FAIRPORT CONVENTION "FAIRPORT CONVENTION" POLYDOR ORIGINAL 1ST PRESSING 583035A
£
87
$
115
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Description
FAIRPORT CONVENTION
"FAIRPORT CONVENTION"
POLYDOR ORIGINAL 1ST PRESSING
1968 UK ISSUE - STEREO
FULLY LAMINATED SINGLE SLEEVE
Catalogue Number: 583035AA
Matrix Numbers:
Side One:- 583035 A//1 V 420
Side Two:- 583035 B//1 V 420
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- EXCELLENT
LIGHT SHELFWEAR
Vinyl:- EXCELLENT +
Labels:- EXCELLENT +
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
Tracklist
A1Time Will Show The Wiser Written-By – Emitt Rhodes A2
I Don't Know Where I Stand Written-By – Joni Mitchell A3
If (Stomp) Written-By – Ian MacDonald*, Richard Thompson A4
Decameron Written-By – Andrew Horvitch, Paul Ghosh, Richard Thompson A5
Jack O'Diamonds Written-By – Ben Carruthers, Bob Dylan A6
Portfolio Written-By – Tyger Hutchings*, Judy Dyble B1
Chelsea Morning Written-By – Joni Mitchell B2
Sun Shade Written-By – Andrew Horvitch, Paul Ghosh, Richard Thompson B3
The Lobster Written-By – Tyger Hutchings*, George Painter, Richard Thompson B4
It's Alright Ma, It's Only Witchcraft Written-By – Tyger Hutchings*, Richard Thompson B5
One Sure Thing Written-By – Harvey Brooks, Jim Glover B6
M1 Breakdown Written-By – Tyger Hutchings*, Simon Nicol
Credits
- Bass Guitar, Jug – Tyger Hutchings*
- Cello – Clare Lowther
- Engineer – John Wood
- Lead Vocals, Autoharp [Electric & Acoustic], Recorder, Piano – Judy Dyble
- Lead Vocals, Jew's Harp – Ian MacDonald*
- Percussion, Violin – Martin Lamble
- Photography By – Donald Silverstein
- Producer – Joe Boyd, Tod Lloyd
- Vocals, Electric Guitar [6 & 12 String], Acoustic Guitar, Banjo, Violin – Simon Nicol
- Vocals, Electric Guitar [Lead], Acoustic Guitar [Lead], Mandolin – Richard Thompson
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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to “The Record Collector’s” grading system.
This was originated by “The Record Collector” to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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