BRIAN WILSON presents SMiLE Rhino Records RI 76582 (2004 180g 2 RECORD set) MINT

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Brian Wilson Presents SMiLE Rhino Records RI 76582 (2004 2 Record Set Audiophile pressing)

Tracklist

A1 Our Prayer/Gee Written-By – Brian Wilson, Morris Levy, William Davis (2) 2:09 A2 Heroes And Villains Written-By – Brian Wilson, Van Dyke Parks 4:53 A3 Roll Plymouth Rock Written-By – Brian Wilson, Van Dyke Parks 3:48 A4 Barnyard Written-By – Brian Wilson, Van Dyke Parks 0:58 A5 Old Master Painter/You Are My Sunshine Written-By – Beasley Smith, Haven Gillespie, Jimmie Davis 1:04 A6 Cabin Essence Written-By – Brian Wilson, Van Dyke Parks
3:27 B1 Wonderful Written-By – Brian Wilson, Van Dyke Parks 2:07 B2 Song For Children Written-By – Brian Wilson, Van Dyke Parks 2:16 B3 Child Is Father To The Man Written-By – Brian Wilson, Van Dyke Parks 2:19 B4 Surf's Up Written-By – Brian Wilson, Van Dyke Parks
2:07 C1 I'm In Great Shape/I Wanna Be Around/Workshop Written-By – Brian Wilson, Johnny Mercer, Sadie Vimmerstedt, Van Dyke Parks 1:56 C2 Vega-Tables Written-By – Brian Wilson, Van Dyke Parks 2:19 C3 On A Holiday Written-By – Brian Wilson, Van Dyke Parks 2:19 C4 Wind Chimes Written-By – Brian Wilson, Van Dyke Parks 2:54 C5 Mrs. O'Leary's Cow Written-By – Brian Wilson 2:27 C6 In Blue Hawaii Written-By – Brian Wilson, Van Dyke Parks 3:00 C7 Good Vibrations Written-By – Brian Wilson, Mike Love, Tony Asher
4:36 D1 Heroes And Villains Written-By – Brian Wilson, Van Dyke Parks 4:47 D2 Cabin Essence Written-By – Brian Wilson, Van Dyke Parks 3:30 D3 On A Holiday Written-By – Brian Wilson, Van Dyke Parks 2:28 D4 Wind Chimes Written-By – Brian Wilson, Van Dyke Parks 2:25

*(all photos are of the actual item)

• Licensed To Rhino Records Inc.
• Lacquer Cut By – Don Grossinger

• Brian Wilson: vocals, keyboards
• Scott Bennet: vocals, keyboards, mallets, guitar
• Nelson Bragg: vocals, percussion, whistles, celery
• Jeffrey Foskett: vocals, guitar, hammer
• Probyn Gregory: vocals, guitar, brass, Tannerin, whistles
• Jim Hines: drums, mallets, saw, sound fx
• Bob Lizik: bass guitar, guitar, beret
• Paul Mertens: woodwinds, sax, harmonica, semi-conductor
• Taylor Mills: vocals, power drill, leg-slap
• Darian Sahanaja: vocals, keyboards, mallets, drill
• Nick Walusko: vocals, guitar
• 
  
• Stockholm Strings 'n' Horns
• Staffan Findin: bass trombone
• Andreas Forsman: violin
• Erik Holm: viola
• Anna Landberg: cello
• Malin-My Nilsson: violin
• Björn Samuelsson: trombone
• Victor Sand: saxophone, flute, clarinet
• Markus Sandlund: cello

Notes

Embossed gatefold sleeve with a blue foil-like finish to the word "SMILE" on front.
Lyrics and credits printed on the inside of gatefold.
Vinyl release includes 4 Instrumental Bonus Tracks

Basic tracks recorded at Sunset Sound, Hollywood, CA, April 13 through April 17, 2004.
Overdubs and mix at Your Place Or Mine Recording, Glendale, CA, April, May & June 2004.

B3 is mistitled "Child Is Father To The Man" on the back cover.

• Matrix / Runout (Side A runout etched): 76582-A SET2 Don Grossinger 12372.1(3)...
• Matrix / Runout (Side B runout etched): 76582-B SET2 Don Grossinger 12372.2(3)...
• Matrix / Runout (Side C runout etched): 76582-C SET2 Don Grossinger 12372.3(3)...
• Matrix / Runout (Side D runout etched): 76582-D SET2 Don Grossinger 12372.4(3)...
• Matrix / Runout (All sides runout stamped): MASTERDISK

     Brian Wilson Presents Smile (also referred to as Smile) is the fifth studio album by Brian Wilson, released in September 2004. Its production began as a series of concert performances which were then adapted for a studio album, as well as a 2005 direct-to-video concert film of the same title. The album received great acclaim and earned Wilson his first Grammy Award, later being featured in several "greatest albums" lists. Upon release, it peaked at number 13 on the US Billboard Hot 100 and number 7 on the UK Albums Chart.      The project was originally conceived in 1966 as Smile, a concept album recorded by the Beach Boys written in collaboration between Wilson and lyricist Van Dyke Parks. It was intended to succeed the group's 11th studio album Pet Sounds and was based on the engineering methods of their single "Good Vibrations". Many years after the project was shelved due to personal and technical difficulties with recording, Wilson chose to revisit the material with Parks as a specially arranged live concert performance. Motivated by the unexpected positive reception, a studio-recorded version was then released by Wilson as a solo album.      Recorded from scratch, Brian Wilson Presents Smile eschews the Beach Boys' Smile sessions by containing all-new instrumental and vocal performances. Recordings from the original Beach Boys' sessions were later released as The Smile Sessions in 2011. It featured a reconstruction of the Beach Boys' Smile album that loosely followed the track listing template never before established until the release of Brian Wilson Presents Smile. From Wikipedia, the free encyclopedia
AllMusic Review by John Bush
     The white whale of '60s record-making, the Beach Boys' aborted SMiLE album gradually gained a legend that not only inflated its rumored importance and complexity, but gave credence to an odd notion -- that completing it, then or ever, was impossible. In truth, SMiLE should have been released and forgotten, reissued and reappraised, and finally remastered for the digital era and ushered into the rock canon ever since Brian Wilson halted work on it in May 1967 (after an exhausting 85 recording sessions). Instead, it languished in the vaults and remained the perfect record -- perfect, of course, because it had never been finished. Reports that the recording of "Mrs. O'Leary's Cow" had caused a nearby building to burn down and whispers of "inappropriate music" gave it the character of a monster, one that cursed all those who approached it and claimed the heart and mind of its major participant. Wilson's love of "feels" -- short passages of cyclical music that could be overdubbed and rearranged countless times -- had made 1966's "Good Vibrations" the ultimate pocket symphony, but had also quickly spiralled into the instability that consumed him during its follow-up, "Heroes and Villains," projected to be the centerpiece of SMiLE

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