B.B. KING LP- FRIENDS - AUTOGRAPHED BY B.B. W/TICKET STUBS FREE DOMESTIC S&H

$

33

***** This item is for DOMESTIC U.S.A. orders ONLY! International customers must ask permission BEFORE buying! *****

>>> NOTE- I DO NOT USE GOLDMINE GRADING! I use my own grading system. PLEASE scroll down to read an explanation of my System BEFORE YOU BID OR BUY! <<<

B.B. KING 1974 LP-

FRIENDS

ABC RECORDS # ABCD-825

>>> AUTOGRAPHED BY B.B. KING! <<<

>>> INCLUDES 1998 CONCERT TICKET STUBS! <<<

>>> THE ONLY ONE ON EBAY! <<<

 FREE DOMESTIC SHIPPING & HANDLING, PRIORITY MAIL UPGRADE AND FREE INSURANCE!

RARE RECORD ALERT!!!

"Between 1951 and 1985, King notched an impressive 74 entries on Billboard's R&B charts, and he was one of the few full-fledged blues artists to score a major pop hit when his 1970 smash "The Thrill Is Gone" crossed over to mainstream success (engendering memorable appearances on The Ed Sullivan Show and American Bandstand). Since that time, he has partnered with such musicians as Eric Clapton and U2 while managing his own acclaimed solo career, all the while maintaining his immediately recognizable style on the electric guitar.

The seeds of Riley B. King's enduring talent were sown deep in the blues-rich Mississippi Delta, where he was born in 1925 near the town of Itta Bena. He was shuttled between his mother's home and his grandmother's residence as a child, his father having left the family when King was very young. The youth put in long days working as a sharecropper and devoutly sang the Lord's praises at church before moving to Indianola -- another town located in the heart of the Delta -- in 1943. Country and gospel music left an indelible impression on King's musical mindset as he matured, along with the styles of blues greats (T-Bone Walker and Lonnie Johnson) and jazz geniuses (Charlie Christian and Django Reinhardt). In 1946, he set off for Memphis to look up his cousin, a rough-edged country blues guitarist named Bukka White. For ten invaluable months, White taught his eager young relative the finer points of playing blues guitar. After returning briefly to Indianola and the sharecropper's eternal struggle with his wife Martha, King returned to Memphis in late 1948. This time, he stuck around for a while.

King was soon broadcasting his music live via Memphis radio station WDIA, a frequency that had only recently switched to a pioneering all-black format. Local club owners preferred that their attractions also held down radio gigs so they could plug their nightly appearances on the air. When WDIA DJ Maurice "Hot Rod" Hulbert exited his air shift, King took over his record-spinning duties. At first tagged "The Peptikon Boy" (an alcohol-loaded elixir that rivaled Hadacol) when WDIA put him on the air, King's on-air handle became "The Beale Street Blues Boy," later shortened to Blues Boy and then a far snappier B.B.King had a four-star breakthrough year in 1949. He cut his first four tracks for Jim Bulleit's Bullet Records (including a number entitled "Miss Martha King" after his wife), then signed a contract with the Bihari Brothers' Los Angeles-based RPM Records. King cut a plethora of sides in Memphis over the next couple of years for RPM, many of them produced by a relative newcomer named Sam Phillips (whose Sun Records was still a distant dream at that point in time). Phillips was independently producing sides for both the Biharis and Chess; his stable also included Howlin' Wolf, Rosco Gordon, and fellow WDIA personality Rufus Thomas.

the Biharis also recorded some of King's early output themselves, erecting portable recording equipment wherever they could locate a suitable facility. King's first national R&B chart-topper in 1951, "Three O'Clock Blues" (previously waxed by Lowell Fulson), was cut at a Memphis YMCA. King's Memphis running partners included vocalist Bobby Bland, drummer Earl Forest, and ballad-singing pianist Johnny Ace. When King hit the road to promote "Three O'Clock Blues," he handed the group, known as the Beale Streeters, over to Ace. It was during this era that King first named his beloved guitar "Lucille." Seems that while he was playing a joint in a little Arkansas town called Twist, fisticuffs broke out between two jealous suitors over a lady. The brawlers knocked over a kerosene-filled garbage pail that was heating the place, setting the room ablaze. In the frantic scramble to escape the flames, King left his guitar inside. He foolishly ran back in to retrieve it, dodging the flames and almost losing his life. When the smoke had cleared, King learned that the lady who had inspired such violent passion was named Lucille. Plenty of Lucilles have passed through his hands since; Gibson has even marketed a B.B.-approved guitar model under the name. The 1950s saw King establish himself as a perennially formidable hitmaking force in the R&B field. Recording mostly in L.A. (the WDIA air shift became impossible to maintain by 1953 due to King's endless touring) for RPM and its successor Kent, King scored 20 chart items during that musically tumultuous decade, including such memorable efforts as "You Know I Love You" (1952); "Woke Up This Morning" and "Please Love Me" (1953); "When My Heart Beats like a Hammer," "Whole Lotta' Love," and "You Upset Me Baby" (1954); "Every Day I Have the Blues" (another Fulson remake), the dreamy blues ballad "Sneakin' Around," and "Ten Long Years" (1955); "Bad Luck," "Sweet Little Angel," and a Platters-like "On My Word of Honor" (1956); and "Please Accept My Love" (first cut by Jimmy Wilson) in 1958. King's guitar attack grew more aggressive and pointed as the decade progressed, influencing a legion of up-and-coming axemen across the nation.

In 1960, King's impassioned two-sided revival of Joe Turner's "Sweet Sixteen" became another mammoth seller, and his "Got a Right to Love My Baby" and "Partin' Time" weren't far behind. But Kent couldn't hang onto a star like King forever (and he may have been tired of watching his new LPs consigned directly into the 99-cent bins on the Biharis' cheapo Crown logo). King moved over to ABC-Paramount Records in 1962, following the lead of Lloyd Price, Ray Charles, and before long, Fats Domino.

In November of 1964, the guitarist cut his seminal Live at the Regal album at the fabled Chicago theater and excitement virtually leaped out of the grooves. That same year, he enjoyed a minor hit with "How Blue Can You Get," one of his many signature tunes. "Don't Answer the Door" in 1966 and "Paying the Cost to Be the Boss" two years later were Top Ten R&B entries, and the socially charged and funk-tinged "Why I Sing the Blues" just missed achieving the same status in 1969. Across-the-board stardom finally arrived in 1969 for the deserving guitarist, when he crashed the mainstream consciousness in a big way with a stately, violin-drenched minor-key treatment of Roy Hawkins' "The Thrill Is Gone" that was quite a departure from the concise horn-powered backing King had customarily employed. At last, pop audiences were convinced that they should get to know King better: not only was the track a number-three R&B smash, it vaulted to the upper reaches of the pop lists as well.

King was one of a precious few bluesmen to score hits consistently during the 1970s, and for good reason: he wasn't afraid to experiment with the idiom. In 1973, he ventured to Philadelphia to record a pair of huge sellers, "To Know You Is to Love You" and "I Like to Live the Love," with the same silky rhythm section that powered the hits of the Spinners and the O'Jays. In 1976, he teamed up with his old cohort Bland to wax some well-received duets. And in 1978, he joined forces with the jazzy Crusaders to make the gloriously funky "Never Make Your Move Too Soon" and an inspiring "When It All Comes Down."

FRIENDS - I GOT THEM BLUES

BABY I'M YOURS - UP AT 5 AM

PHILADELPHIA - WHEN EVERYTHING ELSE IS GONE

MY SONG

CAN YOU DIG IT? Man, I do have a knack of finding myself in the right place at the right time. So I was when I purchased a collection at an estate sale, only to find it filled with rare, autographed albums, ticket stubs, vintage concert posters, Beatles Memoribelia and more! This one is autographed by B.B. himself. I have no COA but I did search other B.B. King autographed items and the signature did match what is on this record. Included with the record are 2 ticket stups from a 1998 concert that the owner of the album paid $45 each. So I am assuming that the autograph was gotten at that concert. The album is graded VG++ for the vinyl, which plaed like it was almost Brand New! The cover is VG++ with no bar code. There is one piece of clear tape at the top of one seam. The original ABC Records sleeve is included. The ticket stubs are in superb condtion, with one faded, Of course, this is a 1-of-a-kind  item and you will NEVER find one like this on Ebay or possibly anywhere in the world! I will ship this in a heavy vinyl cover protector, wrapped in my usual PERFECT style, with FREE Priority Mail shipping (domestic locations only) and free insurance too! So don't let this one slip away! Good Luck! SHAZAM!!!

***** This item is for DOMESTIC U.S.A. orders ONLY! International customers must ask permission BEFORE buying! *****

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NOTE: Be sure to check out my other Hundreds of listings in my Ebay Store, Sunny Daze Music, Comics and Toys! There are many Toys, Comics, Shirts, Collectibles and dozens of LP Records, CDs and DVDs for sale Right NOW!    I always give discounts for combined invoices!

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This LP Record Set was cleaned using the

VPI HW-16.5 VACUUM TUBE CLEANER!

The HW-16.5 is the standard in record cleaning machines, neither its build quality nor its cleaning power has ever been surpassed! Its high-torque, 18 RPM turntable motor is capable of standing the pressure of heavy scrubbing during long cleaning sessions, and its 35-second cleaning cycle makes quick work out of even the dirtiest records! The improved 16.5 model has the new self-aligning vacuum suction tube for even more accurate cleaning! I now clean all of my records that are NOT Factory Sealed with the VPI, then test listen to the vinyl, then clean the record again with the VPI. This baby costs me hundreds of dollars, but My Customers Deserve THE BEST!!!

GRADING SCALE

I use a Universal Grading System to describe the quality of the LP albums and 45 singles that I sell. I grade records under strong, diffused room light or discreet sunlight. I do not use stock photos for my ads; all of my scans are of the Item You See! You get no surprises from me!

NOTE: Please keep in mind that when I describe any LP, I am referring to its Original Year Of Release, NOT the year that the LP was printed! In many cases, the year that a given LP was printed is unknown. When in doubt, PLEASE ASK me! Thank You!

 All of my LP’s are stored upright in a SMOKE-FREE ENVIRONMENT! 

• SS Mint (M): Album is New, Still Sealed and has never been played.
• Mint (M): The vinyl has no noticeable scratches, fingerprints or defects and looks like it has never been played, although there may be use at the spindle hole. The cover has no noticeable wear or defects. There may be very slight curling of the right side corners of the cover due to shrink wrap pressure. May still have it’s original shrink wrap. MINT does not mean "perfect".
• Near Mint (NM): Almost Mint vinyl with perhaps a few visual imperfections that should not affect the sound of the record. Perhaps a small amount of static can be heard on a few areas. Cover is nice looking with little or no ring wear and may still have its original shrink wrap.
• VG++: Vinyl has some signs of wear; very clean, only light surface marks, scuffs or scratches which will not distract significantly from the sound, some audible static, some snaps or pops but no stalls or skips unless listed. Cover may have some signs of wear, perhaps some ringwear but is still in nice collectible condition, solid with no cuts,holes or splits unless listed, may have edge repairs.
• VG+: Played often with moderate surface wear, marks, scuffs or scratches, and some moderate noise, static, pops or skips - still plays well with increased areas of pops and static. Cover may have significant overall wear and ring wear, repaired edges or spine, may have cuts/holes/cut corners.
• VG: Overall wear, more noisy sound during quiet passages, a lot of static and many skips that require lifting the needle. Cover is well worn, usually with considerable ring wear. may have cuts, holes, cut corners. May have taped edges. The lowest grade.

In my opinion, the grade of “Mint” and the word “Mint” does not equal Perfection. The grade of Perfection does not exist, as far as I know. Different phono cartridges and stereo setups, condition of the needle and if the record is cleaned before playing (or not cleaned) affects the way a vinyl record sounds. You can look at a record with the naked eye and not see micro imperfections which might affect the music and the sound. There are just too many variables. I listen to records after cleaning them. If I do not hear skips or pops or snaps and I do not see noticeable scratches, then as far as I am concerned, that record is Mint. Be very careful not to compare my grading standards with those of others. I do not use Goldmine and to compare my grades to Goldmine is not really fair. Remember, it's always best to ask questions BEFORE bidding!

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Buy it here and buy the BEST! It is my goal to be one of the BEST Ebay Sellers and I can only do that by giving YOU the BEST SERVICE POSSIBLE!!! I ALWAYS ship within 2 BUSINESS DAYS after receiving your cleared payment. ALWAYS FAST, FAST PROCESSING WHEN YOU BUY FROM ME!!!

EVERYTHING that I offer in my auctions come from a SMOKE-FREE ENVIRONMENT!

Unlike most Ebay Sellers, I do NOT use padded or unpadded envelopes to ship my items. All of my auctioned items are shipped in Boxes, using the BEST packing materials and procedures! YOU deserve THE BEST!!!

YES, I DO combine shipments! SAVE $$$ (see below)

Check out my other items!

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MY EBAY POLICIES AND TERMS:

Please read everything BEFORE bidding:

Your bid is a contract to buy. Please do not bid if you do not intend to pay. Invoices are sent to winning bidders after the last auction ends. You have 7 days to pay your invoice. After 7 days, I WILL FILE WITH EBAY FOR NON PAYING BIDDER and you will get one strike on your record. Many Ebay Sellers block Buyers if they have even 1 strike! If you have any questions, please email me through the Ebay message system. Please DO NOT change or alter any invoice sent to you without checking with me first. Thank You!

FEEDBACK: Like most Ebay Sellers, I will leave feedback on your payment only after I receive feedback from you. I want the whole Ebay Community to know what a great Ebayer you are, and I hope to receive positive feedback for the great service that I give to You!

I Am PayPal Verified!

PayPal is the only forms of payment accepted. PayPal payment is to be made within 7 days after the auction ends.

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PayPal Requirements: <<< PLEASE READ!

U.S.A. and Worldwide:  <<< PLEASE READ!

I ONLY ship to Confirmed and Verified addresses. If you DO NOT have a confirmed address on your Paypal account, PLEASE DO NOT BID ON MY AUCTIONS. I WILL NOT SHIP TO ANY ADDRESS THAT DOES NOT APPEAR ON THE Ebay/Paypal invoice.

Because of recent changes to the U.S. Postal Rates, all International shipments will be via PRIORITY MAIL INTERNATIONAL. There are no exceptions. Some of my Store Inventory will have other details and have not been updated. Those international shipments will also ship Priority Mail International. Questions? Please ask me BEFORE bidding! Thank You!

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SHIPPING INSTRUCTIONS:

I will ship within 2 BUSINESS DAYS of receiving your confirmed payment. International Buyers are responsible for all duty/customs fees. If you choose USPS MEDIA MAIL, please allow up to 4 weeks for delivery.  I am not responsible for how fast the package gets to you, once it is dropped off at the USPS office. All shipping charges include a small handling charge which covers packing materials, administrative costs and transportation costs.

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 COMBINED SHIPPING: If you order more than 1 Album from me within a 3-day period, I will deduct $2.00 from the shipping charges for each extra item! If you buy 3 Albums, you SAVE $4.00! If you buy MORE, you save MORE! Also, I will adjust your total so that you save EVEN MORE on the final S&H charge! If you wish to hold your purchases for more than 2 days you MUST email me through the Ebay message system. Please DO NOT change or alter any invoice sent to you without checking with me first. Thank You!

RETURNS POLICY:

Returns will be accepted within 14 days. After the 14th day,delivery for the returned item will be refused.LOT ITEM COST will be calculated based on winning bid & number of items in the lot-the cost will be refunded. DAMAGED ITEMS must be returned to me for your refund. S&H costs are NOT refundable. Buyer is responsible for returning the item within the specified 14 days.International Returns:ALL CUSTOMS AND DUTY FEES WILL BE DEDUCTED FROM YOUR REFUND!!

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