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Wilco ?– Summerteeth

Label: Nonesuch ?– 518086-1 Format: 2 × Vinyl, LP, Album, Reissue, Repress, Gatefold, 180 Gram
Country: US Released:   Genre: Rock Style: Alternative Rock, Folk Rock

Tracklist

A1 Can't Stand It Bass – John StirrattDrums – Ken CoomerPiano, Keyboards, Bells, Percussion, Backing Vocals – Jay BennettVocals, Electric Guitar, Backing Vocals – Jeff Tweedy A2 She's A Jar Bass – John StirrattDrums – Ken CoomerElectric Guitar, Keyboards, Tambourine, Backing Vocals – Jay BennettVocals, Acoustic Guitar, Harmonica, Backing Vocals – Jeff Tweedy A3 A Shot In The Arm Bass – John StirrattLap Steel Guitar, Piano, Keyboards, Synthesizer, Drums – Jay BennettTimpani – Ken CoomerVocals, Acoustic Guitar, Twelve-String Guitar, Synthesizer – Jeff Tweedy A4 We're Just Friends Backing Vocals – John StirrattPiano, Organ [Farfisa], Bass Drum, Backing Vocals – Jay BennettVocals – Jeff Tweedy B1 I'm Always In Love Bass, Piano, Keyboards, Drums, Backing Vocals – Jay BennettDrums – Ken CoomerPiano, Backing Vocals – John StirrattVocals, Baritone Guitar – Jeff Tweedy B2 Nothing'severgonnastandinmyway (Again) Acoustic Guitar, Baritone Guitar, E-Bow, Piano, Keyboards, Tambourine, Backing Vocals, Handclaps – Jay BennettBass, Backing Vocals – John StirrattDrums – Ken CoomerVocals, Acoustic Guitar, Handclaps – Jeff Tweedy B3 Pieholden Suite Banjo, Piano, Keyboards, Synthesizer, Tambourine, Backing Vocals – Jay BennettBass, Backing Vocals – John StirrattDrums – Ken CoomerTrumpet – Dave Crawford*Vocals, Acoustic Guitar, Bass, Tambourine – Jeff Tweedy B4 How To Fight Loneliness Bass, Backing Vocals – John StirrattDrums – Ken CoomerPiano, Keyboards, Backing Vocals – Jay BennettVocals, Acoustic Guitar – Jeff Tweedy C1 Via Chicago Banjo, Piano, Organ, Synthesizer [Moog], Tambourine – Jay BennettBass – John StirrattDrums – Ken CoomerVocals, Electric Guitar, Acoustic Guitar, Synthesizer – Jeff Tweedy C2 ELT Bass – John StirrattDrums – Ken CoomerElectric Guitar, Piano, Keyboards, Synthesizer, Tambourine, Backing Vocals – Jay BennettVocals, Backing Vocals – Jeff Tweedy C3 My Darling Acoustic Guitar, Baritone Guitar, Electric Guitar, E-Bow, Bass [Slide Bass], Piano, Keyboards, Tambourine, Handclaps, Backing Vocals – Jay BennettBass, Backing Vocals – John StirrattDrums – Ken CoomerVibraphone – Mark GreenbergVocals, Acoustic Guitar, Backing Vocals – Jeff Tweedy C4 When You Wake Up Feeling Old Bass, Backing Vocals – John StirrattDrums – Ken CoomerKeyboards, Tiple, Backing Vocals – Jay BennettPiano – Leroy BachVocals, Acoustic Guitar, Harp [Toy Harp] – Jeff Tweedy D1 Summer Teeth Bass, Backing Vocals – John StirrattDrums – Ken CoomerElectric Guitar, Lap Steel Guitar, Piano, Keyboards, Bells, Backing Vocals – Jay BennettVocals, Acoustic Guitar – Jeff Tweedy D2 In A Future Age Bass – John StirrattDrums – Ken CoomerPiano, Organ, Backing Vocals – Jay BennettVocals, Acoustic Guitar, Guitar [Bowed Guitar, Tremelo Guitar] – Jeff Tweedy D3 Candy Floss Bass, Vocals – John StirrattDrums – Ken CoomerElectric Guitar, Baritone Guitar, Chamberlin, Vocals, Organ, Piano – Jay BennettElectric Guitar, Vocals – Jeff Tweedy D4 A Shot In The Arm (Remix)

Companies, etc.

• Recorded At – Pedernales Studio
• Recorded At – Kingsize Soundlabs
• Recorded At – The White House
• Recorded At – Fidelitorium
• Recorded At – Dead Aunt Thelma's
• Recorded At – Ocean Way Recording
• Recorded At – Scream Studios
• Mixed At – Ocean Way Recording
• Mixed At – Scream Studios
• Mastered At – Gateway Mastering
• Pressed By – Schallplattenfabrik Pallas GmbH – 18636
• Pressed By – Schallplattenfabrik Pallas GmbH – 18637
• Published By – Words Ampersand Music
• Published By – Warner-Tamerlane Publishing Corp.
• Published By – You Want A Piece Of This Music
• Published By – Bug Music
• Published By – Poeyfarre Songs
• Published By – 500 Ft. Toe Music
• Phonographic Copyright (p) – Nonesuch Records Inc.
• Copyright (c) – Nonesuch Records Inc.
• Phonographic Copyright (p) – WEA International Inc.
• Copyright (c) – WEA International Inc.

Credits

• Booking – Frank Riley (2), Paul Fenn
• Design – Lawrence Azerrad
• Engineer – Chris Grainger, Dave Trumfio, Larry Greenhill, Mike Hagler, Mitch Easter, Russ Long
• Engineer [Assisted By] – Steve Chadie
• Legal – Josh Grier (2)
• Management – Tony Margherita
• Management [Financial] – Peter Fairley (2)
• Management [With] – Benjamin Levin (2), Brandy Breaux-Simkins, Emily Rosenblum
• Mastered By – Bob Ludwig
• Mixed By – David Kahne (tracks: A1, D4), Jim Scott (tracks: A2 to D4)
• Mixed By [Assisted] – Mike Scotella (tracks: A2 to D4)
• Other [Online] – Ken Waagner
• Photography By – Justine Parsons
• Public Relations – Deb Bernardini
• Technician [Technical Assistance] – Jonathan Parker
• Written-By, Producer, Performer – Wilco

Notes

180-gram High-Performance Vinyl. Comes with two black & white LP sized inserts with lyrics and credits.
Packaged in a tip-on gatefold sleeve.

Almost the exact same release as Wilco - Summerteeth, but does not include the CD or the hype sticker referring to the CD.

Recorded from August 1997 through November 1998 at: Pedernales Recording Studio in Spicewood, Texas; King Size Sound Laboratories in Chicago; The White House in Nashville; The Fidelitorium in Kernersville, North Carolina; Dead Aunt Thelma's in Portland, Oregon. Additional recording at Ocean Way Recording and Scream Studio, Los Angeles.

Mixed at Ocean Way except track A1 mixed at Scream.
Mastered at Gateway, Portland Maine.

? & © 2009 Nonsuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.

Published by Words Ampersand Music/Warner-Tamerlane Publishing Co. BMI/You Want a Piece of This Music (admin. by Bug Music ASCAP)/Poeyfarre Songs/500 Ft. Toe Music BMI.

Barcode and Other Identifiers

• Rights Society: BMI
• Rights Society: ASCAP
• Barcode (Text): 0 75597 98293 0
• Barcode (String & Scanned): 075597982930
• Matrix / Runout (Side A runout, etched [2, -18636- stamped]): 1-518086-A 2 -18636-
• Matrix / Runout (Side B runout, etched [2, -18636- stamped]): 1-518086-B 2 -18636-
• Matrix / Runout (Side C runout, etched [2, -18637- stamped]): 1-518086-C 2 -18637-
• Matrix / Runout (Side D runout, etched [2, -18637- stamped]): 1-518086-D 2 -18637-

        *Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.   *Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
*Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
 *Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.   Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.