Various ?– White Mansions - A Tale From The American Civil War 1861-1865

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Various ?– White Mansions - A Tale From The American Civil War 1861-1865
Label: A&M Records ?– SP-6004
Format: Vinyl, LP, Album 
Country: US
Released: 1978
Genre: Rock, Folk, World, & Country
Style: Country Rock, Folk Rock

Tracklist
Part One A1 –Jessi Colter Story To Tell (Preface) 2:52 A2 –Waylon Jennings Dixie, Hold On 3:15 A3 –John Dillon Join Around The Flag 2:17 A4 –Steve Cash White Trash Piano – Tim Hinkley Slide Guitar [Electric] – Eric Clapton Written-By – Bernie Leadon 3:56 A5 –John Dillon  & Jessi Colter The Last Dance & The Kentucky Racehorse Resonator Guitar [Dobro] – Eric Clapton 5:25 A6 –Steve Cash Southern Boys 3:00 A7 –Waylon Jennings & Jessi Colter The Union Mare & The Confederate Grey Harmony Vocals – Jessi Colter 3:53 Part Two B1 –John Dillon No One Would Believe A Summer Could Be So Cold Piano – Tim Hinkley 2:57 B2 –Waylon Jennings The Southland's Bleeding 4:14 B3 –John Dillon (3) Bring Up The Twelve Pounders 0:26 B4 –Steve Cash, John Dillon & Waylon Jennings They Laid Waste To Our Land Narrator – Waylon Jennings 2:35 B5 –The Voices Of Deliverance Praise The Lord 1:08 B6 –Steve Cash The King Has Called Me Home Organ – Tim Hinkley 3:14 B7 –John Dillon Bad Man 3:07 B8 –Waylon Jennings Dixie, Now You're Done 3:17

Credits: Acoustic Guitar, Electric Guitar, Banjo, Mandolin, Resonator Guitar [Dobro], Pedal Steel Guitar, Backing Vocals – Bernie Leadon Acoustic Guitar, Piano, Electric Piano, Dulcimer, Fiddle, Backing Vocals – John Dillon Arranged By [Strings] – Brian Rogers Art Direction – Michael Ross Art Direction, Cover [Inside] – Ethan A. Russell Backing Vocals – Paul Kennerley Bass, Double Bass – Dave Markee Design – Ethan Russell, Michael Ross, Nick Marshall Drums – Henry Spinetti Electric Guitar, Acoustic Guitar – Waylon Jennings Engineer [assistant] – Jon Astley Engineer, Producer – Glyn Johns Harmonica, Backing Vocals – Steve Cash Lyrics By, Music By, Written-By, Liner Notes – Paul Kennerley Mastered By – Doug Sachs

Notes: Includes 28 Page Booklet of Historical Background, Character Outlines, Black and White Photographs, Lyrics and Credits.

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GRADING

Albums are Visually Graded, Record, and then Cover, followed by any specific notes. If you have questions beyond the description given, please feel free to contact me.

Mint (M) All-around perfect, no signs of use.

NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint. Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). - VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking

Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too

Good (G), Good Plus (G+) or Very Good Minus (VG–)The record still plays through without skipping, but it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers.

VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.

POOR (P) and Fair (F) Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, if they go at all. More likely, they end up going in the trash. Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them.