Creedence Clearwater Revival Willy & the Poorboys White Vinyl NIP

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In June, CCR released its third LP, Green River. Shortly after they began recording songs for its next LP, Willy and the Poor Boys. Ten months later the band released its eighth single, "Down on the Corner" b/w "Fortunate Son".[1] The single's A-side reached #3 on the Billboard Hot 100 and its B-side made it to #14.[5] "Down on the Corner" chronicles the tale of the fictional band Willy and the Poor Boys, and how they play on street corners to cheer people up and ask for nickels. The song makes reference to a Washboard, a Kazoo, a Kalamazoo Guitar, and a gut bass.[6] In a 1969 appearance on The Ed Sullivan Show, the boys performed the song as Willy and the Poor Boys. Stu Cook played a gut bass, Doug Clifford the washboard, and Tom Fogerty the Kalamazoo, which mimicked the appearance of the band as they appear on the album cover. The single would peak at #3.

Like "Down on the Corner", the protest song "Fortunate Son" would also be a Top 5 hit, reaching #3 on the Billboard singles chart. The song is a counterculture era anti-war anthem, criticizing militant patriotic behavior and those who support the use of military force without having to "pay the costs" themselves (either financially or by serving in a wartime military).[7] The song, released during the Vietnam War, is not explicit in its criticism of that war in particular, but features attacks on the elite classes (the families that give birth to eponymous "fortunate sons") of the United States and their withdrawal from the costs of nationalistic imperialism are easy to contextualize to that conflict. The song was inspired by the wedding of David Eisenhower, the grandson of United States President Dwight David Eisenhower, to Julie Nixon, the daughter of President Richard Nixon, in 1968.[8] The song's author told Rolling Stone:

Julie Nixon was hanging around with David Eisenhower, and you just had the feeling that none of these people were going to be involved with the war. In 1968, the majority of the country thought morale was great among the troops, and eighty percent of them were in favor of the war. But to some of us who were watching closely, we just knew we were headed for trouble.[9][10]

In 1993, Fogerty confessed to Rolling Stone's Michael Goldberg, "It was written, of course, during the Nixon era, and well, let's say I was very non-supportive of Mr. Nixon." The song has been widely used to protest military actions and elitism in Western society, particularly in the United States; as an added consequence of its popularity, it has even been used in completely unrelated situations, such as to advertise blue jeans. It attracted criticism when Bruce Springsteen, Dave Grohl, and Zac Brown performed the song together at the November 2014 Concert for Valor in Washington, D.C. Fogerty, a military veteran, defended their song choice.[11]

Fogerty's revulsion with President Nixon can also be found on the album's closing track, "Effigy." In 2013 the singer-songwriter told David Cavanagh of Uncut that the tune was his response to Nixon emerging from the White House one afternoon and sneering at the anti-war demonstrators outside, with Fogerty remembering, "He said, 'Nothing you do here today will have any effect on me. I'm going back inside to watch the football game.'"

"Don't Look Now" displays Fogerty's concern for the working poor ("Who will take the coal from the mine? Who will take the salt from the earth?"). As recounted in the VH1 Legends episode on the band, John Fogerty once stated to Time magazine, "I see things through lower class eyes."

The Chuck Berry-guitar romp "It Came Out of the Sky" tells the tale of a farmer who finds a UFO in his field and unwittingly becomes the most famous man in America. The album also includes two instrumental tracks in "Poorboy Shuffle" and "Side O' The Road", the former of which segues directly into the song "Feelin' Blue."

The LP also contains two songs associated with blues and folk legend Lead Belly: "Cotton Fields" and "The Midnight Special". In 2012, Fogerty explained to Uncut, "Lead Belly was a big influence. I learned about him through Pete Seeger. When you listen to those guys, you're getting down to the root of the tree." In 1982 the band's rendition of Lead Belly's "Cotton Fields" made #50 on Billboard magazine's Country Singles chart.[5]

When the band members were finalizing the album, they and photographer Basul Parik went over to the intersection of Peralta St. and Hollis St. in Oakland, California and shot the photograph of the cover at Duck Kee Market owned by Ruby Lee.[12]