alan sorrenti `aria` [HARVEST] ITALIAN 1973
  £   40
  $   53

 


£ 40 Sold For
Apr 22, 2010 Sold Date
Apr 12, 2010 Start Date
£   7 Start price
7   Number Of Bids
  Great Britain Country Of Seller
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Description

cover good+ condition

vinyl `near new`

released 1972 - second pressing

A very important artist from Naples, ALAN SORRENTI released his first album in 1972 on Harvest. He had a Welsh mother and had lived in Wales as a child.

"Aria" is a very good album, with two different sides: the first only contains the long title track, a dreamy suite starting with acoustic guitar and based on the marvellous, instrument-like voice of Sorrenti, and culminating in the final part with a memorable violin solo by Jean-Luc Ponty. Side 2 is softer, with three tracks, two of which ("Vorrei incontrarti") also appeared as a single. The album was successful in Italy, and Alan Sorrenti was one of the few solo artists to compete with other prog groups in the open air festivals of the time. The album was also released abroad, but to little success.

- Alan Sorrenti / vocals and acoustic guitar
- Antonio Esposito / drums and percussions
- Vittorio Nazzaro / bass guitar and lead classic guitar
- Albert Prince / organ hammond, accordion, mellotron, synth harp
- Tony Bonfilis / bow bass
- Jean Costa / trombone
- André Lajdi / trumpet
- Martin Paratore / spanish dancer

Guest musician:
- Jean Luc Ponty / violin SIDE ONE

The album consists of the near-20-minute epic title track and three tracks between 5 and 8 minutes. Quite soon I had one specific artist in my mind: PETER HAMMILL/ VAN DER GRAAF GENERATOR, especially on the wide range of singing (which has been compared to TIM BUCKLEY's most far-out works too) and on the overall attmosphere, which is a bit eerie and haunting. What a great harmony between the cover art and the music!

Unlike in VDGG there is no sax, but Jean-Luc Ponty's appearance as a violinist gives more or less the same flavour. You hear also hammond, accordion, trombone, trumpet and synth harp, but the vocals and acoustic guitar of the leading man remains in focus. The music has some kind of spontaneity and deep emotional impact just like Hammill in the early VDGG. Some parts are not so 'nice' listening but the interest is kept pretty well all through the epic, as well as on the three shorter tracks. One really needs to listen to this music many times before knowing it well. Hopefully I'm still to find many more levels and emotions in this album.

 


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