GREASY TRUCKERS Live At Dingwalls Dance Hall 2 LP, NM/NM CAMEL, GONG, HENRY COW
$
25
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Description
Description:
Various ?– Greasy Truckers Live At Dingwalls Dance Hall
Label: Greasy Truckers ?– GT 4997 Format: 2 × Vinyl, LP, Album, GatefoldCountry: UK Released: 1973 Genre: Rock Style: Psychedelic Rock, Avantgarde, Prog Rock
TracklistHide Credits
A –Camel God Of Light Revisited Parts One, Two & Three Bass – Doug FergusonDrums – Andy Ward (2)Guitar, Vocals – Andy Latimer*Organ, Vocals – Pete Bardens*Producer – David HitchcockWritten-By – Latimer*, Bardens* –Henry Cow Off The Map B1.i – Solo Piano Written-By – Hodgkinson* B1.ii – Trio Written-By – Hodgkinson*, Cutler*, Frith* B2 –Henry Cow Cafe Royal Written-By – Frith* B3a –Henry Cow Keeping Warm In Winter Written-By – Frith*, Greaves* B3b –Henry Cow Sweet Heart Of Mine Written-By – Henry Cow C1 –Global Village Trucking Co. Look Into Me Written By – PratorWritten-By – Owen* C2 –Global Village Trucking Co. Earl Stonham (The Gunslinger) Written-By – Owen* C3 –Global Village Trucking Co. You're A Floozy Madame Karma (But I Love Your Lowdown Ways) Written By – ApthorpWritten-By – Owen* C4 –Global Village Trucking Co. Everybody Needs A Good Friend Written-By – Owen* D1 –Gong General Flash Of The United Hallucinations Written-By – Gong D2 –Gong Part 32 Floating Anarchy Written-By – GongCompanies, etc.
- Distributed By – Island Records Ltd.
- Printed By – E.J. Day Group
- Recorded At – Dingwalls London
- Recorded At – The Manor
- Recorded At – Sheffield City Hall
Credits
- Arranged By – Global Village Trucking Co. (tracks: C1 to C4)
- Bass – John MacKenzie (tracks: C1 to C4)
- Bass [Finger] – Mr T. Being (tracks: D1, D2)
- Bass, Piano, Vocals – John Greaves (tracks: B1 to B3)
- Design [Sleeve] – Holly Hollington, Kevin Sparrow
- Drums – Pierre de Strasbourg (tracks: D1, D2), Simon Stewart (tracks: C1 to C4)
- Drums, Vocals – Chris Cutler (tracks: B1 to B3)
- Guitar – Mike Medora (tracks: C1 to C4)
- Guitar [Kundalini], Performer [Submarine Spiral] – Stevie Hillside-Village* (tracks: D1, D2)
- Guitar, Violin, Vocals – Fred Frith (tracks: B1 to B3)
- Organ, Clarinet, Alto Saxophone, Vocals – Tim Hodgkinson (tracks: B1 to B3)
- Organ, Piano, Vocals – Jim Lascelles* (tracks: C1 to C4)
- Photography By – Brian Cooke (2), John Pearson (8), Nick Jarvis, Zoran (10)
- Producer – Richard Elan
- Recorded By – Henry Cow (tracks: B1 to B3), Tom Newman (2) (tracks: B1 to B3), Venux De Luxe* (tracks: D1, D2)
- Saxophone, Performer [Gnomophone] – Bloomdido Bad de Grass (tracks: D1, D2)
- Soprano Saxophone, Tenor Saxophone, Flute, Clarinet, Recorder – Geoff Leigh (tracks: B1 to B3)
- Synthesizer – Hi T Moonweed* (tracks: D1, D2)
- Vocals, Guitar [Glissando] – Dingo Virgin (tracks: D1, D2)
- Vocals, Twelve-String Guitar – Jon Owen (tracks: C1 to C4)
Notes
Side A & C recorded 8th October 1973 at Dingwalls Dance Hall, Camden Lock.Side B recorded 4th November 1973 at The Manor.
Track D1 recorded live June 1973 at Festival of Tabarka, Tunisia.
Track D2 recorded live October 1973 at Sheffield City Hall.
There were 2 or more pressings on the original UK label. The 1st press included a large insert (later deleted) with a photo and an article by Dave Goodman titled "The Night I was Loathsome!"; the cover inside picture was in the right position while in a later press it was upside-down (with the shoe wrongly on the right side).
"Shakti Yoni is away at the Bananamoon Observatory keeping the bulge warm and studying new spells."
A Greasy Truckers Production. Greasy Truckers do gigs, free festivals, albums and other alternative things. Distributed by Island Records Limited.
? © 1973
Printed and made by the F. J. Day Group, London and Bedford
This is a stereo record and should be played.
Barcode and Other Identifiers
- Matrix / Runout (Side A label): GT 4997 1A
- Matrix / Runout (Side B label): GT 4997 1B
- Matrix / Runout (Side C label): GT 4997 2A
- Matrix / Runout (Side D label): GT 4997 2B
- Matrix / Runout (Side A runout, stamped - Variant 1): GT 4997 1 A-1U
- Matrix / Runout (Side A runout, stamped - Variant 2): GT 4997 1A 2M
- Matrix / Runout (Side B runout, stamped - Variant 1): GT 4997 1B-1U
- Matrix / Runout (Side B runout, stamped - Variant 2): GT 4997 1B 2M
- Matrix / Runout (Side C runout, stamped): GT 4997 2 A2M
- Matrix / Runout (Side D runout, stamped): GT 4997 2 B2M
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
price rating
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