VANESSA WILLIAMS, The Right Stuff [w/hype sticker] USA NEW SEALED OLD STOCK LP
$
64
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Description
Vanessa Williams – The Right Stuff Label: Wing Records – 835 694-1, Wing Records – 422 835 694-1 Format: Vinyl, LP, Album, 49 Country: US Released: 1988 Genre: Electronic, Funk / Soul Style: RnB/Swing Tracklist Hide Credits A1 The Right Stuff Arranged By – Chuckii Booker, Rex Salas Backing Vocals – Angel Rogers, Chuckii Booker, Dave Stewart (4), Johnny Gill, Keith John, Kipper Jones, Vanessa Williams Composed By – Kipper Jones, Rex Salas Edited By [Final Edits] – Chris Shaw, Ed Eckstine Engineer – Erik Zobler, Mike Frenke* Engineer [Assistant] – Jarod Held, Steve Holroyd Guitar – Chuckii Booker Keyboards – Chuckii Booker, Rex Salas Post Production [Additional], Beats, Other [Samples], Edited By – Bill Stephney, Eric Sadler, Hank Schocklee* Producer – Rex Salas Remix – Rod Hui Voice [French Man] – Juno Hoo Arranged By – Chuckii Booker, Rex Salas Backing Vocals – Angel Rogers, Chuckii Booker, Dave Stewart (4), Johnny Gill, Keith John, Kipper Jones, Vanessa Williams Composed By – Kipper Jones, Rex Salas Edited By [Final Edits] – Chris Shaw, Ed Eckstine Engineer – Erik Zobler, Mike Frenke* Engineer [Assistant] – Jarod Held, Steve Holroyd Guitar – Chuckii Booker Keyboards – Chuckii Booker, Rex Salas Post Production [Additional], Beats, Other [Samples], Edited By – Bill Stephney, Eric Sadler, Hank Schocklee* Producer – Rex Salas Remix – Rod Hui Voice [French Man] – Juno Hoo 4:18 A2 Be A Man Backing Vocals – Kipper Jones, Nikki Harris*, Vanessa Williams Composed By – Kipper Jones, Larry Robinson, Patrice Rushen Drum [Linn Drum] – Larry Robinson Engineer [Assistant] – Dennis Stefani, John Van Nest, Matt Freeman (3), Pat Stoltz, Ric Butz, Rob Van Arx* Engineer, Mixed By – Gerry Brown* Guitar – Jon Clark (4) Keyboards – Larry Robinson, Patrice Rushen Producer, Arranged By – Larry Robinson Saxophone [Saxophone Solo] – Gerald Albright Sequenced By [Computer Sequencing] – Larry Robinson Backing Vocals – Kipper Jones, Nikki Harris*, Vanessa Williams Composed By – Kipper Jones, Larry Robinson, Patrice Rushen Drum [Linn Drum] – Larry Robinson Engineer [Assistant] – Dennis Stefani, John Van Nest, Matt Freeman (3), Pat Stoltz, Ric Butz, Rob Van Arx* Engineer, Mixed By – Gerry Brown* Guitar – Jon Clark (4) Keyboards – Larry Robinson, Patrice Rushen Producer, Arranged By – Larry Robinson Saxophone [Saxophone Solo] – Gerald Albright Sequenced By [Computer Sequencing] – Larry Robinson 4:57 A3 Dreamin' Backing Vocals – Carol Coleman, Lori Fulton, Rachelle Ferrell, Vanessa Williams Composed By – Geneva Paschal, Lisa Montegomary* Drum Programming – Jim Salamone Engineer – Mike Tarsia* Engineer [Assistant] – Adam Silverman, Ronnie DiStasio Guitar – Randy Bowland Keyboards – Donald Robinson Mixed By – Donald Robinson, Mike Tarsia* Percussion – Darryl Burgee* Producer, Arranged By – Donald Robinson Saxophone – Ron Kurber* Backing Vocals – Carol Coleman, Lori Fulton, Rachelle Ferrell, Vanessa Williams Composed By – Geneva Paschal, Lisa Montegomary* Drum Programming – Jim Salamone Engineer – Mike Tarsia* Engineer [Assistant] – Adam Silverman, Ronnie DiStasio Guitar – Randy Bowland Keyboards – Donald Robinson Mixed By – Donald Robinson, Mike Tarsia* Percussion – Darryl Burgee* Producer, Arranged By – Donald Robinson Saxophone – Ron Kurber* 5:25 A4 If You Really Love Him Arranged By – Chuckii Booker, Rex Salas Composed By – Chuckii Booker, Rex Salas Engineer – Craig Burbidge, Jarod Held, Mike Frenke* Engineer [Assistant] – Jarod Held, Steve Ford, Steve Holrayd* Instruments – Chuckii Booker, Rex Salas Producer – Rex Salas Voice [Spoken Voice Introduction] – Dawn "Jalisa" Lewis* Arranged By – Chuckii Booker, Rex Salas Composed By – Chuckii Booker, Rex Salas Engineer – Craig Burbidge, Jarod Held, Mike Frenke* Engineer [Assistant] – Jarod Held, Steve Ford, Steve Holrayd* Instruments – Chuckii Booker, Rex Salas Producer – Rex Salas Voice [Spoken Voice Introduction] – Dawn "Jalisa" Lewis* 5:24 A5 (He's Got) The Look Backing Vocals – Adil Bayyan, Amir Bayyan, Kelly Barretto, Samayah Motley*, Vanessa Williams Composed By – Adil Bayyan, Amir Bayyan, Wesley Thomas Jr.* Coordinator [Production Coordinator] – Mike Smith (10) Drum Programming [Additional] – Adil Bayyan, Brisko Engineer – Allen Scott Plotkin*, Gerry Brown*, Mike Bona, Paul Scott, Peter Dulgolencky* Engineer [Assistant] – Rob Van Arx* Guitar, Keyboards, Synthesizer [Bass Synthesizer], Drum Programming – Amir Bayyan Producer, Arranged By – Amir Bayyan Production Manager – Amir Al-Islam Scratches [Scratchin' Samples] – Danny "Smooth" Bell, Jr.* Trombone [Trombone Solo] – Fred Wesley Backing Vocals – Adil Bayyan, Amir Bayyan, Kelly Barretto, Samayah Motley*, Vanessa Williams Composed By – Adil Bayyan, Amir Bayyan, Wesley Thomas Jr.* Coordinator [Production Coordinator] – Mike Smith (10) Drum Programming [Additional] – Adil Bayyan, Brisko Engineer – Allen Scott Plotkin*, Gerry Brown*, Mike Bona, Paul Scott, Peter Dulgolencky* Engineer [Assistant] – Rob Van Arx* Guitar, Keyboards, Synthesizer [Bass Synthesizer], Drum Programming – Amir Bayyan Producer, Arranged By – Amir Bayyan Production Manager – Amir Al-Islam Scratches [Scratchin' Samples] – Danny "Smooth" Bell, Jr.* Trombone [Trombone Solo] – Fred Wesley 4:11 B1 I'll Be The One Backing Vocals – Divonda Simmons, John Lucus, Orlando Nunez, Susan Prohias, Vanessa Williams Composed By – Johnny Elkins, Mike Greene Guitar – Nestor Gomez Keyboards – Fro Sosa*, Lewis A. Martinee*, Mike Bakst Mixed By – Lewis A. Martinee*, Rick "Billy Bob" Alonso* Producer, Arranged By, Engineer – Lewis A. Martinee* Backing Vocals – Divonda Simmons, John Lucus, Orlando Nunez, Susan Prohias, Vanessa Williams Composed By – Johnny Elkins, Mike Greene Guitar – Nestor Gomez Keyboards – Fro Sosa*, Lewis A. Martinee*, Mike Bakst Mixed By – Lewis A. Martinee*, Rick "Billy Bob" Alonso* Producer, Arranged By, Engineer – Lewis A. Martinee* 4:05 B2 Security Arranged By – Chuckii Booker, Rex Salas Arranged By [Vocals Arranged By] – Kipper Jones Backing Vocals – Angel Rogers, Craig Tankerd, Devere Duckett, Nikki Haris*, Vanessa Williams Composed By – Kipper Jones, Rex Salas Engineer – Craig Burbidge, Erik Zobler, Mike Frenke* Engineer [Assistant Engineer] – Gil Morales, Jarod Held, Steve Ford Fiddle – Charles Veal* Guitar – Greg Moore, Tommy Organ* Keyboards – Chuckii Booker, Rex Salas Producer – Rex Salas Arranged By – Chuckii Booker, Rex Salas Arranged By [Vocals Arranged By] – Kipper Jones Backing Vocals – Angel Rogers, Craig Tankerd, Devere Duckett, Nikki Haris*, Vanessa Williams Composed By – Kipper Jones, Rex Salas Engineer – Craig Burbidge, Erik Zobler, Mike Frenke* Engineer [Assistant Engineer] – Gil Morales, Jarod Held, Steve Ford Fiddle – Charles Veal* Guitar – Greg Moore, Tommy Organ* Keyboards – Chuckii Booker, Rex Salas Producer – Rex Salas 4:38 B3 Darlin' I Arranged By [Horns Arranged By] – Joe Curiale, Rex Salas Backing Vocals – Angel Rogers, Brenda Pierce, Darren Spencer, Donnel Spencer*, Kenny Harris, Kipper Jones, Vanessa Williams Bass – Cornelius Mims Composed By – Kenny Harris, Rex Salas Engineer – Erik Zobler Engineer [Assistant Engineer] – Gil Morales, Jarod Held, Steve Ford Guitar – Greg Moore Guitar [Guitar Solo] – Norm Mertin* Keyboards – Rex Salas Producer, Arranged By – Rex Salas Arranged By [Horns Arranged By] – Joe Curiale, Rex Salas Backing Vocals – Angel Rogers, Brenda Pierce, Darren Spencer, Donnel Spencer*, Kenny Harris, Kipper Jones, Vanessa Williams Bass – Cornelius Mims Composed By – Kenny Harris, Rex Salas Engineer – Erik Zobler Engineer [Assistant Engineer] – Gil Morales, Jarod Held, Steve Ford Guitar – Greg Moore Guitar [Guitar Solo] – Norm Mertin* Keyboards – Rex Salas Producer, Arranged By – Rex Salas 4:07 B4 Am I Too Much? Backing Vocals – Lisa Collins, Racquel Cox, Vanessa Williams Composed By – Darryl Ross, David Paul Bryant Engineer [Additional Engineering By] – Steve Shepherd, Steve Van Arden, Winston Johnson Engineer [Assistant Engineer] – Clif Jones Engineer [Recording and Mixing Engineer] – David Bianco Guitar – Dennis Nelson Keyboards [Additional Keyboards], Bass [Bass Solo] – Ricky Smith* Keyboards, Drum Programming – Darryl Ross, David Paul Bryant Producer, Arranged By – Darryl Ross, David Paul Bryant Synthesizer [Synclavier] – Winston Johnson Vocals [Additional Vocal Crew] – Laura Hunter, Lisa Collins, Michelle Davis, Racquel Cox, Stacy Gibson Backing Vocals – Lisa Collins, Racquel Cox, Vanessa Williams Composed By – Darryl Ross, David Paul Bryant Engineer [Additional Engineering By] – Steve Shepherd, Steve Van Arden, Winston Johnson Engineer [Assistant Engineer] – Clif Jones Engineer [Recording and Mixing Engineer] – David Bianco Guitar – Dennis Nelson Keyboards [Additional Keyboards], Bass [Bass Solo] – Ricky Smith* Keyboards, Drum Programming – Darryl Ross, David Paul Bryant Producer, Arranged By – Darryl Ross, David Paul Bryant Synthesizer [Synclavier] – Winston Johnson Vocals [Additional Vocal Crew] – Laura Hunter, Lisa Collins, Michelle Davis, Racquel Cox, Stacy Gibson 4:08 B5 Can This Be Real? Arranged By [Strings Arranged By] – Charles Veal* Backing Vocals – Craig Tankerd, Nikki Haris*, Vanessa Williams Bass – Cornelius Mims Composed By – Dan Serafini Drums – Derik Organ* Engineer – Erik Zobler, Jarod Held, Mike Frenke* Engineer [Assistant Engineer] – Sabrina Buchanek, Steve Holroyd Flute [Flute Solo] – Gerald Albright Keyboards – Rex Salas Producer, Arranged By – Rex Salas Arranged By [Strings Arranged By] – Charles Veal* Backing Vocals – Craig Tankerd, Nikki Haris*, Vanessa Williams Bass – Cornelius Mims Composed By – Dan Serafini Drums – Derik Organ* Engineer – Erik Zobler, Jarod Held, Mike Frenke* Engineer [Assistant Engineer] – Sabrina Buchanek, Steve Holroyd Flute [Flute Solo] – Gerald Albright Keyboards – Rex Salas Producer, Arranged By – Rex Salas 5:15 B6 Whatever Happens Composed By – Bill Withers, Larry Carlton Effects [Sound Effects] – Lance Muliagatele Engineer – Jarod Held, Mike Frenke* Engineer [Assistant Engineer] – Sabrina Buchanek Keyboards – Rex Salas, Vanessa Williams Producer, Arranged By – Rex Salas
USA NEW OLD STOCK VINYL LP.
SLEEVE: SEALED WITH HYPE STICKER. NO CORNER CUTS. NO EDGE CUTS. NO DRILL HOLES.DISC: MINT UNPLAYED.
SALE CONDITIONS FOR NEW OLD STOCK SEALED RECORDS
WE CANNOT ACCEPT RETURNS OF SEALED RECORDS UNDER ANY CIRCUMSTANCES UNLESS THEY ARE STILL SEALED AS ORGINALLY SHIPPED.
This sealed record is sold as a collectible and not a playing copy. Its premium price is based on the fact that it is still sealed after all these years. Please consider this carefully before you open up a new old stock sealed record. Although rare occurrences, we cannot be responsible for pressing defects, warps or any other factory errors as this title is no longer returnable to the distributor for a replacement or refund. We except no returns of opened product under any circumstances. The higher value of sealed old stock LPs is usually due to collectors wanting to keep, and not open, original issues. Opening the seal changes the intrinsic nature and value of the object, the same as would apply to still sealed blister-packed/boxed collectable toys. Open copies of the same LPs are not worth as much to serious collectors because they then become far more common, however good the condition of the disc or sleeve.
Our sealed records are described TO THE BEST OF OUR KNOWLEDGE AND ABILITY, but are sold only as stated on an 'As Is' basis. If you are purchasing this title to open and play, it is not returnable under any circumstances. It is sold as a still-sealed collectors item under the assumption that the purchaser intends to keep it as sealed.
This title is new old stock from the original period of the album's release. It is not a recent repress or reissue, but as it is sealed we cannot confirm which pressing plant or label design it has, and it is offered for sale on that basis.
Please notify us with your payment if you want us to open this sealed record and check the merchandise before we ship it. This would prevent seam splits (the disc breaking through the spine of the cover in transit) that can occur as part of the shipping process. We always pack carefully, but the only sure way to prevent seam splits in transit is to remove the record from the cover before packing it, which we do with all non-sealed records. At the buyer’s request, we will open a sealed record and pack the vinyl in a protective sleeve separate from the cover. Unless the buyer requests that the sealed record be opened and packed in this manner, we are not liable for any seam splits that may occur in transit.
- 1. USA IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
- 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL IS $69.99 [EXCEPT CANADA, WHICH IS $59.99]. This is now the only reliable, tracked and insured way we can ship international packages.
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