Bill Evans SET OF 4 COLLECTORS LONG OUT OF PRINT LP'S PRESSED BACK IN THE 1980'S AND ONLY ONE HAS A BARCODE ON THE JACKET AND THIS COLLECTORS LP WAS MASTERED BY PHIL DE LANCIE BACK IN 1989 IN ANALOG STEREO. THIS IS NOT THE 2011 RE-ISSUE. 

ALL FACTORY SEALED LP AND OUR LAST COPIES OF THESE OUT OF PRINT EDITIONS FOR THE COLLECTORS - High definition vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard.

They're each very limited BACK IN THE 80'S in THESE pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

TITLES ARE:

- NEW JAZZ CONCEPTIONS OJC-025 (RLP 233)  -  with this out of print 1982 edition unique marketing sticker with information about the artist and personnel involved in this masterpiece. Only available on this limited edition STICKER pressing from the 80's. This pressing is also from an era where bar codes were on apart of the jacket or item AND HAS NO BARCODE FOR THE COLLECTORS OS PRISTINE JACKETS.

Out of Print FACTORY SEALED limited edition LP - Collectors Note: This limited edition pressing is now out of print & gone from the last distributor that had any of these pressing left within their inventory. This means that this specific title is "Here Today but For Sure Gone Tomorrow Forever". So Don't Miss Out on adding this to your collection because mymusicfix only has this copy left forever.

Track Listings

               1.            I Love You

               2.            Five

               3.            I Got It Bad and That Ain's Good

               4.            Conception

               5.            Easy Living

               6.            Displacement

               7.            Speak Low

               8.            Waltz for Debby

               9.            Our Delight

               10.         My Romance

               11.         No Cover, No Minimum ( Take 1)

The Bill Evans Trio Waltz For Debby LP OJC-210 (RLP-9399) DATED 1985 EDITION WHERE NO BAR CODE WAS EVER PLACED ON THIS VINYL LP JACKET FOR COLLECTORS

 This is the second of two Riverside albums made up of selections recorded by the classic Bill Evans/Scott LaFaro/Paul Motian trio at their legendary live recording session of June 25, 1961. Although originally issued a half-year later than Sunday at the Village Vanguard, this was by no means an afterthought collection of lesser items: Evans and producer Orrin Keepnews had immediately recognized that there was more than enough material for two top-level records. The dozen chosen performances were subdivided to enable the first album released to feature LaFaro–who had died in an auto accident just ten days after recording. Thus, this second collection can fairly be said to present a more typical overview of this remarkable unit at work.

Features:
• Vinyl LP FROM 1985

Musicians:
Bill Evans, piano
Scott LaFaro, bass
Paul Motian, drums

Selections:
1. My Foolish Heart
2. Waltz for Debby (Take 2)
3. Detour Ahead (Take 2)
4. My Romance (Take 1)
5. Some Other Time
6. Milestones

Recorded June 25, 1961 in New York.

The Bill Evans Trio How My Heart Sings! LP 1989 REMASTERED BY PHIL DE LANCIE HAS THIS BAR CODE 025218036917 BUT THIS NOW REFERS YOU TO THE 2011 EDITION NOT THIS 1989 PRESSING OF  OJC-369 (RLP-9473) ISSUE THAT WAS ANALOG AND MASTERED BY PHIL DE LANCIE.

Bill Evans’ return to full activity in 1962 came almost a year after his celebrated trio recordings at the Village Vanguard. Just ten days after that classic “live” session, bassist Scott LaFaro had died in a highway accident. Evans, deeply shaken, eventually reformed his trio with the same drummer (Paul Motian) and Chuck Israels on bass. Their first visit to a studio was for a dual purpose: to make an all-ballad-tempo album, Moonbeams, and this “normal” set at the same time. It was producer Orrin Keepnews’ thought that recording eight slow numbers in a row might prove unduly enervating; accordingly, the total two-album repertoire was interspersed over three days of recording and the net result was two excellent additions to the Evans catalog.

Features:
• Vinyl LP

Musicians:
Bill Evans, piano
Chuck Israels, bass
Paul Motian, drums

Selections:
1. How My Heart Sings
2. I Should Care
3. In Your Own Sweet Way (take 1)
4. Walking Up
5. Summertime
6. 34 Skidoo
7. Ev'rything I Love
8. Show-Type Tune

Recorded May 17, May 29, and June 5, 1962 in New York.

BILL EVANS - THE BILL EVANS ALBUM COLUMBIA/SONY RECORDS C30855 PRESSING  AND THIS IS OUR LAST COPY OF THE LONG OUT OF PRINT ISSUE WHERE NO BAR CODE WAS EVER PLACED ON THE JACKET FOR COLLECTORS.

Out of Print FACTORY SEALED LP -

T "THE new BILL EVANS ALBUM keeps changing." So read the half page ad on in the November 25, 1971 issue of the music magazine ROLLING STONE, and they were right about this collection of Evans' originals, for which he won TWO Grammy awards that year. It's like a whole bunch of new albums in one album, the ad continued. The sessions do have that special imprint of Bill's compositional genius, and in its own way, the effect of the whole sounds like its "always changing" -- due, I suppose, to the ever-whirling colorful content of Bill's tunes.

THE BILL EVANS ALBUM is one of the pianist's strongest with Bill clearly in coherent and melodic form, playing all his own compositions on acoustic and electric piano. This trio session (with Eddie Gomez and Marty Morrell) remains as fresh today as it was in 1971. Bill's singular vision, flawless line construction, lavish chordal tapestries , trio interplay, and the timeless beauty of his compositions are just a few of the reasons why twenty years after his death, pianists still wrestle with understanding his musical conception and approach. This album represents that conception more clearly than any other, and should be studied by all serious jazz pianists. Other than that, it's one of the most enjoyable to listen to. The recording engineering is exquisite.

Musicians:
Bill Evans, piano, electric piano
Eddie Gomez, bass
Marty Morrell, drums

Selections:
Side A:
1. Funkallero
2. The Two Lonely People
3. Sugar Plum
4. Waltz For Debby

Side B:
1. T.T.T. (Twelve Tone Tune)
2. Re; Person I Knew
3. Comrade Conrad

Recorded May and June 1971 at CBS 30th Street Studio, New York

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