JESSE ED DAVIS Keep Me Comin' LP EPIC 1973 US orig+insert+7"bonus KE 32133 RARE

	£		40
	$		53

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with JAMES GORDON, BOB GLAUB, JIM KELTNER

plus BOBBY TORRES, FELIX FALCON, JOHN ANGELOS, etc. 

Jesse Ed Davis was perhaps the most versatile session guitarist of the late '60s and early '70s. 

Whether it was blues, country, or rock, Davis' tasteful guitar playing was featured on albums 

by such giants as Eric Clapton, Neil Diamond, John Lennon, and John Lee Hooker, among others.

It is Davis' weeping slide heard on Clapton's "Hello Old Friend" (from No Reason to Cry), 

and on both Rock n' Roll and Walls & Bridges, it is Davis who supplied 

the bulk of the guitar work for ex-Beatle Lennon 

"KEEP ME COMIN'"

Produced by Jesse "Ed" Davis

1973     LP     EPIC RECORDS      KE 32133    STEREO   

PRINTED IN U.S.A.     ORIGINAL COPY

WITH PHOTO/LYRICS/CREDITS INSERT + FREE BONUS 7" PROMO

HEAVY DUTY CARDBOARD COVER

SINGLE COVER + COMPANY INNER

This version: For a limited period there was a special offer: 

A Free Bonus 7" LP: Jesse "Ed" Davis talks about his background, 

his music and his new album. Anexclusive interview in Los Angeles 

with KMET-FM's B.Mitchell Reed.

Barcode and Other Identifiers

LABEL: EPIC -  ORANGE LABEL - BLACK TEXT

Catalog on cover: KE 32133     

Catalog on labels: KE 32133 (AL 32133) / KE 32133 (BL 32133)

Matrix / Runout (Side A, Etched): PAL 32133-1A   T SX

Matrix / Runout (Side B, Etched): PBL 32133-1A   T SX

Other  / Runout (Both sides runout stamped): 0  [picture of two circles with two sticks]

On labels: rim text reads "®"EPIC," MARCA REG. PRINTED IN U.S.A."

?1973 CBS, Inc.

 On Back Cover: Produced by Jesse "Ed" Davis for Washita Productions, Ltd.

Executive Producer: Joel J. Maimam

Photography: Jim Marshall

Insert Photo: Emerson?Loew

©1973 CBS, Inc.   ?1973 CBS, Inc.

Manufactured by Epic Records CBS, Inc......New York City

®"EPIC," MARCA REG.

FOR JOE

On 7" cover: Special Offer Limited Time Only FREE BONUS 7" LP

Jesse "Ed" Davis talks about......

Catalog on 7" cover: AS 7-1067

On 7" labels:  Bonus Record

331/3 RPM   NOT FOR SALE

[catalogue] AS7 1067 (ZSM 157575 / ZSM 157576)

[matrix runout] ZSM 157575 1-F   TI / ZSM 157576 1-F   TI

from my records collection

LP tracklisting

Side A) BIG DIPPER - SHE'S A PAIN

WHERE AM I NOW (WHEN I NEED ME) - NATURAL ANTHEM

WHO PULLED THE PLUG?

Side B) CHING, CHING, CHINA BOY - BACON FAT - NO DIGA MAS

6:00 BUGALU - KEEP ME COMIN'

   grading

LP RECORD EX but (please, read above description)

LP SLEEVE VG(+) but (please, see pictures and read above description)

7" RECORD NEAR EX but (please, read above description)

7" SLEEVE VG but (please, see pictures and read above description) 

Keep Me Comin' was Oklahoma guitar firebrand Jesse Ed Davis' third and last album. 

It featured a killer band featuring drummer Jim Keltner, keyboardist Jim Gordon, 

and bassist Bob Glaub with a slew of side players featured in various

 places on horns (Clifford Scott, George Bohannon, Jerry Jumonville, 

and Howard Johnson among them), and backing vocals and notable cameos 

by Merry Clayton, Bonnie Bramlett, Leon Russell, and many others. 

The music walks a line between electrified blues ("Big Dipper"), Southern 

fried rocked up R&B ("She's a Pain" and "Where Am I Now"), greasy funk

 (Andre Williams' "Bacon Fat") freaky soul-jazz ("Natural Anthem" 

and "6:00 Bugalu"), country-rock ("Ching, Ching China Boy" -- a song 

about the racial epithets tossed his way when he was young -- 

and "Keep Me Comin'"). In other words, from all appearances

 it's an all over the place mess. Interestingly, that is exactly what most 

of the music press thought and it sank like a stone. Hearing it 

over 30 years later, there is an undeniable appeal to this music. 

Davis may have been self-destructive, but he was wildly adventurous 

musically, and he had the chops to pull it off. He could play with anyone, 

and his approach was deeply roadhouse blues and soul-jazz. 

His approach to funky was relaxed and natural, and nothing feels 

forced here at all. If anything, this may be the best of his studio records

 for Epic because the groove from track to track is constant, loose, 

and organic. If anything, Davis' forgotten legacy, includes sessions 

with Russell, Bob Dylan, Gary Lewis & the Playboys, Ry Cooder, 

Taj Mahal, and John Trudell, to name a handful; he was George Harrison's 

guitarist at the Concert for Bangladesh as an ill Eric Clapton's replacement. 

Davis' work deserves to be reconsidered and this set is part of the evidence...(AllMusic)