blind Faith's drummer Ginger Baker in his post-Blind Faith group Ginger Baker's Air Force for their first album, Ginger Baker's Air Force (1970).

At the beginning of 1970, after the demise of Blind Faith, the band having lasted barely six months, Winwood returned to the studio ostensibly to make his first solo album, originally to be titled Mad Shadows. He recorded two tracks with producer Guy Stevens, "Stranger to Himself" and "Every Mother's Son", but yearned for like-minded musicians to accompany. Inviting Wood and Capaldi to join him, Winwood's solo album became the reunion of Traffic, and a re-launch of the band's career. Mad Shadows would go on to be the title of Mott the Hoople's second album, also produced by Guy Stevens.

As did most of their albums, it featured influences from jazz and blues, but the version of the traditional English folk tune "John Barleycorn" also showed the musicians attending to the same strains of modern interpretations of traditional folk music as contemporary British bands Pentangle and Fairport Convention.

It was reissued for compact disc in the UK on 1 November 1999, with five bonus tracks, including three recorded in concert from the Fillmore East in New York City. In the US, the remastered reissue of 27 February 2001 included only the two studio bonus tracks.

Steve Winwood oversaw a deluxe edition version that was released on 15 March 2011,[6] featuring the original studio album, digitally remastered on disc one, plus a second disc of bonus material including more of the Fillmore East concert with alternate mixes and versions of album tracks.

Cover

The original LP release of the album had the front cover design on a background consisting of a photograph of burlap. Later LP copies had the design on a grey background. The cover is displayed prominently during a party scene in the 1971 movie by Dario Argento, 4 Mosche di Velluto Grigio.

Reception

Retrospective reviews of the album have been mixed. AllMusic criticised the vocal sections as "excuses for Winwood to exercise his expressive voice as punctuation to the extended instrumental sections", but made note of how the album took the band's jazz/rock leanings beyond mere jamming. Robert Christgau's review dismissed the album for lacking Dave Mason, whom he saw as the only member of the group with any talent.

Track listing and personnel