WHERE THE WILD THINGS ARE MOTION PICTURE SOUNDTRACK LP karen o and the kids RARE

$

40

Description:

NICE USED COPY OF WHERE THE WILD THINGS ARE SOUNDTRACK BY KAREN O AND THE KIDS! VERY RARE SOUNDTRACK ON VINYL!

Tracklist 

A1 –Karen O And The Kids Igloo Glockenspiel – Bradford CoxGuitar – Imaad WasifOrgan – Tom BillerVocals, Guitar – Karen OWritten-By – Karen O 1:49 A2 –Karen O And The Kids All Is Love Bass – Jack LawrenceDrums – Brian ChaseElectric Guitar – Nick ZinnerGuitar – Imaad WasifGuitar, Vocals – Bradford CoxPercussion, Guitar – Tom BillerPiano, Keyboards – Dean FertitaVocals [Special Guest Vocals] – Max RecordsVocals, Guitar – Karen OWritten-By – Karen O, Nick Zinner 2:51 A3 –Karen O And The Kids Capsize Bass – Jack LawrenceDrums – Aaron Hemphill, Brian ChaseEffects [Vocal Treatments], Noises [Ambient Sound] – Bradford CoxGuitar, Drums, Bells [Church Bell] – Tom BillerGuitar, Organ – Dean FertitaVocals – Karen OWritten-By – Aaron Hemphill, Bradford Cox, Dean Fertita, Jack Lawrence, Karen O, Tom Biller 2:38 A4 –Karen O And The Kids Worried Shoes Bass, Marimba – Jack LawrenceBells – Bradford CoxOrgan, Marimba – Dean FertitaPiano – Greg KurstinVocals – Karen OWritten-By – Daniel Johnston 4:13 A5 –Karen O And The Kids Rumpus Bass, Organ [Low Organ] – Tom BillerDrum Programming [Programmed Drums] – Tristan BechetDrums – Brian ChaseGuitar – Imaad WasifGuitar, Vibraphone [Vibes] – Bradford Cox, Nick ZinnerVocals – Karen OWritten-By – Karen O, Nick Zinner, Tristan Bechet 2:46 A6 –Karen O And The Kids Rumpus Reprise Bass – Jack LawrenceDrums – Brian ChaseGuitar – Imaad Wasif, Nick ZinnerMarimba – Dean FertitaOrgan – Tom BillerVocals – Karen OWritten-By – Bradford Cox, Imaad Wasif, Karen O 1:56 A7 –Karen O And The Kids Hideaway Bass – Jack LawrenceBells – Bradford CoxDrums – Brian ChaseGuitar – Imaad WasifOrgan – Tom BillerPiano – Dean FertitaVocals – Karen OWritten-By – Imaad Wasif, Karen O 5:12 B1 –Karen O And The Kids Cliffs Bass [Bowed Bass] – Oscar MichelGuitar – Bradford Cox, Imaad WasifPercussion – Brian ChaseVocals – Karen OWritten-By – Imaad Wasif, Karen O, Oscar Michel 3:00 B2 –Karen O And The Kids Animal Drums – Brian ChaseGuitar – Imaad WasifGuitar, Effects [Treated Vocal Effects] – Bradford CoxOrgan – Tom BillerVocals – Karen OWritten-By – Bradford Cox, Imaad Wasif, Karen O 4:13 B3 –Carter Burwell Lost Fur Bass – Greg CohenBassoon – Marc GoldbergCello – Eileen MoonClarinet – Pavel VinnitskyComposed By – Carter BurwellContractor – Sandra ParkCopyist – Tony FinnoGuitar – Marc Ribot, Mark Stewart (4)Harp – Barbara Allen (2), Tori Drake*Mixed By [Music Scoring Mixer] – Michael FarrowOboe – Rob BottiOrchestrated By, Conductor – Carter BurwellPercussion – David Cossin, Gordon GottliebProducer – Carter BurwellViola – Robert RinehartViolin – Laura Seaton, Sharon YamadaWoodwind – Dave Weiss* 1:08 B4 –Karen O And The Kids Heads Up Bass, Vocals – Jack LawrenceDrums, Vocals – Brian ChaseGuitar, Vocals – Bradford Cox, Imaad Wasif, Tom BillerPiano, Vocals – Dean FertitaVocals – Karen OWritten-By – Bradford Cox, Dean Fertita, Imaad Wasif, Jack Lawrence, Karen O, Tom Biller 2:56 B5 –Karen O And The Kids Building All Is Love Drums – Brian ChaseGuitar – Bradford Cox, Imaad Wasif, Nick Zinner, Tristan BechetPercussion, Banjo, Bass – Tom BillerPiano, Keyboards – Dean FertitaVocals – Karen OWritten-By – Karen O, Nick Zinner, Tristan Bechet 3:34 B6 –Karen O And The Kids Food Is Still Hot Bass – Jack LawrenceBells [Delay Bells] – Bradford CoxGuitar [Treomo Guitar], Performer [Fun Machine], Organ – Tom BillerGuitar, Harmonica – Imaad WasifVocals – Karen OWritten-By – Karen O 2:47 B7 –Karen O And The Kids Sailing Home Bass – Jack LawrenceDrums – Brian ChaseGuitar – Bradford Cox, Imaad Wasif, Nick ZinnerPercussion, Guitar – Tom BillerPiano, Keyboards – Dean FertitaVocals – Karen OWritten-By – Karen O 1:03

MINT (M)

These are absolutely perfect in every way. Lost Weekend will never grade a record as Mint as we believe it is an unattainable grade.


VERY GOOD PLUS PLUS (VG++)

VG++ records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not VG++. If played, it will do so with no surface noise. (VG++ records don’t have to be “never played”; a record used on an excellent turntable can remain VG++ after many plays if the disc is properly cared for.)

VG++ covers are free of creases, ring wear and seam splits of any kind.

VG++ will be the highest grading Lost Weekend Records uses. Even so we won't grade many records at this level as we are very particular about this level of grading.


VERY GOOD PLUS (VG+)

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VERY GOOD (VG)

 VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too.

VERY GOOD MINUS (VG-)

VG- does not mean bad! The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing miserably. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.


POOR (P)

Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry. Only the most outrageously rare items ever sell for more than a few cents in this condition.

Lost Weekend Records will rarely if ever sell an LP in Poor condition unless it is very rare.


STILL SEALED (SS)

Lost Weekend Records will sometimes list an album that is Still Sealed from the factory. They will typically bring higher prices than a clean opened copy.

We can't call Sealed records mint because there might be a minor flaw in the pressing of the vinyl or some minor warping from being sealed.


                                                                                                                                                                                                                 


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