U2 '18 SINGLES' U218-060251713550-5 ISLAND RECORDS 2006EU WITH SHOP PROMO STEREO
£
27
$
36
£ 27
Sold For
Nov 24, 2015
Sold Date
Nov 17, 2015
Start Date
£ 20
Start price
4
Number Of Bids
Great Britain
Country Of Seller
eBay
Auctioned at
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Description
U2 ?– U218 Singles
Country:UK & EuropeReleased:17 Nov 2006 Genre:RockStyle:Pop Rock
Tracklist
A1 –U2 Beautiful Day Backing Vocals – Daniel Lanois, The EdgeEngineer – Richard RaineyEngineer [Additional Engineering] – Stephen Harris*, Tim PalmerMixed By – Steve LillywhiteProducer – Brian Eno, Daniel LanoisProducer [Additional Production By] – Steve LillywhiteProgrammed By, Keyboards – Brian Eno 4:05 A2 –U2 I Still Haven't Found What I'm Looking For Engineer – FloodEngineer [Additional Engineering] – Dave Meegan, Pat McCarthyMixed By – Daniel LanoisProducer – Brian Eno, Daniel Lanois 4:38 A3 –U2 Pride (In The Name Of Love) Engineer [Additional Engineering] – Kevin KillenProducer, Engineer – Brian Eno, Daniel Lanois 3:48 A4 –U2 With Or Without You Engineer – FloodEngineer [Additional Engineering] – Dave Meegan, Pat McCarthyMixed By – Steve LillywhiteProducer – Brian Eno, Daniel Lanois 4:56 B1 –U2 Vertigo Backing Vocals [Uncredited] – The EdgeMixed By – Carl Glanville, Steve LillywhiteMixed By [Assistant, Uncredited] – Chris HeaneyProducer – Steve LillywhiteRecorded By – Carl GlanvilleSynthesizer [Uncredited] – Jacknife LeeTechnician [Audio Post Production, Uncredited] – Cheryl Engels 3:10 B2 –U2 New Year's Day Engineer – Paul ThomasProducer – Steve Lillywhite 4:17 B3 –U2 Mysterious Ways Engineer – FloodEngineer [Additional Engineering By] – Robbie AdamsEngineer [Assistant, Uncredited], Mixed By [Assistant, Uncredited] – Shannon StrongMixed By – Daniel Lanois, The Edge, FloodProducer – Brian Eno, Daniel Lanois 4:02 B4 –U2 Stuck In A Moment You Can't Get Out Of Brass – Paul BarrettEngineer – Richard RaineyGuitar [Additional] – Daniel LanoisMixed By – Tim PalmerProducer – Brian Eno, Daniel LanoisSynthesizer – Bono, Brian Eno 4:31 C1 –U2 Where The Streets Have No Name Engineer – FloodEngineer [Additional Engineering] – Dave Meegan, Pat McCarthyEngineer [Mix, Uncredited] – Mark WallisMixed By – Steve LillywhiteProducer – Brian Eno, Daniel Lanois 4:46 C2 –U2 Sweetest Thing Arranged By [Strings] – Daragh O'TooleProducer – Brian Eno, Daniel Lanois, Steve LillywhiteRecorded By – Joe O'Herlihy, Pat McCarthyRecorded By , Mixed By [Additional Mixing] – Steve Harris (2)Strings [Uncredited] – Aengus O'Connor, Nicholas Milne, Nicola Cleary, Una O'Kane 3:00 C3 –U2 Sunday Bloody Sunday Engineer – Paul ThomasProducer – Steve Lillywhite 4:40 C4 –U2 One Engineer [Additional Engineering] – Robbie AdamsEngineer [Assistant Uncredited], Mixed By [Assistant, Uncredited] – Shannon StrongEngineer, Mixed By – FloodGuitar [Additional] – Daniel LanoisKeyboards [Additional] – Brian EnoProducer – Brian Eno, Daniel Lanois 4:35 C5 –U2 Desire Engineer – Paul BarrettMixed By – Rob Jacobs, Shelly YakusProducer – Jimmy Iovine 2:59 D1 –U2 Walk On Engineer – Richard RaineyEngineer [Additional Engineering] – Stephen Harris*Engineer [Assistant, Uncredited] – Chris HeaneyMixed By – Steve LillywhiteProducer – Brian Eno, Daniel LanoisProducer [Additional Production By] – Steve Lillywhite 4:26 D2 –U2 Elevation Engineer – Richard RaineyMixed By – Tim PalmerProducer – Brian Eno, Daniel Lanois 3:47 D3 –U2 Sometimes You Can't Make It On Your Own Engineer [Additional Mix Engineering By] – Simon OsbourneEngineer [Mix Engineering By] – Greg Collins, Simon GogerlyMixed By – Nellee HooperProducer – Chris ThomasProducer [Additional Production By] – Nellee Hooper, Steve LillywhiteRecorded By – Carl Glanville 5:05 D4 –U2 And Green Day The Saints Are Coming Electric Piano [Wurlitzer] – Terry LawlessEngineer – Greg FidelmanMixed By – Chris Lord-AlgeProducer – Rick RubinWritten-By – Richard Jobson, Stuart Adamson 3:21 D5 –U2 Window In The Skies Arranged By [String Arrangement By] – Dawn Kenny (2)Engineer – Greg FidelmanMixed By – Andrew SchepsProducer – Rick Rubin 4:08Companies, etc.
- Phonographic Copyright (p) – Universal Island Records Ltd.
- Copyright (c) – Universal Island Records Ltd.
- Published By – Universal Music Publishing B.V.
- Published By – Blue Mountain Music
- Published By – Mother Music Ltd.
- Published By – EMI Virgin Music Ltd.
- Licensed To – Mercury Records Ltd.
- Mastered At – Bernie Grundman Mastering
Credits
- Artwork [Consultant] – Steve Averill
- Bass Guitar – Adam Clayton
- Crew [Studio Crew: Studio Manager], Technician [Drum Tech] – Sam O'Sullivan
- Crew [Studio Crew], Engineer [Assistant] – Chris Heaney
- Crew [Studio Crew], Technician [Guitar Tech] – Dallas Schoo
- Crew [Studio Crew], Technician [Studio Tech] – Rab McAllister
- Design – Shaughn McGrath
- Drums, Percussion – Larry Mullen Jr*
- Guitar – The Edge
- Mastered By – Arnie Acosta
- Mastered By [Mastering Assistance], Engineer [Pro Tools] – Scott Sedillo
- Photography By – Andrew MacPherson (3), Anja Grabert, Anton Corbijn, Colm Henry, Matt Mahurin, Paul Slattery, Pennie Smith, Phil Sheehy
- Photography By [Filmed By] – Alex And Martin
- Photography By [Front Cover, Cork, 1980] – David Corio
- Producer [Audio Post Production] – Cheryl Engels
- Production Manager [Album] – Candida Bottaci, Steve Matthews (4)
- Technician [Technical Support] – Thomas "Beno" May
- Vocals – Bono
- Written-By – U2 (tracks: A1 to D3, D5)
Notes
Comes with a 16-page album-size booklet,containing information about singles
including lyrics, credits, recording data,
release dates and chart positions.
Audio Post Production at Partial Productions Inc.
Mastered at Bernie Grundman Mastering, Hollywood.
Green Day appear courtesy of Reprise Records.
All titles published by Universal Music Publishing B.V.
except Blue Mountain Music Ltd (UK),
Mother Music (Irl.), except "The Saints Are Coming"
published by EMI Virgin Music Ltd.
This compilation ? 2006 Universal Island Records Limited
under exclusive licence to Mercury Records Limited in the UK.
© 2006 Universal Island Records Limited under exclusive licence to
Mercury Records Limited in the UK.
A Universal Music Company. Made in the EU.
- Barcode (scanned): 602517135505
- Barcode (text): 6 02517 13550 5
- Rights Society: BIEM/SABAM
- Label Code: LC 00268
- Matrix / Runout (Side 1): 1713550-A-3
- Matrix / Runout (Side 2): 1713550-B-1
- Matrix / Runout (Side 3): 1713550-C-2
- Matrix / Runout (Side 4): 1713550-D-1
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- LOOKS NEAR MINT
STILL IN OPENED SHRINKWRAP
Vinyls:- LOOK NEAR MINT
Labels:- EXCELLENT + / NEAR MINT
Inserts:-
Comes with a 16-page album-size booklet,
plus shop window promo card
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to “The Record Collector’s” grading system.
This was originated by “The Record Collector” to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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