sealed STAY AWAKE 2xlp DISNEY FILM COMPILATION replacements NRBQ los lobos

$

20

SEALED 3x4 on purple swirl vinyl




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Tracklist Hide Credits

Opening Medley ("I'm Getting Wet And I Don't Care At All") A1.1 –Ken Nordine With Bill Frisell And Wayne Horvitz Hi Diddlee Dee Dee (An Actor's Life For Me) (From Pinocchio) Arranged By – Bill Frisell, Wayne HorvitzGuitar – Bill FrisellLyrics By [Narrative By] – Ken NordineMusic By – Leigh HarlinePiano, Synthesizer – Wayne HorvitzRecorded By – Joe FerlaRecorded By [Additional Recording] – Ken Nordine Jr.Voice – Ken Nordine
A1.2 –Natalie Merchant, Michael Stipe, Mark Bingham And The Roches Little April Shower (From Bambi) Banjo – Mark BinghamCello – Jackie MullenClarinet, Ocarina, Voice [Wise Spoken Words] – Ralph CarneyHarp – Rachel van VjorheesLyrics By – Larry MoreyMarimba, Percussion, Drums – Michael BlairMusic By – Frank ChurchillRecorded By – Mike KrowiakRecorded By [Additional Recording] – Joe Ferla, Lewis PadgetSoprano Saxophone, Flute – Lenny PickettVocals – Michael Stipe, Natalie Merchant, The Roches
A1.3 –Los Lobos I Wan'na Be Like You (The Monkey Song) (From Jungle Book) Acoustic Guitar [Acoustic Nylos String Guitar], Accordion, Backing Vocals – David Hildalgo*Baritone Saxophone – Steve BerlinBass – Conrad LozanoLead Vocals, Cuatro – Cesar RosasMusic By, Lyrics By – Richard M. Sherman, Robert B. ShermanPercussion – Alex Neciosup Acuna*Performer [Varrana] – Louis Perez*Recorded By – Larry HirschRecorded By [Additional Recording] – Stephen Shelton (2)


- A2 –Bonnie Raitt And Was (Not Was) Baby Mine (From Dumbo) Backing Vocals – Arnold McCuller, Sir Harry Bowens*, Sweet Pea AtkinsonBaritone Saxophone [The Uptown Horns] – Crispin CioeBass – John PatitucciDrums – Jim KeltnerFlute – David WasGuitar – Paul Jackson Jr.Horns – The Uptown Horns*Keyboards – Luis RestoLyrics By – Ned WashingtonMusic By – Frank ChurchillSaxophone – Steve BerlinSynthesizer – Don WasTenor Saxophone [The Uptown Horns] – Arno HechtTrombone [The Uptown Horns] – Bob FunkTrumpet [The Uptown Horns] – "Hollywood" Paul Litteral*Vocals, Guitar [Slide Guitar Solo] – Bonnie Raitt
A3 –Tom Waits Heigh Ho (The Dwarfs Marching Song) (From Snow White And The Seven Dwarfs) Bass – Larry TaylorEffects [Sound Effects] – Val KuklowskyGuitar – Marc RibotKeyboards [Chamberlain] – Mitchell FroomLyrics By – Larry MoreyMusic By – Frank ChurchillProgrammed By [Optigon Programming] – Tchad BlakeRecorded By – Tchad BlakeRecorded By [Additional Recording] – Joe FerlaVocals – Tom Waits


Medley Two ("The Darkness Sheds Its Veil") B1.1 –Suzanne Vega Stay Awake (From Mary Poppins) Music By, Lyrics By – Richard M. Sherman, Robert B. ShermanRecorded By – Joe FerlaVocals – Suzanne Vega
B1.2 –Bill Frisell And Wayne Horvitz Little Wooden Head (From Pinocchio) Arranged By – Bill Frisell, Wayne HorvitzGuitar, Banjo – Bill FrisellMusic By – Leigh HarlineRecorded By – Joe FerlaSynthesizer – Wayne Horvitz
B1.3 –Syd Straw Blue Shadows On The Trail (From Melody Time) Arranged By – Maness*, Jorgenson*, Straw*, Morgan*Guitar, Mandolin – John JorgensonHarmonica – Tommy MorganLyrics By – Johnny LangeMusic By – Eliot DanielRecorded By – Stephen Shelton (2)Steel Guitar – Jaydee Maness*Vocals – Syd Straw


Medley Three ("Three Inches Is Such A Wretched Height") B2.1 –Buster Poindexter And The Banshees Of Blue* Castle In Spain (From Babes In Toyland) Baritone Saxophone [The Uptown Horns] – Crispin CioeBass – Tony GarnierDrum Programming – Jimmy BralowerDrums – Tony MachineGuitar – Brain Koowin*Horns – The Uptown Horns*Lyrics By – Mel LevenMusic By – George BrunsPercussion – Fred WalcottPiano – Charles Giordano*Tenor Saxophone [The Uptown Horns] – Arno HechtTrombone [The Uptown Horns] – Bob FunkTrumpet [The Uptown Horns] – "Hollywood" Paul Litteral*Vocals – Buster Poindexter, Ivy Ray
B2.2 –Yma Sumac I Wonder (From Sleeping Beauty) Arranged By – Jay Weigel, Mark BinghamBass – Buell NeidlingerCello – Armen Ksajikian, Christine Ermacoff, Dennis Karmazyn, Raphael KramerChimes, Cymbal, Timpani – Michael BlairConcertmaster – Gerald VinciConductor [Orchestra] – Lennie NiehausContractor [Contracted By] – Jules ChaikinFrench Horn – Richard Perissi, Richard ToddHarp – Catherine Ann Gotthoffer*Lyrics By – Ted Sears, Winston HiblerMusic By – George BrunsRecorded By – Joe FerlaRecorded By [Additional Recording] – Don Peterkofsky, Jeff Vaughn, Joe FerlaReeds – Donald Ashworth*, Marty Krystall, R. Langinger*Viola – Alan De Veritch*, Kenneth Burward-Hoy, Myra Kestenbaum, Pamela GoldsmithViolin – Bruce Dukoff*, Don Palmer*, Haim Shtrum, Henry Ferber, Israel Baker, Peter Kent (2), Ralph Morrison, Reg Hill*, Robert Sushel, Shari Zippert, Sheldon SanovVocals – Yma Sumac


- B3 –Aaron Neville Mickey Mouse March (From The Mickey Mouse Club) Arranged By – Aaron Neville, Mac RebennackCo-producer – Joel DornKeyboards – Dr. John, Mac RebennackMusic By, Lyrics By – Jimmie DoddRecorded By – Gene PaulVocals – Aaron Neville


Medley Four ("All Innocent Children Had Better Beware") C1.1 –Garth Hudson Feed The Birds (From Mary Poppins) Cymbal – Jay RubinHarmonica – Jorge MirkinKeyboards, Synthesizer, Accordion – Garth HudsonMusic By, Lyrics By – Richard M. Sherman, Robert B. ShermanRecorded By – John SlatteryRecorded By [Additional Recording] – Patrick Von Wiegantd*Sequenced By [Macintosh Sequencing] – Steve Deutch
C1.2 –NRBQ Whistle While You Work (From Snow White And The Seven Dwarfs) Bass, Backing Vocals – Joey SpampinatoDrums, Percussion – Tom ArdolinoGuitar – Al Anderson (2)Keyboards, Vocals, Arranged By – Terry Adams (2)Lyrics By – Larry MoreyMusic By – Frank ChurchillRecorded By – Joe FerlaRecorded By [Additional Recording] – Mike Krowiak
C1.3 –Betty Carter I'm Wishing (From Snow White And The Seven Dwarfs) Bass – Ira Noel Coleman*Drums – Troy Davis (2)Lyrics By – Larry MoreyMusic By – Frank ChurchillPiano – Stephen Scott (5)Recorded By – Joe FerlaSaxophone – Donald Braden*Vocals, Arranged By – Betty Carter
C1.4 –The Replacements Cruella De Ville (From 101 Dalmations) Arranged By – The ReplacementsBass, Backing Vocals – Tommy StinsonDrums – Chris MarsGuitar, Backing Vocals – Slim DunlapGuitar, Vocals – Paul WesterbergMusic By, Lyrics By – Mel LevenPerformer [Pianie] – Slinkey RutherfordRecorded By – John Alere


- C2 –Sinéad O'Connor Someday My Prince Will Come (From Snow White And The Seven Dwarfs) Arranged By – Andy Rourke, Sinéad O'ConnorGuitar – Andy RourkeLyrics By – Larry MoreyMusic By – Frank ChurchillRecorded By – Joe FerlaVocals – Sinéad O'Connor


Medley Five ("Technicolor Pachyderms") D1.1 –Sun Ra And The Arkestra* Pink Elephants On Parade (From Dumbo) Baritone Saxophone – Kenny Williams (3)Bass – Pat PatrickBass Clarinet, Alto Saxophone – Elo Omo*Bassoon – James Jackson*Drums – Aveeayl Ra Amen*, Buster Smith*, Tom Hunter*Flute, Alto Saxophone – Marshall AllenFrench Horn – Vincent Chauncey*Guitar – Bruce Edwards (2)Lyrics By – Ned WashingtonMusic By – Oliver WallacePiano, Arranged By – Sun RaProducer [Production Associate] – Steve WeisbergRecorded By – Joe FerlaTenor Saxophone – John GilmoreTrombone – Tyrone HillTrumpet – Fred Adams, Martin Banks, Michael RayViolin – Owen Brown Jr.Vocals – Art Jenkins, T.C. III*
D1.2 –Harry Nilsson Zip-A-Dee-Dah (From Song Of The South) Accordion – T. Bone Wolk*Arranged By [Original Arrangement] – Lennie NiehausBass – Buell NeidlingerCello – Armen Ksajikian, Christine Ermacoff, Dennis Karmazyn, Raphael KramerCo-producer – Van Dyke ParksConcertmaster – Gerald VinciConductor [Orchestra] – Lennie NiehausContractor [Contracted By] – Jules ChaikinDrums – Jim KeltnerElectric Guitar – Arto LindsayFrench Horn – Calvin Smith, Richard Perissi, Richard ToddGuitar – Dennis Budimir, Fred TackettHarp – Catherine Ann Gotthoffer*Lyrics By – Ray GilbertMusic By – Allie WrubelPercussion – Emil Radocchia, Ken WatsonPercussion [Brushes, Washboard], Drums [Frame Drum], Tambourine – Michael BlairPiano – Terry Adams (2)Recorded By – Joe FerlaRecorded By [Additional Recording] – Joe Ferla, Rusty SmithReeds – Robert Tricarico*, Donald Ashworth*, Gary Foster, Marty Krystall, Robert Langinger*Synthesizer – Peter SchererTrombone – John Johnson*, Richard Nash*, Lloyd UlyateTrumpet – Charles Findley*, Anthony Terran*, Warren LueningViola – Alan De Veritch*, Kenneth Burward-Hoy, Myra Kestenbaum, Pamela GoldsmithViolin – Bruce Dukoff*, Don Palmer*, Haim Shtrum, Henry Ferber, Israel Baker, Peter Kent (2), Ralph Morrison, Reg Hill*, Robert Sushel, Shari Zippert, Sheldon SanovVocals – Harry NilssonVocals [Chorus] – Ann White, Bobbi White, Carol Lombard, Debbie Hall, Diana Lee, Donna Davidson, Jackie Ward-Smith, Melissa Mackay, Sally Stevens, Sandra Hall, Susan Ives, Susan McBride


- D2 –James Taylor (2) Second Star To The Right (From Peter Pan) Acoustic Guitar, Vocals [Humming Boy] – Mark BinghamArranged By – Don Grolnick, Jay Weigel, Mark BinghamBass – Steve SwallowGuitar – John ScofieldLyrics By – Sammy CahnMusic By – Sammy FainPiano – Don GrolnickRecorded By – Joe FerlaRecorded By [Additional Recording] – Mike KrowiakTenor Saxophone – Branford MarsalisVocals – The RochesVocals [Humming Boy Too!] – Michael BlairVocals, Guitar, Whistle – James Taylor (2)


Pinocchio Medley ("Do You See The Noses Growing?") D3.1 –Ken Nordine With Bill Frisell And Wayne Horvitz Desolation Theme (From Pinocchio) Arranged By – Bill Frisell, Wayne HorvitzGuitar – Bill FrisellKeyboards – Wayne HorvitzLyrics By [Narrative By] – Ken NordineMusic By – Leigh HarlineRecorded By – Joe FerlaRecorded By [Additional Recording] – Ken Nordine Jr.Voice – Ken Nordine
D3.2 –Ringo Starr With Special Guest Herb Alpert When You Wish Upon A Star (From Pinocchio) Acoustic Guitar – Dennis Budimir, Fred TackettArranged By – Lennie NiehausBass – Buell NeidlingerCello – Armen Ksajikian, Christine Ermacoff, Dennis Karmazyn, Raphael KramerCo-producer – Van Dyke ParksConcertmaster – Gerald VinciConductor [Orchestra] – Lennie NiehausContractor [Contracted By] – Jules ChaikinDrums – Jim KeltnerElectric Guitar – Bill FrisellFrench Horn – Calvin Smith, Richard Perissi, Richard ToddHarp – Catherine Ann Gotthoffer*Lyrics By – Ned WashingtonMusic By – Leigh HarlinePercussion – Emil Radocchia, Ken WatsonPiano – Terry Adams (2)Recorded By, Recorded By [Additional Recording] – Joe FerlaReeds – Robert Tricarico*, Donald Ashworth*, Gary Foster, Marty Krystall, Robert Langinger*Trombone – John Johnson*, Richard Nash*, Lloyd UlyateTrumpet – Charles Findley*, Anthony Terran*, Warren LueningTrumpet [Trumpet Solo] – Herb AlpertViola – Alan De Veritch*, Kenneth Burward-Hoy, Myra Kestenbaum, Pamela GoldsmithViolin – Bruce Dukoff*, Don Palmer*, Haim Shtrum, Henry Ferber, Israel Baker, Peter Kent (2), Ralph Morrison, Reg Hill*, Robert Sushel, Shari Zippert, Sheldon SanovVocals – Ringo StarrVocals [Chorus] – Ann White, Bobbi White, Carol Lombard, Debbie Hall, Diana Lee, Donna Davidson, Jackie Ward-Smith, Melissa Mackay, Sally Stevens, Sandra Hall, Susan Ives, Susan McBrideWhistle – Harry Nilsson

                                                                                                                                                                         



LOST WEEKEND RECORDS GRADING SCALE


MINT (M)

These are absolutely perfect in every way. Lost Weekend will never grade a record as Mint as we believe it is an unattainable grade.


VERY GOOD PLUS PLUS (VG++)

VG++ records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not VG++. If played, it will do so with no surface noise. (VG++ records don’t have to be “never played”; a record used on an excellent turntable can remain VG++ after many plays if the disc is properly cared for.)

VG++ covers are free of creases, ring wear and seam splits of any kind.

VG++ will be the highest grading Lost Weekend Records uses. Even so we won't grade many records at this level as we are very particular about this level of grading.


VERY GOOD PLUS (VG+)

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VERY GOOD (VG)

 VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too.

VERY GOOD MINUS (VG-)

VG- does not mean bad! The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing miserably. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.



STILL SEALED (SS)

Lost Weekend Records will sometimes list an album that is Still Sealed from the factory. They will typically bring higher prices than a clean opened copy.

We can't call Sealed records mint because there might be a minor flaw in the pressing of the vinyl or some minor warping from being sealed.


                                                                                                                                                                                                                 


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