WYNTON KELLY jazz LP “Whisper Not” JAZZLAND mono Burrell NICE

$

42

Artist:   WYNTON KELLY

Title:  “Whisper Not” 

Label:   JAZZLAND - # JLP 83.  Monaural pressing on medium weight vinyl.  Label is orange with black text.

Year:  1958.

Personnel: 

Wynton Kelly – piano

Kenny Burrell – guitar

Paul Chambers – bass

Philly Joe Jones – drums. 

Condition: 

DISC:  Vinyl is EXCELLENT with full original gloss.  Has been played a small number of times and handled with care.  There are a couple slight hairline scuffs.  Plays beautifully with superb fidelity.  Labels are clean.  This hard-to-find LP is one that you will never need to upgrade.         

JACKET:  Jacket is EXCELLENT with nice bright artwork.   Seams, spine, and surfaces are excellent.  Reverse has a bit of light rubbing wear.  Corner tips have been lightly bumped.  No writing, stickers, or cutout indications.  Overall a very fine jacket.  

Track Listing:

SIDE 1:

• Whisper Not
• Action
• Dark Eyes 

SIDE 2:

• Strong Man
• Ill Wind
• Don’t Explain
• You Can’t Get Away 

Review: 

“In January 1958, producer Orrin Keepnews brought pianist Wynton Kelly and guitarist Kenny Burrell into the studio.  Although he had for years been a highly regarded sideman with the likes of Dizzy Gillespie, Lester Young and Dinah Washington, Kelly had only cut one date as a leader prior to this -- and that had been seven years earlier.  Whisper Not showcases Kelly and Burrell in a trio setting with bassist Paul Chambers, and for one side adds drummer Philly Joe Jones.  The tunes include Harold Arlen's "Ill Wind," Billie Holiday's "Don't Explain," and the title track, penned for the Gillespie band by Benny Golson.  Unfortunately, Kelly is not given an opportunity to shine in the conventional piano trio setting -- with only bass and drums -- a format in which he excelled.  His distinctive drive and buoyant swing feel is in evidence, however, and despite a less than perfect audio mix (a bit dry), Whisper Not is recommended as an important recording in the oeuvre of Wynton Kelly.” 

(review courtesy of Lee Bloom, allmusic.com)

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