BLONDIE LP Parallel Lines UK 1stP 1978 A4/B4 MATRIX CHRYSALIS CDL1192 N-MINT ACE
£
19
$
25
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Description
UK POSTAGE PRICES: (some slight changes)
IMPORTANT! FOR COMBINED PARCELS, PLEASE READ BELOW:
PLEASE EMAIL TO LET ME KNOW AFTER AN ITEM HAS FINISHED IF YOU ARE STILL PLANNING TO BID ON OTHER ITEMS - THEN EMAIL AGAIN & LET ME KNOW WHEN YOU ARE READY FOR YOUR INVOICE: OTHERWISE I CAN’T PASS ON MY POSTAGE DISCOUNTS TYERSLP
ARTIST: BLONDIE
TITLE: PARALLEL LINES
LABEL + YEAR: CHRYSALIS CDL1192; UK 1st PRESS 1978, A4 / B4 MATRIX
CONDITION VINYL: NEAR-MINT
CONDITION SLEEVE: NEAR-MINT + LYRIC INNER SLEEVE MINT
DESCRIPTION: All Music Review by William Ruhlmann
Blondie turned to British pop producer Mike Chapman for their third album, on which they abandoned any pretensions to new wave legitimacy (just in time, given the decline of the new wave) and emerged as a pure pop band.
But it wasn't just Chapman that made Parallel Lines Blondie's best album; it was the band's own song writing, including Deborah Harry, Chris Stein, and James Destri's "Picture This," and Harry and Stein's "Heart of Glass," and Harry and new bass player Nigel Harrison's "One Way or Another," plus two contributions from non band member Jack Lee, "Will Anything Happen?" and "Hanging on the Telephone."
That was enough to give Blondie a number one on both sides of the Atlantic with "Heart of Glass" and three more U.K. hits, but what impresses is the album's depth and consistency -- album tracks like "Fade Away and Radiate" and "Just Go Away" are as impressive as the songs pulled for singles.
The result is state-of-the-art pop/rock circa 1978, with Harry's tough-girl glamour setting the pattern that would be exploited over the next decade by a host of successors led by Madonna.
Side 1:
HANGING ON THE TELEPHONE
ONE WAY OR ANOTHER
PICTURE THIS
FADE AWAY AND RADIATE
PRETTY BABY
I KNOW BUT I DON’T KNOW
Side 2:
11;59
WILL ANYTHING HAPPEN?
SUNDAY GIRL
HEART OF GLASS
I’M GONNA LOVE YOU TOO
JUST GO AWAY
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11.15
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