Traffic - John Barleycorn Must Die, pink I label, mint

	£		46
	$		61

Traffic - John Barleycorn Must Die

ORIGINAL COPY. FIRST UK PRESSING. Released 1970. Stereo. Island Records, catalogue number; ILPS 9116, Matrix numbers; ILPS 9116 +A/B4.

Mint in all aspects. This is the best copy of this album I've ever seen. Superb first press with thick cardboard sleeve and heavy vinyl.

This LP formed part of a superbly preserved collection. Bought new at the time of release, the former owner (a librarian, really) was fanatical about looking after his vinyl and this record was only occasionally played on a Linn deck. Please see the other LPs from this collection we are currently selling, all of which are Excellent to Mint.

This record is deleted and not available new on vinyl.

The last comparable condition copies sold on eBay for £65-100.

99p start.

Overall Sleeve Condition :  MINT.

The matt textured gatefold sleeve is in superb condition throughout, no marks, no rubs. There one tiny rub on the front cover, bottom right corner. Tiny grease spot, rear cover.

Vinyl Condition, Visual:  MINT.

Unused and as new condition, kept in a polylined inner sleeve. Kept in stunning condition by the previous owner.

Vinyl Condition, Audible:  MINT.

Plays superbly. Well preserved and cared for, no decrease from the original sound quality. Kept in stunning condition by the previous owner. No skips, no jumps, , no sign of heavy play, no wear.

Label Condition :  MINT.

Rough textured pink `I' Island label.

Tracklist:

At only 22 years old, Steve Winwood sat down in early 1970 to fulfill a contractual commitment by making his first solo album, on which he intended to play all the instruments himself. The record got as far as one backing track produced by Guy Stevens, "Stranger to Himself," before Winwood called his erstwhile partner from Traffic, Jim Capaldi, in to help out. The two completed a second track, "Every Mother's Son," then, with Winwood and Island Records chief Chris Blackwell moving to the production chores, brought in a third Traffic member, Chris Wood, to work on the sessions. Thus, Traffic, dead and buried for more than a year, was reborn. The band's new approach was closer to what it perhaps should have been back in 1967, basically a showcase for Winwood's voice and instrumental work, with Wood adding reed parts and Capaldi drumming and occasionally singing harmony vocals. If the original Traffic bowed to the perceived commercial necessity of crafting hit singles, the new Traffic was more interested in stretching out. Heretofore, no studio recording had run longer than the five-and-a-half minutes of "Dear Mr. Fantasy," but four of the six selections on John Barleycorn Must Die exceeded six minutes. Winwood and company used the time to play extended instrumental variations on compelling folk- and jazz-derived riffs. Five of the six songs had lyrics, and their tone of disaffection was typical of earlier Capaldi sentiments. But the vocal sections of the songs merely served as excuses for Winwood to exercise his expressive voice as punctuation to the extended instrumental sections. As such, John Barleycorn Must Die moved beyond the jamming that had characterized some of Traffic's 1968 work to approach the emerging field of jazz-rock. And that helped the band to achieve its commercial potential; this became Traffic's first gold album.

This item is offered with a money back guarantee, please see below.

Our accurate condition gradings are based on those used in the UK 2008 Record Collector Rare Record Price Guide. Please see below for a complete explanation.

International bidders welcome – Internationales Bewerber Willkommen – Bienvenue Internationale De Soumissionnaires – Recepcion Internacional De los Licitadores

Please read the description and terms of sale carefully and contact me with any questions or further information you may need before you place a bid. Check the website http://www.ratrecordsuk.net Email me- ratrecords@btconnect.com or call me on UK landline 01852 500332, (from Europe, dial 0044 1852 500332, from the United States, dial 01144 1852 500332, from Japan, dial 01044 1852 500332) or UK mobile 07795 424575. I’m usually in the office between 10.00-17.00 GMT. Please see our other Traffic and British sixties rock/blues/psych items currently offered. We will be uploading more items every Thursday evening. Thank you for looking. I wish you very good luck bidding. Regards, Tom Fisher.

Payment & Postage terms

Acceptable payment forms are; Pay Pal in £ Sterling or cheques from a UK bank. It takes 5 working days to clear cheques so please allow for this when waiting for delivery.

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Postage Options:

UK, First Class Recorded Delivery: Costs: £3.00, Delivery time: 1-2 working days, Online tracking, Signature required, Insured up to £30. Multiple Purchase Discount: 2 LPs: you pay £5.

UK, Special Delivery: Costs: £5.00, Delivery time: next working day, Online tracking, Signature required, Insured up to £250. Multiple Purchase Discount: 2-4 LPs: you pay £7.00.

Europe, airmail, Costs: £3.50, Delivery time: 3 working days. Multiple Purchase Discount: 2 LPs: you pay £6.

Japan, USA, rest of world, airmail, Costs: £5.50, Delivery time: 5 working days. Multiple Purchase Discount: 2 LPs: you pay £9.50.

For airmail items worth over £30, we strongly recommend buyers pay an additional £5.00 for the International Signed For service which insures the item up to £500 and prioritises delivery.

Why you should buy from Rat Records:

I GUARANTEE this item to be in the condition as described above. If it is not as described, I offer you a full refund of the sale price and sale postage.

Please check my 1300 plus 99.9% positive feedbacks, from over 1650 separate transactions accrued over 6 and a half years on eBay.

I provide a professional, swift and honest service. I value your custom, aim to treat you well and hope we can do more business in the future.

I have been trading in records and CDs for 17 years in London and have owned 4 shops.

I never describe our records as Mint unless they really are superb. Correspondingly my Excellent (Near Mint) is a very high standard. All my records are play graded. As part of my gradings I listen to each item. I will contact you by the next business day after the auction has finished. Items are despatched the next working day after payment clears. I will keep you informed by email throughout the sale.

I do not set reserve prices. I start all my auctions at 99 pence. I do not end my auctions early. My packaging is excellent, will protect your purchase, and is at cost. Items are sent in a PVC sleeve with the vinyl placed in a separate card sleeve. The package is then wrapped in bubble wrap and sent in a heavy grade cardboard mailer.

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UK Record Collector Grading System:

MINT: The record itself is in brand new condition with no surface marks or deterioration in the sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.

EXCELLENT (US version of this term: Near Mint): The record shows some signs of having been played, but there is very little lessening in the sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD (US version of this term: VG++): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover, or extra items, without any major defects, is acceptable.

GOOD (US version of this term: VG): The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits etc.