(WINGS-Band on the Run:25th Anniversary Edition)-BEATLES-Poster/Inserts-E5-2xLP

	A$		40
	$		26

DESCRIPTION ITEM: VINYL 2xLP
ARTIST: WINGS
TITLE: Band on the Run: 25th Anniversary Edition
COUNTRY PRINTED: USA
CAT No: 7243 4 99176 1 3
COVER: Gatefold (Grade at NEAR MINT+)
LABELS: (Grade at MINT)
POSTER: Huge Poster (Grade at MINT)
INSERTS: Two gatefold inserts (Grade at MINT)
VINYL:
Record #1:(Grade at NEAR MINT+)
Record #2:(Grade at MINT)
CREDITS:
Written-By – Denny Laine (tracks: B2, C7), Paul & Linda McCartney (tracks: A1 to B1, B3 to C6, C8 to D11), Paul McCartney (tracks: B2, C7)
TRACKS:
DISC 1 A1 Band On The Run 5:13
A2 Jet 4:08
A3 Bluebird 3:23
A4 Mrs. Vandebild 4:41
A5 Let Me Roll It 4:50
B1 Mamunia 4:50
B2 No Words 2:34
B3 Helen Wheels 3:47
B4 Picasso's Last Words (Drink To Me) 5:48
B5 Nineteen Hundred And EightyFive 5:28
<="" u=""> C1 Paul McCartney (Dialogue Intro) / Band On The Run (Nicely Toasted Mix) 1:13
C2 Band On The Run (Original) (Background) / Paul McCartney (Dialogue Link 1) 2:17
C3 Band On The Run (Barn Rehearsal - 21st July 1989) 4:59
C4 Paul McCartney (Dialogue Link 2) / Mamunia (Original) (Background) / Denny Laine (Dialogue) / Mamunia (Original) (Background) / Linda McCartney (Dialogue) / Paul McCartney (Dialogue Link 3) 4:22
C5 Bluebird (Live-Version - Australia 1975) 0:55
C6 Bluebird (Original) (Background) / Paul McCartney (Dialogue Link 4) 0:23
C7 Paul McCartney (Dialogue Link 5) / No Words (Original) (Background) / Geoff Emerick (Dialogue) 1:24
C8 No Words (Original) / Paul McCartney (Dialogue Link 6) / Tony Visconti (Dialogue) / Band On The Run (Original) (Illustration) / Tony Visconti (Dialogue) 1:47
C9 Jet (Original From Picasso's Last Words) (Background) / Paul McCartney (Dialogue Link 7) / Jet (Original From Picasso's Last Words) (Background) / Al Coury (Dialogue) 2:55
C10 Jet (Berlin Soundcheck - 3rd September 1993) 3:51
D1 Paul McCartney (Dialogue Link 8) / Clive Arrowsmith (Dialogue) 1:44
D2 Nineteen Hundred And Eighty Five (Original) (Background) / Paul McCartney (Dialogue Link 9) / James Coburn (Dialogue) / Paul McCartney (Dialogue Link 10) / John Conteh (Dialogue) 2:24
D3 Mrs Vandebilt (Original) (Background) / Paul McCartney (Dialogue Link 11) / Kenny Linch (Dialogue) 2:10
D4 Let Me Roll It (Cardington Rehearsal - 5th February 1993) / Paul McCartney (Dialogue Link 12) 3:52
D5 Paul McCartney (Dialogue Link 13) / Mrs Vandebilt (Background) / Michael Parkinson (Dialogue) / Linda McCartney (Band On The Run Photo Shoot) (Dialogue) / Michael Parkinson (Dialogue) 2:25
D6 Helen Wheels (Crazed) / Paul McCartney (Dialogue Link 14) / Christopher Lee (Dialogue) Engineer [Helen Wheels (crazed)] – Geoff Emerick 5:32
D7 Band On The Run (Strum Bit) / Paul McCartney (Dialogue Link 15) / Clement Freud (Dialogue) Engineer [Band On The Run (strum Bit)] – Geoff Emerick 1:01
D8 Picasso's Last Words (Original) (Background) / Paul McCartney (Dialogue Link 16) / Dustin Hoffman (Dialogue) 4:22
D9 Picasso's Last Words (Drink To Me) (Acoustic Version) Engineer – Eddie Klein 1:11
D10 Band On The Run (Nicely Toasted Mix) / Paul McCartney (Dialogue Link 17) Engineer [Band On The Run (nicely Toasted Mix)] – Geoff Emerick 0:42
D11 Band On The Run (Northern Comic Version) Engineer – Geoff Emerick 0:36
ALBUM NOTES: Wikipedia
25th Anniversary Edition (1999 re-release)

Band on the Run: 25th Anniversary Edition is a special extended edition of the album, which was released in 1999.

Released to coincide exactly twenty-five years after the album began to take off in March 1974 after a slow start, the package includes an extra disc of live renditions of songs throughout the years, as well as brief new renditions by McCartney. Spoken testimonials are also included from such luminaries as McCartney himself, late wife Linda (to whom this retrospective release is dedicated), Denny Laine, Dustin Hoffman (the inspiration behind "Picasso's Last Words (Drink To Me)"), and some of the celebrity faces on the cover, namely Christopher Lee and James Coburn who was in Britain at the time filming The Internecine Project.[12]

For this one occasion, McCartney released the package according to the original US release, with "Helen Wheels" in the line-up. It was left out of most editions of Band on the Run.

COMMENT: Biography by Stephen Thomas Erlewine
Following his second solo album, Ram, in 1971, ex-Beatle Paul McCartney and his wife, Linda, formed Wings, which was intended to be a full-fledged recording and touring band. Denny Laine, a former guitarist for the Moody Blues, and drummer Denny Seiwell filled out the lineup and Wings released their first album, Wild Life, in December 1971. Wild Life was greeted with poor reviews and was a relative flop. McCartney and Wings, which now featured former Grease Band guitarist Henry McCullough, spent 1972 as a working band, releasing three singles -- the protest tune "Give Ireland Back to the Irish," the reggae-fied "Mary Had a Little Lamb," and the hard-rocking "Hi Hi Hi" -- in England. Red Rose Speedway followed in the spring of 1973, and while it received weak reviews, it became his second American number one album. Later in 1973, Wings embarked on their first British tour, at the conclusion of which McCullough and Seiwell left the band. Prior to their departure, McCartney's theme to the James Bond movie Live and Let Die became a Top Ten hit in the U.S. and U.K. That summer, the remaining Wings proceeded to record a new album in Nigeria. Released late in 1973, Band on the Run was McCartney's best-reviewed album to date and his most successful, spending four weeks at the top of the U.S. charts and eventually going triple platinum.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour.
FAIR:
RECORD: Still just playable & exhibits considerable surface noise.
COVER: Major tears, wearing, splits & stains.
POOR:
RECORD: Will not play properly due to scratches etc.
COVER: Very badly damaged.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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