BRAHMS Violin C. HEIFETZ REINER LSC AUDIOPHILE 200g LP
£
27
$
36
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Description
Brahms Violin Concerto
Jascha Heifetz, violinist
Chicago Symphony Orchestra
Fritz Reiner, Conductor
Classic Records Limited Edition
RCA Living Stereo LSC-1903
Mastering by Bernie Grundman from the original master tapes.
200 gram QUIEX SV-P pressing at Record Technology, USA
This Classic Records Audiophile Reissues are the best sounding Classical Music records of the world.
CONDITION:
COVER NEAR MINT
I will not rate it as MINT only because it is not sealed, otherwise a MINT cover.
DISC NEAR MINT
Again will not rate it as MINT only because it is not sealed,
I bought it new, I am the only owner and listened only really a very few times.
No issues, no scratches, no marks, amazing outstanding sound, completely clean as brand new MINT.
POSTAGE:
See also my other items for cheapest combined postage.
All the records will be cleaned with my clearaudio Smart Matrix Record Cleaning Machine before shipping.
The package will be well done to protect the record.
All the records are sent Registered and with Signed For Delivery (already included in the postage cost).
1 LP Record:
UK: 4 GBP
Rest of Europe outside UK: 6 GBP
Rest of the World outside Europe: 8 GBP
Combined Postage of 2 LP Records:
UK: 6 GBP
Rest of Europe outside UK: 8 GBP
Rest of the World outside Europe: 14 GBP
Combined Postage of 3, 4 (or perhaps 5 if total weight less 2 Kg) LP Records:
UK: 9 GBP
Rest of Europe outside UK: 12 GBP
Rest of the World outside Europe: 23 GBP
Please Contact me first if you want more than 4 Records, to be sure about combined postage cost.
Record Collector's Grading System:
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
As well as the above grades, Near Mint is often used as well; this is really for a record that appears new but is known to have been played because the label has light spindle marks or because it has come from a previous owner and is assumed to have been played by them. For records which appear to fall between the accepted grades, + and - are also often added to the grading.
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