UNITED EMPIRE LOYALISTS 'NO NO NO / AFRAID OF THE DARK' CT-35707/8
  £   71
  $   94

 


£ 71 Sold For
Nov 19, 2016 Sold Date
Nov 12, 2016 Start Date
£   30 Start price
7   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description


United Empire Loyalists

  No, No, No


Label:Not On Label ?– CT-35707-08 Format:Vinyl, 7", 45 RPM, Single
Country:CanadaReleased:1968   Genre:RockStyle:Psychedelic Rock


Tracklist

A No, No, No B Afraid Of The Dark

Notes

There were only 200 Pressed.

Extra Information
Two hundred copies was the total number of pressings of "No, No, No," UEL's sole single release (circa 1968).
From the outset, UEL's fan base was limited -- only a few hundred of Vancouver, BC's enlightened teens had ever heard of this band
 until the Vancouver Record Collector's Association rescued them from total oblivion,
featuring UEL on the 1983 anthology History of Vancouver Rock and Roll, Volume 3.

 The group consisted of Rick Enns (lead vocals, bass), Anton "Tom" Kolstey (lead guitar),
Jeff Ridley (rhythm guitar), and Glen Hendrickson (drums).

Enns was a former member of the Tom Northcott Trio; Hendrickson also pounded the skins for Mock Duck and Orville Dorp.

"No, No, No," with its complex but catchy guitar hook, was actually an old Willie Cobb blues tune titled "You Don't Love Me".
 The band appropriated it from Jerry Garcia and his mates -- having backed the Grateful Dead on more than one occasion.

UEL were known for their extended free-form jam sessions a la Cream and Ten Years After.
An hour-long studio performance was filmed by the CBC (Canadian Broadcasting Corporation) in 1968 as part of the Enterprise television series.
Barring its rediscovery, UEL will remain more legend than reality.


Matrix Numbers

Side A: CT-35707  F

Side B: CT-35708  F


PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
 BE MENTIONED IN THE LISTINGS

Condition:
***please see end of listing
    for grading system definitions
          before ordering***

Cover:-
PLAIN WHITE CARD

BAND CREDITS ON COVER

Vinyl:- EXCELLENT

Labels:- EXCELLENT

 
WE WANT YOU TO BE HAPPY
 WITH YOUR PURCHASE

IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
 (EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME
TO RETURN THE RECORD
 FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**



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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International


SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-

U.K. £3.50  E.U. / UKRAINE £6.90 REST OF THE WORLD** £9.90
**INCLUDES:-
 
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA

please note that
*
**GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS
***

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All items will be posted in custom made mailers in plastic sleeves and using two card liners.

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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE

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My records are described according to ?The Record Collector?s? grading system.

This was originated by ?The Record Collector? to assist people buying or selling records.

Their seven standard condition categories and a description of what each one means are given below.

I hope you find this helpful.

 

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.


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